in my blackest moments - a poem for gary olson (an early poem by Gregory Hall 1946 - 2009)
when the blackness comes there's nothing to do;
ti jean. jostling in the street
i realize i've met a mountain.
o the blink'll come; there's no doubt.
and when it comes, will there be blackness still?
gary envisioned it as being high, high as you've
ever been; all your best friends there
whatever you dig to drink most,
you've got it--
a tall of old E; your favorite music,
your mother and father there holding hands
and singing together --
all the brothers, sisters, babies there; everyone
high and happy.
like the most happy blake things i've read, close
to the little sheep, on the planet
the very stars singing songs with light in the corners
and no fear and no hunger;
no restlessness or darkness of the spirit.
the earth alive and well; no cancers or diseases
no walls between us at last forever.
and this is death: the blink that comes,
then high--evermore.
the mysterious land from which nobody's come back;
the pictures still hang, revered by the survivors
the poems on the page, not to fold till the last
being's attention goes and the time falls off the walls
of consciousness for the last and final collapsing
echo of existence shot to the far reaches of the cosmos.
the ends of never; the borders of the infinite;
the wolf-ghost's parents lair;
where the collossus of the universe groans on a bed of
galaxies, sent to sleep in centuries, its' alarm
set for the inside-out paroxym convoluting eternity.
see the blind, the cripples, the misery of the manacles;
it will pass. the blink is the grace of god;
the vision a consolation when all human wheels
stick in the mud of illusion and our throats are parched
by the dust of the human fireplace.
carloads of tender poetry will bathe us in bliss
till the parting from this planet brings us together
in eternity; in the land which arrives after
the blink has its being. o gary your vision has saved
my soul.


Salon.com
Comments
this fellow is a guy
I'd be well-
advised
to read more of...
Now dead, in bodily/becoming, his corpus (ha)
of work burns bright
in Blake's
Golgonooza (!?)
the eternal city of art,
well described by Mr. Hall i believe