I woke up last night dreaming about George Plimpton, the writer, "professional amateur," editor, actor, bird watcher, and raconteur who left for the next dimension in 2003. I used to especially enjoy watching him on the talk shows, so relaxed and engaged but without a mean bone in him; he always looked like he was having a good time, enjoying whatever was coming his way, as interested in his interlocutor as he or she was in him.
It occurs to me what a perfect "ego ideal" he is for blogging. I came to blogging during the last Presidential election, determined to try to do something to prevent another disaster like the election of GW Bush. It terrified me to think it could happen again and I couldn't say I did anything to stop it. That made my message a bit "intense" on Salon.com.
When Joan Walsh recommended I join the beta for OS I was reluctant at first. All the action was on Salon, but finally I realized this was my chance. I didn't have to just respond to what somebody else was saying, but could take that first giant step myself. At last, an outlet without a "gatekeeper," and the immediate gratification of readers, raters, commentors, and eh gads--subscribers--not to mention the advertisers who came later. (though I've never gotten a cent and thought twice about the ads.) That was over a hundred posts ago and a gazillion comments.
It's a big promise and a high expectation for someone whose identity is inseparable from writing--as mine is. It was even better than print journalism because the output is kept on file--so if anybody asks: Are you a writer? The proof is right here. And if they ask: What do you write about? That's just a few more clicks away. How much better can it get for Christ's sake? The material doesn't fall into the endless abyss and if you realize later it was a mistake--you can erase it! I'm not even mandated to have you see me leaking cheese.
Also, I can write any damn thing I want from any slant I want. There's no pigeonholes. I can do op-ed, memoir, movie and book reviews, short stories, poetry, manifestos, obituaries, processes, talk about religion and sex, say fuck, lob the odd bomb at the status quo; it's literary nirvana. And not only that, but the assholes with their tongue wrapped around their knees can be excised as well!
I made most bloggers mistake at first: I took it much too seriously. I had to "set the record straight." Get out all the stuff that was festering after all the rejection and neglect. That was certainly the original motivation--unconscious as it was. But one day that's over. The repetition is too obvious--too boring. Once the job is done; it doesn't have to be done again.
Then, one has to find a perspective--an approach that broadens the palette. Something that can be put into words, even if it only evolves slowly--one post at a time--until a line finally emerges and sticks out and seems worth saying like "I woke up last night dreaming about George Plimpton." And then you get that sucker DOWN baby, you know what I'm sayin', with at least a reasonable expectation that one other human being on the planet will get it. Whalla!
It doesn't work to always be trying to right a wrong world, or finally tell the most tragic story there is to tell. The truth is that I don't know what's going to come next, and that's the most fun of all--fun. Not knowing: that's what "orders" my mind best--removes me from the anticipation of what anybody else is going to think or say. Fun. It doesn't mean I have to give the demagogues a rest--only the demagogue in me. I have no other "rule" as a blogger than my own pleasure.
Another quality of Plimpton's I enjoyed, unlike his friend Norman Mailer, was an easily recognizable selflessness that didn't allow him to fall victim to his own hype. In those interviews, he often seemed to blush when the subject turned directly to him and it was his time to sell himself. His profile wasn't more important than his work--and in some way I think that provides, or "should" provide in a moral universe a staying power the masters (I almost wrote monsters) of glitz can't provide when they're no longer around to blow their horn.
I think that's what George Plimpton was about and why he came to me in that dream. A year ago I had the opportunity to meet his son Taylor at the annual Holiday Art Fair at my Zendo. I bought his book "The Dreaded Feast" a collection of prize essays about the "dark" side of Christmas and he bought one of my Zen sculptures for his mother--George's first wife. (You really can't make the good stuff up.)
At the end of the dream, I'm admitted into a beautiful room in George's building filled with all sorts of treasures from the Renaissance. After all, that's what he was--a Renaissance man. They are a joy to look at and give me a feeling it's okay to leave something behind for no other reason than it makes me feel good.
Thank you George for stopping by. I hope you come again; I'm going to need some pointers, no doubt. And thank you Taylor; it was nice meeting you. I think it's called karma.


Salon.com
Comments
great post, as usual, ben sen.
That's cool you got to meet his son. Not necessarily for what his son had accomplished, though it's nice he writes a bit, but in terms of seeing a side of George Plimpton that many have never seen, that as a father, imagining what it meant to him being a father, and how that affected the writing.
Before I knew much about him, I always saw Alan Alda when the name George Plimpton came up, for portraying him in Paper Lion. Then you hear George's dry, distinctive voice and the two don't mix. As I get older I think about how generous George Plimpton was with younger writers. I've often imagined what he'd tell me: "Oh, no-that absolutely will not do, Why have him do that, She wouldn't say that, Look at how she moves, etc. What he did with the Paris Review, you can't help appreciate him. I wish I'd known him. But that's where writers have the advantage over performing artists, with them you know it's a show, but writers, the real ones, they've no place to hide and you can see them as they are.
I'll keep track of your contributions and catch up on some of your older posts. I just joined yesterday after months of dithering whether I had the time. Community is nice, but I find most are on auto pilot, going through their life as if it is an inheritance from some far relative they didn't even know.
This is as it should be. I enjoy your easy, laid-back style. The fact that your writing is excellent is a bonus.
"The smaller the ball used in the sport, the better the book.”
~George Plimpton
The testimony to your talent goes beyond the crystal clear writing---it's that you make the journey accessible to anyone who takes the time to read. That is service. So thank you.
The wisdom in this just shines. I can't pretend that I have gotten to where you are---but I do know where I want to go---and this is it.
I can't tell you how much your kind remarks mean to me. It's been a long road for many of us to find an outlet and so pleasant to be recognized when something hits home. Thank you.
- Kudos!
And I most certainly agree about the value of Open Salon. I wasn't part of the beta crew (arrived much too late in December '08), so I'm not one of the old originals like you, but I've been around long enough to watch any number of people on my favourites list grow and develop as writers. It's been an amazing experience.
R
As for blogging, all I know is: it's just so damned satisfying on some level.