aging hippie chick

aging hippie chick
Location
Nevada City, California, US
Birthday
June 02
Title
Horticultural Goddess
Bio
Aging, yet immature, hippie chick. Married, musical, compulsively creative and scattered. Still trying to make sense out of life via Buddhism, composting, etc.

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Salon.com
OCTOBER 17, 2009 6:37AM

The Ending, part 2

Rate: 10 Flag

Briefly reveling in her new freedom to do such a wild thing, Annie made popcorn for dinner that night.  Just popcorn - no basic goddamned food groups, no plates on the table, no silverware.  Popcorn.  And lots of butter, which Michael eschewed.

Then she curled up on the couch in the fetal position with her old blanket and the remote control and watched 6 episodes of Andy of Mayberry, wishing she could go live with Andy and Aunt Bea.  She wanted to inhabit their quaint, black-and-white world where all the conflicts were cute and could be resolved in 30 minutes.  She might even marry Howard, the dorky but solid and even tempered city clerk.  She dozed off and dreamt of eating corn fritters in Aunt Bea's kitchen.

In the Saturday morning light, with a stiff neck and a hole in her chest, her life felt like a nightmare you wake up TO, instead of from.  She called in sick to ER - she couldn't imagine facing anyone asking her how she was, not this morning.  Then she called Phoebe, her first friend when she left the Bay Area.  

"Phoebe, it's Annie"

"What's wrong with your voice?  . . . Annie?"

"Michael left yesterday."

"Left for where?"

"Left ME."

Then she couldn't talk.

"I'll be right there," Phoebe said.

And she was - with champagne and chocolate croissants, Annie's favorite.  Phoebe had never been able to hide her distaste for Michael.  She called him a spineless worm when he'd vacillated about getting married.  She thought he was crushing Annie's spirit - called him "Stricken Man" for his tendency to suffer conspicuously any time Annie's attention was elsewhere for too long - if she took too long to come in from the garden when he came home, if she decided to go out with friends in the evening.   If she talked to her family too much at Thanksgiving.

Phoebe had a point, but Annie's ever-shrinking world had become familiar to her and somehow comfortable.  Michael was never abusive or mean, exactly.  He could be irresistable - articulate, deep, affectionate.  But tiptoeing through his moods was wearing - some days she was the center of his universe and he turned that powerful, irresistable beam on her, and others he would be hurt by some transgression she didn't understand.  On those days he'd stop making eye contact and look. . . well, stricken.  At night she felt lonely by his side, lying awake, wondering how she could fix things.

"Oh, Sweetie Pie", Phoebe said when Annie hugged her, sobbing.  "It hurts like hell, I know.  What happened?"  

And Annie told her the whole, shocking, mundane tale.

"Thank God," Phoebe said.   "That man was sucking the life out of you and you couldn't see it.  Everybody ELSE could, though." 

She poured champagne and they drank to Annie's freedom.  Annie tried to convince herself this freedom was cause for celebration.  This freedom she hadn't asked for.

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OK, here goes. I'm bumbling through my first foray into fiction. Or fictionalized autobiography. You guys are a remarkably kind audience - it feels very safe to do this here - but don't be TOO kind. I'm interested in honest, if gentle, feedback. (You ARE welcome to compliment me, of course. For the record. ) I think, as always happens, my writing will improve as I do more of it. Eek! Yay! Etc! AHC
I really like the feel of the piece. Just one thing, Floyd was the barber, Howard came later and was city clerk ;0)
You are doing quite well at it. It's great reading. That's the hard part - the great reading part. All the other stuff - the mechanics, fleshing it out, all that stuff is extraneous and easily dealt with later. Just telling the story and touching your readers with the emotion of it is the part you have to be able to do well. And you do. So keep writing. Can't wait to read more.
Rated!
I like this! I had to go back and read part one because I've been hit or miss here and missed it somehow.

You describe what happens to Annie so her story feels real and personal and yet readers can nod along and think,"Yep, that's how it feels." (At least that's what I did.) Your description of Michael makes me think I've known people like him, who have the sort of charisma that draws people but at the same time they need to be the focus of attention/admiration to function.
I'm pouring a glass of champagne now and toasting your literary freedom. This isn't "bumbling." It's beautifully written.
Very nicely done. Keep honing this gift.
Ah, THANK you Bobbot. I KNEW Howard wasn't the barber, and I figured on of my alert readers would know Howard's real calling.

And THANK you, the rest of you - this is so encouraging. I've wanted to try to write something longer than an essay for years; this may be the perfect format. You should try it! XOXO AHC
It's very hard to criticize well executed fiction. ~R~
I've always told people who read my stuff to shift focus from the grammar and misplaced commas and just concentrate on whether or not they can hear the voice, if the story works, etc. I like the feel of this, it reads well, and I can hear your voice. Mechanics are what a good editor is for. Don't give up.
I almost feel like I know annie, having worn her hat for a couple of decades.

I wouldn't have gone for any of those mayberry types except andy himself, hot smiling monkey. I knew him when he was evil and sexy as "lonesome rhodes".

(but truth be told I would have ended up with otis the drunk.)
I'm not real good on critiquing contemporary fiction, I'm afraid. Throw in some space aliens and ray guns, maybe; but "regular" fiction? I'm a lummox.
Good read. Made me sad. Rated,
I like the ending of part 2 because I'm left wondering if this truly was a good thing for you. Onto part 3. (Rated)