And so I labor under uncertainty here at the keyboard, torn between describing this dark night of the soul (ah, you should read those discards—very moving, very clever) and trying to use words to nudge myself toward the light, between baring my sorry soul and trying to bear my spirits upwards, all the while thinking that the truly compassionate thing is simply not to inflict myself on anyone.
Ironic that a wordsmith would be without words, though. But understandable, too: I’ve been inundated with words lately, it seems, and rather than being instruments of craft used to shape objects of Truth and Beauty (one and the same, as we know), they have been hammers beating constantly, not precisely like the cartoon hammer in the old Excedrin commercials, but the powerful mallet of the blacksmith beating on my anvil head.
No, this constant flow of words has been like the water torture our region has undergone: a constant drip alternating with frequent torrents, that represents neither the wellspring of life nor the creative pool of the imagination but a flood of dirty water that overruns the land and muddies everything it touches.
Much of what I’ve been writing and editing lately has been test items, which are boring (I like to tell stories; test items have no stories) and made difficult when the client wants a chunk of the multiple-choice battery to represent higher-order thinking skills, which (sorry) multiple-choice items are not suited for. But that is beside the point.
The point, an ironic one, is that crafting multiple-choice test items means writing solid distractors—the incorrect answer options that are somewhat plausible, of relatively equal length, not mutually contradictory (that’s a tipoff), and parallel in construction.
Distractors. Seems fitting, no? Focus on distractors has distracted me from my real passion, which is trying to use words to express . . . to express . . . ah, what? I cannot finish the sentence.
Which reveals the nub of the problem: for all the distractedness has left me at sea—adrift in the boundless Sargasso Sea, clammed up by clinging seaweed that chokes down words, becalmed (but not calm) by the airless Doldrums, the absence of circulating air preventing the giving of voice.
Or is it the airiness inside the head, the echoing of a chill wind within vast empty spaces?
We’re not talking writer’s block here. We’re talking nothing to say, no worthy utterance to offer, udders utterly empty of verbal sustenance, of wisdom, even of humor. The valley of dry bones rattles in my head, and bone on bone, without the cartilage cushion, makes for halting and painful movement.
My legs are cramped each night by sitting so many hours at the desk. My mind is cramped each night by so many hours of using words for base purposes. Perhaps that is my affliction—the feeling that I’ve been forced to defile the Holy of Holies by using words as bludgeons to sunder Those Who Know the Answers from Those Who Are in the Dark, deemed not worthy by those who believe in assessments as the be-all of education, when in truth those cast asunder are the children of God as thoroughly as the worshippers of tests (perhaps more so) who just maybe (ya think?) need to have their understanding assessed differently—or who need to have their curiosity provoked more creatively in the first place.
But it’s wrong to blame it all on assessments, however damnable they are. No, the problem is that I’m afraid that actually beginning to write will open the floodgates of feelings and thoughts only to find that rather than holding the healthy waters of a reservoir, they contain a cesspool.
No, the problem is that I’m tired of wallowing in that stagnant, sluggish, diseased muck and wish to drink from, but have not yet reached, the refreshing water of the oasis—and, indeed, it seems far beyond the most distant horizon.
Until I am cooled by the shade of the sheltering palms, until I can rest alongside the life-giving waters, until I can find voice in praise even of the stark beauty of the dunes (for Beauty is Truth), what can I say?
Words © 2011 AtHome Pilgrim.
All Rights Reserved.

Salon.com
Comments
Even your so-called tag "drivel" is divine, Pilgrim.
rated with love
But placing "Beauty and Truth" together took my mind to another completely different place...Emily's poem I memorized in 10th grade. "I died for Beauty but was scarce, adjusting in the tomb. When one who died for Truth was lain in the adjoining room..." A couple years later I was in a graveyard with friends. I recited the poem with full out expression. They clapped.
Thank you for your words. They evoked a beautiful memory. Tis' true.
“Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
― Gustave Flaubert
I was about to pound on your virtual door and demand you come out and play!!!! And I was half afraid real life had turned ugly or something.
Creating exams is one of the dullest experiences in life. They take away the life force, the creativity, and never seem to be that effective anyway. So, were I more zen-like, I would say they are an exercise in futility.
And this type of work makes one second guess oneself.
Trust me, if this essay shows me anything, is that you are one of the finest writers I've ever met.
i used to have nightmares about the sargasso sea. still do. we must have read the same book, old friend. :)
Of course, there is ALWAYS something to say. For me, the struggle you write of so well here is something of a battle.
Write on AtHome. Write on.
Jim Bronson explained it better than I could.
I can only tell you it's not drivel.
dirndl: Life, strangely, is full of multiple choices, which we essay to undertake, filling in the blanks as we go, looking for a matching soul, until we reach completion. Or something.
JW: Thanks for the thumbs up. All the responses from you folks mean more than would a cover.
RomP: Sometimes, though, it feels like I'm just ice fishing . . .
Mime: I didn't know of Emily's poem, so thank you for that. As always, she's spot on. (I was thinking Keats.) Looking forward to hearing your voice say the lines some day.
Sheila: Sometimes we fear it's a little monster coming out . . .
FLW: What does Flaubert have against dancing bears???? ;) Thank you for your resonance; always good to have a companion on the journey.
Miguela: Sounds like good advice (though sometimes one hangs one's head at the sight of real wordsmithery).
Scarlett: I thank you for your friendly eyeballs and attentive mind: you're very kind.
Matt: I thought the ointment would cure it . . .
greenie: Potholes indeed. And the DPW refuses to come along to fix it! Yes, need more outside time. I've been resuming walking, which helps. Somewhat.
vanessa: I understand the necessity for assessing learning, but the now past fad of alternative assessment made a helluva lot more sense (as did the now past phase of differential instruction for different learning styles). But now, it's teach to the test--which means there must be tests. Sigh. Just a warning: you probably won't hear much from me for the next couple of weeks as I continue to slog through this crap. And your last sentence? ¡Gracias!
Trudge: You win. I think you get 8 points for that one.
Candace: 'grim seems about right some times . . . Thank you for overcoming your deep-seated revulsion to test item writers; much obliged! As for the book, I merely saw the movie.
vanessa: See previous sentence.
JD: I always thought it was pretty cheap when all one can write about it not writing . . . and yet here I am.
Dr. Krane: Nothing's worse than a wanton cesspool. ::Shudder::
Bea: My frustration is that the "other things" have become such an occupying force that they squelch all the natives! Thanks for the solidarity, though.
Abrawang: Yeah, a vacation would be nice. Not in the cards, though. Maybe I'll do what Mrs P's administration advised back when she was teaching high school: take a mini-mind break.
Lea: I like your Rx, doctor--nothing that a good ice cream cone can't fix!!
ChiGuy: Only problem is, I really, really, really hate motorcycles . . . Oh! It's a metaphor! Doh!
I have missed you but take your time ... take care of you ... and words rich in beauty will follow.
PS I call them sweet distractors rather than solid ones. Isn't that funny?
Oh, Pilgrim, your words allow me to see the sea and to find the oasis once more.
Lainey: Nothing sweet about distractors to my sour mind. ;) Your advice is good, of course. Just wish I had the time to take it. . . .
anna: Sounds like you need to get back to the classroom: students could use your inspiration!!!
tg: Ah, well, if it had flair . . .
Kathy: Bless you for thinking that.