In the movies, I’m at my dying aunt’s bedside, a band of loving cousins surrounding me. I’m singing a song she used to sing with my mother and other aunts and uncles a long, long time ago. When they’d sit around the kitchen table, harmonizing, laughing and simply embracing life. And I, a little girl, would sit on rotating laps, listening or trying to sing along.
[Me at 5, singing with my family.]
In the movies, when I sing this old song to my dying aunt, there wouldn’t be a dry eye in the house. When I finished, she’d lovingly touch my hand and whisper, “I’m so proud of you, Bethy."
In the movies, after she died, it would propel me to work harder, to take what I learned from my upbringing and blaze my own trail, kinda like Coal’s Miner Daughter. Wild success would follow and when I accepted my first Grammy, I’d thank my aunt. And I’d get choked up, which would only endear me to the public that much more.
But life is not like the movies…again.
I know, I know. It rarely is. That reality check has been delivered to my table time and time again, thank you very much. But sometimes, I’d like to catch a fleeting glimpse of that dreamy Technicolor world before reality smashes through my screen.
In reality, I’m at my dying aunt’s bedside, a band of loving cousins surrounding me. I’m singing a song she used to sing with my mother and other aunts and uncles a long, long time ago.
In reality, earlier that morning, I worked diligently on one of those old tunes so I could make her happy during her dying hours. Hoping desperately I wouldn’t cry when I sang it, I gave it my best shot, while sitting on her bed. She sang with me a little and filled in the words when my mind went blank from grief and sadness.
In reality, when I was done, the room was silent, with one cousin sniffling in the background. (So far, so good. Kind of movie-like, right?)
Then my aunt, with her eyes closed and a weak smile on her face said:
“You never really did much with that voice of yours, did you?”
In reality, I laughed. I laughed at the inappropriateness of her response. The timing. The incidental cruelty of it.
“You know what your problem is, Bethy?”
(In reality, anytime someone starts a sentence this way, run for the door.)
“What, aunt?”
“You start things and then you just go phhhtttt.”
“Aunt, you don’t really know about anything I do. I’ve been performing and creating for several decades now. And I….”
And I went on to explain the myriad of ways I’ve “succeeded” that would fit her limited mental picture of success. The weird little TV show I produced (over 100 episodes), the years of wild, experimental theater, my online writing success, my band, my extensive choir work. But somehow I knew she didn’t quite conceive it because she hadn’t seen me on American Idol or Dancing with the Stars.
On a bad day, I wonder if I buy my own story. So hard it is, to be an artist. Nobody really understands your stupid little path, including yourself at times. And unless you’re part of the 1% that succeeds, you’re forced to cling to some fading bohemian dream, insistent that it must mean something, right? Right? That it matters to express yourself. On a bad day, it seems like an act of great futility and grand self-delusion.
On a good day? On a good day, you believe in yourself more than anyone could because you’re forced to. There's little to no external validation to bolster this search. You begin to express yourself not for recognition or notoriety (because you’ve given up on that ego trip a long time ago) but because, like a real artist, you feel you must.
You strip yourself naked and do whatever it takes to get closer to your core, while everyone piles on more layers of artifice. You rely on your expression more than you ever could a friend or lover. You are your own rock god and super hero. You become star-struck, even if it's just for one fleeting moment, with yourself.
Even you can’t imagine you could reach such depths. It's well-earned self-respect that no one will ever be able to take with a careless comment. Ever.
In reality, my aunt died. And she’s not a bad person. She actually cared deeply about my "success" and my creative abilities. She did believe in me somewhere amidst her limited perception.
At least I’d like to believe that. That's how the movie ends in my mind.
The song I sang to my aunt:
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This piece first appeared in Red Room.


Salon.com
Comments
(Rated)
I don't let my parents or extended family do that stuff to my (grown) kids, especially the one that chose to be a hairdresser. They're not axe murderers, if they're simply decent people that should be an accomplishment and success in anyone's book. As far as I'm concerned Mitt Romney could have made a good person of himself but he went phhhttttt. Too bad, he had a lot of opportunity and could have made someone wonderful out of himself. You know?
Again, I'm very sorry for your loss, I know your aunt saw the world differently and if you were singing to her she loved you. That's really all that matters. Beautiful song, hope you're doing okay.
you singing as a child? cuteness overload! sooooo sweet.
But I think your aunt was speaking honestly to you and that's always a compliment and a sign of respect.
great piece, singer/writer/etc woman. it's a tough knot, unraveling what people close to you know about you, think about you. but i love the point of your story, the last paragraphs, about doing it because you *have* to be your own biggest fan or you wouldn't be trying at all. that couldn't be more true. though i'm surely one of your many others, beth.
About that artists life, yeah I so get that. When I realized that art was the kind of thing in which success is fleeting and today you are someone and the next day someone is better forcing you to re-calibrate and struggle to the pinnacle again, it made me think twice. I thought I could never be good enough and never count on what little talent I had to really make a living. I didn't have enough guts, let alone enough talent.
The thing is, I might have been okay with it, and as my life turned out that might have been the one thing that felt natural to me. I might have been okay being a starving artist. The thing about art and being an artist, it never really goes completely away unless you force it to. I am an artist today and I will be tomorrow and as I invest in myself the end isn't the end until the fat lady sings, and in your case, perhaps a small child or woman. That woman, she knows who she is, and it is all good. If you see it, it is so. Best to you Beth.
I couldn't tell her that writing doesn't matter in the modern age, doesn't earn you money and isn't read by the mostly-illiterate American public. I couldn't tell her that technical smarts are easy, that dealing with people is damn near impossible, and that her belief that I should not have friends or dates eliminated the skills that I would really need to be successful.
People like your aunt and my Mom never learned that the world is a mine field, and that your chances of getting through intact - or of having a life with any happiness - are ridiculously small. All we can do is keep gingerly stepping forward and hope that we don't die with the next footfall. They don't know that. They think we're just timid bums and failures, when we actually know more about real life than they do.
It can take a long time to dispel handed down notions about what being an artist means, and to recognize that these notions are usually the products of people who aren't artists, but aspirers and romanticizers. Artists are as unique as individuals in any sector that tends to be generalized: politicians, lawyers, priests, Hollywood actors, etc. I used to feel that I wasn't really an artist because I did not have the drive to spend twelve hours every day in my studio, but would toodle and noodle in there for a few hours, then head downtown for coffee and chat, instead of bleeding out my soul on my lovely handmade paper. And yet, for decades, I've toodled and noodled and the flat file drawers are full. I pick up a pencil with the knowledge and certainty that I am as skilled and my work is as rich as I yearned for it to be when I was a twenty year old art student. People talk about making money from your work, but that's not it, that's not the real pay. The real pay is mastery.
You don't say if you feel that, but it sounds like you might. When what Auntie thinks rolls off, what anyone thinks except you, rolls off, you're there.