Cartouche's Blog

Writing My Way Out of Something

cartouche

cartouche
Location
Someplace, somewhere else, USA
Birthday
February 09
Title
nonconfromist
Company
Mind My Own Business
Bio
Artist, former newspaper columnist and restaurant critic. Award-winning author of "In Pursuit of Excellence". In my spare minute I can be found blogging here, on Huffington Post and other places that don't pay and (more often) writing for some places that do. Occasionally I tweet random thoughts and observations as @nonconfromist. I keep the really good ones to myself.

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NOVEMBER 15, 2010 12:00AM

An Unedited Childhood, 1969

Rate: 52 Flag

“Observe the events from an adult perspective.  What would you tell the little girl in that situation if you were the observer?” the therapist asked.

“I’d tell her to be very careful,” I replied.   “It will surely happen again."

                                                              ***** 

For the longest time, I was incapable of seeing that nine-year old child through a magnifying glass or the rearview mirror.  I only recognized her in quick, isolated moments, at the skating rink, riding in a car, in an occasional photo or at school.  Her innocence was hijacked from under her while traveling across time zones on a trip that was built upon a foundation of lies that she and her family found themselves sleeping in sometime later.    She had no idea as it was unfolding. 

That child was me.

I don’t remember any preparation or tearful good-byes, but I recall a surprise going away party thrown in my honor by my fourth grade teacher and my classmates. 

The next thing I remember is that I am somewhere else.

                                                            *****

It is December 1969.  America is entrenched in Vietnam and I am sitting in a café in Vienna drinking coffee and eating cake with my father and brother as if this is the most natural set of circumstances in the world.  Sitting with us at our table is a woman.  She has blue eyes and big, horsey teeth.  She wears too much foundation and heavy perfume.  Her extra large lips are painted red.

She is not my mother.

I recall nothing of the plane ride from Cleveland to New York or the subsequent flight to Austria that dropped us in this foreign country that had suddenly landed on my napkined lap.  I am confused by the time difference, foggy and tired from jet lag, eating torte as my father chats animatedly with the woman with the equine face who I am suddenly supposed to like.  Her mane is dyed an unnatural shade of black and has the cursory 60’s flip.  I want to break her jaw every time I see her mouth move, as she tries to pronounce my name or engage me in conversation, as if her own words are being dubbed.  I imagine her chewing hay.

My next memory is of the opulent Hotel Am Stephansplatz where we stayed.   More explicitly, it is the aromas I remember.  The powerful lure of strong coffee and breakfast pastries permeated the long, wide hallway each morning, mixed with the invasive yet incongruent odor of tar from construction going on outside.   Every day, these two distinct smells greeted me and waged a strong battle with my grumbling stomach and fascination with all things sweet at the time. 

I recall the dull colors of the carpeting and heavy furniture, the archaic elevator and dim lighting, no matter how many huge, gilded chandeliers hovered over us.  This combined with the gray skies of Vienna cast a pall over an already cold and somber city.   It is a feeling I am unable to erase in subsequent visits.   As beautiful as it is, Vienna elicits a sense of sadness that I can’t shake and a chill that can’t be warmed.  Most of Austria does, for that matter.  In French, it is called “tristesse”. 

I almost immediately notice the stiff formality of the language and culture.  A part of me suddenly connects the dots and understands that our family and way of life had been sociologically transplanted from these roots and had taken up residence in Cleveland, where we were as mismatched to it as it was to us.  I will spend years often feeling similarly misplaced, yet constantly uprooting myself, without knowing why. 

I was struck by how old everything was and how worn and tired everyone and everything felt.  I remember how the bullet holes in the buildings frightened me.  I wondered why they had not been patched up as we did with ice at the skating rink, after someone had stuck a toe pick in too deeply and mined a large chunk of it.  I did not have the intellect to grasp that only 24 years earlier, Vienna was as war-torn as most of the rest of Europe and that the scars were still openly visible, even if the wounds they caused were not.  You could not clear the ice of the past with a Zamboni. 

I’m not sure how many days we spent in Vienna before continuing our adventure, but it seems that we saw the woman frequently, sometimes with her son Mickey, who was close to my brother’s age.  We visited her in a store where she worked as a clerk, took coffee at her apartment and had dinner with her on the outskirts of Vienna in Grinzing where I remember little more than enjoying delicious crepes for dessert.  It will take matching sets of months and years to figure out that while on this trip, my father was also having his cake and eating it, too.

The memories of those weeks play out in my mind under soft, dreamlike light, as if it is someone else who experienced them and I am watching them through a director’s carefully unfocused lens in a darkened theater where I sit alone.  There is little or no dialogue then or in subsequent years.  They are merely splices of memory etched in film that I catch like melting snowflakes that land on my mind.  On other days, they are more like a silent reel of feelings for which I somehow found drawers to bury them in. 

Almost 40 years later, I find myself looking into the bureau of my own investigation.

The case is now wide open. 

 

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Comments

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Cartouche, I've missed these pieces of your past and your journeys.
bureau of my own investigation.
Great line. Hope you can remember more.
"The case is now wide open" - superb. You have unique ability to capture ambience, tone, and memory in evocative prose. The length and pacing of this was excellent, tightly capped with my favorite line. Rated.
Vietnam is one word all though you are correct because we couldn't have misunderstood the place anymore even if we mispelled it. Oh, yes, Austria, so quick to claim Beethoven, so slow to claim Hitler. Your better off in Cleveland. Good post. R
Travels of the past that helped shape us into what we are today.
I am so glad you have written about these journeys.
Rated with snickerdoodles
This is so intriguing and evocative. I hope to hear more. Rated.
That's some deep digging. Evocative and interesting. "I imagine her chewing hay." Priceless! I imagine you as a precocious child. Very astute for your age.
The heavy perfumed woman with the equine face -- "I want to break her jaw every time I see her mouth move."

This conjures up the Alex Karras scene in Blazing Saddles.

Very interesting snippet from your childhood.
A dark memory with all the details recalled to perfection. Like the others, I thought "bureau of my own investigation" was a killer metaphor.
Thanks so much for sharing this, Cartouche. You made me remember that I have my own haunting childhood memory. I hope you write more. R
I hope to hear more of this story soon. It is captivating. -R-
This is the first thing I've read this morning. I wish I could just go on to the next chapter. ~r
Some great lines here Cartouche. Trilogy mentioned one of may faves, here is another. "You could not clear the ice of the past with a Zamboni."

You capture Vienna and the woman with the horsey teeth so well. That "the case is open" hopefully means we'll be hearing more. Good stuff.
The precision of your memories always impresses me, as mine seem so hazy. That, and the clarity of your writing. The reflection on the bullet-scarred buildings, and your child's mind comparison to the ice rink back in what had been home is arresting, and an apt metaphor for the whole. Guess there's no Zamboni that can take care of the holes in a life, either.
Gorgeous and haunting piece!
Pat this is just remarkably well-done. R.
Great writing, Cartouche!
"That child was me." "She is not my mother." "... fascination with all things sweet at the time." "...'tristesse'...." And yet within the bits and snippets of memory can come such detail. I wonder how many of us carry seemingly disconnected pieces of who we were and what we saw and what we did or did not understand of what they meant. How universal is the belief that children simply will forget. Except that the child we were does not forget. I wonder if it is the sense itself of disconnect that keeps us from letting it go. Thoughts of this seem to be walking with me lately. Reading your words here touches me deeply.
I could never imagine this but seeing it through your eyes I can see you small, confused, and it makes me wish to hear more.
You have done it again in your masterful way, Cartouche. You have drawn me in holding my breath and kept me entranced until I realized the need to force myself to inhale or I will crumble. But I'd rather fold over from lack of oxygen then miss taking in the next word.
I join the others in telling you from a reader's point of view that this is excellent, cartouche. Excellent.

"I wondered why they had not been patched up as we did with ice at the skating rink. . . ."

You capture so well this little girl's disorientation.
Gee, I think Vienna is one of the most exciting cities in the world. And Grinzing -- I spent an evening at a beer garden there some years ago, and several Austrians with horrible voices sang all night. It was hysterical. You should maybe go back.
Once again, you have created something with vivid descriptions of the characters and the atmosphere, but with an overpowering air of mystery. Fascinating.
Well done. Despite the darkness of the memory it still makes me want to visit Vienna. (Your piece, and Beethoven.)
Your excellent writing reminds me of the best of OS.
But, "tar", the smell of tar? Mingles with your uprooting...
Uncanny: the smell of tar is always associated with mine, too.
Marble Arch, Grosvenor House, the week before I was pulled from England, kicking and screaming, and deposited in Canada. The room overlooked a courtyard where the roof of the ballroom below was being repaired with... TAR. Raking the hot muck were a handful of the strongest, most beautiful young Hungarian refugees with their shirts off, flexing their rippling muscles and flirting with (yes, laughing and winking at) pubescent ME! I LOVE the smell of tar.
R -- love your writing, too
my mother remarried in 1969, it wasn't a good year. i would tell that little girl that she is free.
As usual, your superb writing had me standing in that hotel hallway smelling strong coffee and tar. In truth, I've always thought strong coffee smells like tar! There is a lot in your story I relate to, especially the slow realizations that one or another of my parents is "having his cake and eating it, too." I hope you will write more about this trip.

Lezlie
This whole story feels disoriented and hazy, with the juxtaposition of sharp, clear phrases...really well done, look forward to more.
Do adults really not get what the senses of a child take in? What lingers? What haunts??
excellent lightning in a stained bottle. I will be, from here on in, my own bureau as well.

We look at different things than our parents. He noticed something else, I guess.
History cannot be patched or covered over. When we see the bullet holes, we know what we want in the future. I think learning what we want is the biggest benefit of looking at the past -- that and some of your superb metaphors.
You remind me that, from the outside perspective of a stranger, what appears to be a simple family tableau may actually be a thin veil concealing unbridgeable rifts.
This is one of your best-wrought pieces. It transported me.
So moving and powerful; I hope your excavations are fruitful. R
This is like "The Sound of Music" backwards. No chirpy songs to mask reality. Only deep, powerful experience on a trip to reality. Your brave testimony is compelling reading, friend.
Don't you wish you'd kept a diary? There's so much forgotten, and yet you have these evocative, tantalizing memories.
Vienna is a deeply weird place.

Great writing.
Your cognitive ability is impressive, the ability to relate these memories so the reader feels the entire experience. Well done.
Looking forward to more...
Beautifully written and carefully remembered.
Nine is young to cope with the notion that you may be coming second to a horse in your father's eye, and young to figure out for yourself the reasons life went upside down.
Certainly young to deal with the seeds of distrust that were planted in the feelings she was having about the very man whose job it was to keep her safe and secure.
I can't imagine what she did with that, though the film analogy is giving me some idea ...
Thank you cartouche - rich and oddly familiar.
Cartouche, it isn't an easy thing to have such detailed recall. That the sword cuts both ways makes memory confusing, and bringing it to consciousness demands a courage of sort. Not that you can halt it (this I know). The tricky thing about the past is how easy it is to lose yourself to it, and re-surfacing into the present can be like a diver surfacing too soon.

You are gifted with the love of language. I read this aloud because the words felt even more substantial when made physical by saying them. Well done.

MOC
the way you describe this sends chills. I want to take the little girl away from those people.
"I imagine her eating hay." Wonderful.
I love the way you tell a story, always dripping with mood, atmosphere. Fabulous!
“I’d tell her to be very careful,” I replied. “It will surely happen again."

You are mining some rich stuff in that bureau... I'd love to see a book jacket on it someday.
Intriguing! and so beautifully described