
Imagine history’s great female singers up on a stage. All genres. Look! Renee Fleming, Bonnie Raitt, Lucinda Williams, Joan Baez, Billie Holliday, Ella, Sarah, Dinah. Your own personal favorites. Up on that stage. Ready to sing.
And then you see a woman you don’t recognize. If you are not from 200-mile radius of Chicago, you have no clue why she’s on that stage. Somebody in the crowd of greats, maybe Maria Callas or Janis Joplin, walks over to the woman you don’t recognize and says,
“Hi Bonnie Koloc. Glad you’re here!”
Bonnie Koloc, perhaps the greatest living vocalist you have most likely never heard of, has gone into the studio for the first time since 1988. And she has released a CD, “Rediscovered” in much the same way one imagines Rembrandt finishing a painting.
But that’s where the comparison ends. Koloc’s music feels first like an invitation to sit around her living room and share some songs. Not something hang on a wall.
It’s only later, after repeated listenings---because you’ll want to listen to this true gem a lot—it’s only later that you pick up the full impact of the world-class musicianship that powers the stories on this new masterpiece. Only later that the rare long time listener thinks, “She’s actually gotten better.” Only later that you realize the production value of this CD would make a Nashville Session man tip his cowboy hat or an LA Session guy or gal coolly nod “yes.” All that only happens later. Because right now, all you want to do is listen.
Listen to Koloc share songs. Songs built around this theme of "Rediscovered."
Not something you think about every day. Being “rediscovered.”
Being discovered. That’s an easy idea. You are found! Celebrated! Rich. Famous. Whatever it is you want.
But being Rediscovered is different. If it comes, it’s a longer, deeper journey.
Rediscovered means another chance.
Like a golden thread of hope that connects us all. Another chance. And the musical stories here mark a way for anyone who enjoys music at its best, to wander down their own path to rediscovery.
The path Koloc charts is grounded in her early years with two songs in loving memory of her brother Jim. “Two Black Guitars” brings The Everly Brothers, and in some ways all of music itself, into the story along with a melody capable of comforting anyone in those times of deepest grief. “Kentucky Dreams,” speaks to the notion that in remembering something or someone, there are always more stories. “Stories” she sings, that “only me and my Mama know.” And in that line, a respect for the stories comes through strong.
“Lie Down By Me’ will waft out of your speakers like the warmest of summer winds. If the pressures of real life get in the way of your “rediscovery” journey, listen to this song immediately! When Koloc sings, “Let’s think about right now,” you do.
Segue that summer wind into the bass line of the old blues singer Lil Green’s “In the Dark,” and one really doesn’t need to say anything else about grown up love. Because the song says it all. And says it clearly.
“Children’s Blues” is a fascinating piece of work. Written by Koloc, the song does the seemingly impossible. It makes the story of a child into the blues. Real blues.
“Sunday Morning Movies” is about grown up fantasies, missed connections; wishful thinking and above all the human need to just keep going. It’s a song that will make you raise your hand and say, “Been there!”
Heroes are part of any journey of rediscovery. And "Elis" is a song to the Brazilian superstar Elis Regina. Clearly a hero of Koloc’s. The haunting Spanish guitar, accordion of faraway places and brilliant bass line as Koloc offers up a tribute will send more than one listener to You Tube to see who Koloc is singing about. And it’s a trip that’s worthwhile. Elis Regina is very much up on that stage of music royalty.
The last three songs on this shimmering collection of music are Tom Rush’s “Wind on The Water,” Jackson Browne’s Colors of the Sun” and finally John Prine’s masterpiece “Angel From Montgomery.”
And it’s in these three songs that this magnificent vocalist, who calls herself a “saloon singer”, offers up perhaps the most profound message of rediscovery.
All three of these songs come from Koloc’s early days. They come from the time when she was first “discovered” playing alongside Prine and Steve Goodman at Chicago’s Earl of Old Town.
But listening to these songs again, those who have grown up listening to Bonnie Koloc, and those who have never heard of her, all get something that wasn’t there the first time. The soaring talent, the ferocious drive for perfection, knowing which songs to sing; that was always there. And it’s still here.
But this time there is more. Along with musicianship and production value brought to a new level, there is something else.
This time there is wisdom in the work. The hard fought wisdom of the years. To rediscover, one must remember where they came from. But they’ve also got to keep changing. And with this major piece of work, she has.
Bonnie Koloc has always been one of the greats. If you've never heard her, you're missing something major.
Because now she’s even better.
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“Rediscovered” can be found here:


Salon.com
Comments
Scanner---It's actually better. I had to dial myself back here because my gushing was getting out of hand---so I put this aside and came back to it.
also--That was the thing that really intrigued me about this. The music is terrific, but that idea of being rediscovered, and then listening hard to the work and hearing some sort of rediscovery theme across the whole work---that was different.
I don't do music reviews too often cause they are really difficult to do well. To get away from cliches. But the rediscovery idea made it different.
Nice job Chicago Guy!!
Here's the stream link: http://coolalbumoftheday.com/?p=21887
Thanks.
I saw her sing last Friday and it was sublime. She was mind blowing in the 70's. Now she's better. She always had a good musician on stage with her, but now she has a whole slew of them. So she'd found people that can match her. Maybe that's part of it.
Asking why she's not better known has become kind of a cliche. So I wanted to stay away from it here because its really not the point. That rediscovery thing is the point.
Check it out. I guarantee you'll see what I'm talking about.
R
Tom--I got to see the guys she'd playing with now last weekend. Front row seats in a beautiful room. And I was thinking during the show, "This must be what its like when a bunch of Nashville session guys get together. I bet Cordle would love this!"
Sally--This CD really is that amazing. There is also a much earlier song (that is on you tube) called "I've Got To Believe" which has always been like a touchstone to get me through the hard times. And its never failed me. Would be in my top 5 best songs ever.
CM--Let that Matt guy know too. I'm guessing he'd, like me, give the nod to this whole "rediscovery" thing!
Something else that most readers won't know is that she appeared in and received great rewiews for her appearance in Saroyan's Human Comedy--produced by Joe Papp, music by Galt McDermott--on Broadway.
A truly versatile artist!
Knowing the song "Hot Night In New York City"--which is one of my favorites--its not surprising to learn she was on Broadway.