
The first time I saw my favorite film I was stunned. Do Androids Dream of Electric Sheep, or its visual stepchild, doesn't just assault your senses, it manages to instill dread and longing simultaneously.
"A new life awaits you in an Off-World Colony. A chance to begin again in a Golden Land of Opportunity and Adventure…"
This is Los Angeles in 2019 and you believe that it's not just film noir, it is the future. It's always raining—one supposes it's toxic as well. The street patois is a combination of English, Spanish and Japanese, a decent prediction at the time the film was made in 1982. It's more likely now to be a blend of Spanish and Chinese, but they had it close enough.
I was appalled at the apparent misery and decay. People survived in a crumbling infrastructure made all the more prescient in our own time with the demise of people in the middle. The prediction was three social strata—poor or rich or working for what has replaced the government—The Tyrell Corporation.
Ridley Scott directed a hauntingly possible future LA. It's not just the decadence, the sets, the brilliant for its day CGI (it still holds up well), but the creation of characters that are neither good nor evil in the face of inescapable corruption. It's almost always dark, garbage is everywhere, most buildings leak in the incessant rain. You're sure that anyone with any means has left for one of those sappily hyped off world colonies. So, who's left?
It's a brilliant film, encompassing the search for truth and the meaning of life, but also leaves us with questions. Without it being too much of a spoiler, in case you'd like to revisit this masterpiece, I think Scott left us with wondering who indeed is a replicant.
Bladerunner is more than just detective noir sci fi pulp. It still may happen.
Watch it again, and tell me what you think. Try to get the 2007 Final Cut version.
all images screen caps from my computer dvd player, except the model spinner.


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Last photo of scary chick creeps me out!
Nice OC with great movie photos.
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(rated) Rutger Hauer was just INCREDIBLE!
Hadrain, the title of the short story is in the second sentence of my post. The movie Bladerunner was based on Dick's Do Androids Dream of Electric Sheep?" I could have made that clearer, was trying to be a little cute, or suspenseful to get you to guess the movie title.
And Scott's basically said "Wonder no more. Yes."
Newbies--you'll want to see The Final Cut version. But if you get to the end and say, "Huh?" then go find The Domestic Cut, which includes a voiceover that helps first-time viewers figure out what exactly is going on. (It also establishes the homage to film noir.)
I'm curious which of the camps you belong to: VO or no VO?
You deserve the box--er, briefcase--set, Barry. :-)
I smile.......
I think that distinction belongs to 1942's Cat People
check out the trailer
http://www.imdb.com/video/screenplay/vi3983409177/
Entire film courses are given on this movie alone...
Thumbed. Going over to visit VR's offworld paradise now....
Some of my favorite quotes:
Roy : "I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time... like tears in rain... Time to die. " And the dove flies away.
Again Roy : "It's not easy to meet your maker."
Another film I basically know by heart. Also this was the movie that introduced me to Edward James Olmos.
I must have done that thing where I write and then click on "Post a comment" instead of "Post this comment", something I've caught myself doing.
I Love Bladerunner; loved PKDick, so no mystery there. But BR - the movie! SO stunning, especially when it was made - and the music was the Perfect complement (by Vangelis - who's pretty freakin awesome in his own right - also worked on Chariots of Fire; did some collaboration with Jon Anderson of Yes... used to have that album.... .sigh.).
Just lusted heartily for Rutger Hauer. Darryl Hannah was perfect - doll. Whatsie - Joanna Cassiday - Hothothot. Olmos spot-on. The only real stiff is Harrison Ford, and somehow it worked.
Thanks for reminding me to dig out the Director's Cut and Forcing the Girls to watch it!
I discovered PKD back in the '70s when I was indeed a geeky, post-paranoid sci-fi fan. After reading him, I just about stopped reading others in the genre. He was (and is) in a class all his own, and, thank God & Palmer Eldrich, he was prolific.
He was always hurt because he was never given the literary recognion he knew he deserved, having to content himself with churning out ACE paperbacks by the dozen. He never saw one of his works published in hardcover.
He died shortly before Bladerunner was released. Not many people took note at the time, but since then, his reputation has grown enormously -- he's easily the most influential writer in films today. Aside from the (often bad, but not always) adaptations of his work -- Bladerunner (confused but gorgeous), Screamers (surprisingly good, very Dickian), Total Recall (pulleeease) Imposter (they ran out of money?) Minority Report (good enough to go back to) Paycheck (John Woo Gone Wrong)A Scanner Darkly (probably the closest in spirit) and, ahem, Next, his approach to reality is the original genius behind Charlie (Eternal Sunshine of the Spotless Whatever) Kaufman and any number of lesser lights who posit down-and-dirty alternative universes. Where would "Lost" be without Dick's long-ago explorations? I could go on, but it's late.
He might not have enjoyed it but I think he would have appreciated the irony of having slaved away in the sci-fi ghetto for so long, only to emerge as someone whose presence in popular entertainment is vastly more impressive than anyone in the 20th century literary pantheon.
Thanks for posting.
Driving, pumping........