MY RECENT POSTS
- Art Fairs
March 20, 2011 01:12PM - Broadly Speaking
December 15, 2010 09:12PM - Plein Jane Air 2
September 23, 2010 08:45AM - Plein Jane Air
September 22, 2010 03:41PM - There's No Money Anywhere
July 21, 2010 10:34AM
MY RECENT COMMENTS
- “That was a wonderful
scene in Spider-Man 2. I don't
remember
the equivalent in
1…”
November 15, 2011 09:45PM - “If you thought "300" was
bad you absolutely should
under
no
conditions…”
November 15, 2011 11:34AM - “I've had women in New
Jersey pump my gas several
times. There
was one station
a…”
September 29, 2009 10:20AM - “You know, Raven, it's
tough for freelance
blacksmiths to make
a living
these days…”
August 27, 2009 09:06PM - “Hey, DaBerm, lets hope
Ramesh isn't one of
the
copyeditors.”
August 27, 2009 01:07PM
Chris Rywalt's Links
Art Fairs

Mata Moana by Robert Henri, 1920
I regard the salons of Paris and the big annuals as institutions detrimental to art. Art should not be segregated to a certain six weeks in the year. Art should be persistent; exhibitions should be… Read full post »
Broadly Speaking
I've been thinking about writing something for the blog here for a little while now. I've got a few things I wanted to write out and I'm not yet prepared to admit this blog is dead, even though it really looks as if it is. I don't want… Read full post »
Plein Jane Air 2

The view from my front door. Hazier and less blue than when it caught my eye.
Sending William off on his walk to school this morning I was struck, as I often am, by the contrast of shadowed trees against the morning sky.… Read full post »
Plein Jane Air
I have just returned from my first session of plein air painting in years and years, and my first test of my new Plein Air Painting Kit which I only just put together.

My Plein Air Painting Kit
I'm entirely uncertain of what I'm doing… Read full post »
There's No Money Anywhere

My former studio in Gowanus, Brooklyn.
About a month ago I opened myself up for Facebook chat and within moments good old EAG started typing to me. His first words: "hey ex-blogger". If I was an ex-blogger a month ago I don't what that/… Read full post »
Saltz on the Wound

In March of 2009 I quit Facebook. I'd only been on it a few months but I rapidly discovered that, while I was an asshole in real life, on Facebook I was an insufferable asshole.
Over the past year or so I found that… Read full post »
Escape From New York
Saturday I attended the opening of Escape From New York, curated by Olympia Lambert and held in Paterson, New Jersey (open weekends through June 19, 2010). When I heard of Oly's idea originally I was interested mainly because I live in New Jersey and thus am naturally interested in… Read full post »
Three-Handed and the Date Farmers
I'm a bad person. I've seen some shows and failed to write them up. In particular I saw a show from an artist I like, whose shows I've reviewed before, and who personally invited me, and didn't write a single word about it. How ungrateful! And… Read full post »
"Red"

Mark Rothko, Black on Maroon, 1958, mixed media on canvas, 105x150 inches
Depart with me from the streets of Chelsea. Come with me uptown, up to 45th Street, to the John Golden Theater, and let's talk about "Red", the play by John Logan starring Alfred/… Read full post »
Blacklist in a Teapot

About two and a half years ago I wrote "I'm the Next Charlie Finch" in which I spoke about "our own [art blogging] controversy, compared to which a tempest in a teapot is an extinction-level event". It looks like Charlie has wound up another one, and/… Read full post »
Trying to Care

photo by Lindsay Beyerstein
I understand that I haven't been writing much on this blog. I've been commenting here and there, and posting some over at [Post] Artblog.net, but mostly I've been reactive, not actually active. You poke me, I poke back, but otherwise, I/… Read full post »
Three Hours of #class

Chris Rywalt, Franklin at Class, 2010, Conté on paper, 5.5x8.5 inches
I attended about three hours of #class yesterday. Franklin all but requested that I write it up so here I go. I'm not sure it's a good idea (or a good investment of time)/… Read full post »
If I Had a Gallery (part one)
The atmosphere's been awfully negative around here lately. Stephanie likes to warn me that it's okay to let loose with some negative thoughts now and then so long as I eventually get back to the positive, what she calls "the good stuff". And it's been noted by a… Read full post »
Drawing Cara
I've shared a studio with Reilly for about a year and half now. The first year went really well but the past six months have been more problematic. I didn't even set foot in the damned place during August or September of 2009. And since then my… Read full post »
Kung Fu Panda Land

Kung Fu Panda
I've told this story before but I'm thinking of it again so I'll tell it again, only shorter this time.
I have this very clear memory from my childhood. I must've been very young, no more than eight years old. Two doors… Read full post »
Sorry to See You Go
See more Lolcats and funny pictures.
It's a sad thing when someone turns out not to be the kind of person you thought they were. You can't really know everyone very well, I suppose, so what happens in my head -- and maybe in most people's… Read full post »
On Pipe Cleaners and Popped Balloons

I'd like to give you a glimpse of my life: I am a troll. I sit in my darkened room, my bloated, hairy form hunched over the keyboard, stabbing out nasty little missives expressing the only emotions I can truly feel: spite, envy, greed,… Read full post »
Canvassing Continues
Chris Rywalt, Untitled Oil #10, 2010, oil on canvas, 18x24 inches
First up, the final version of the painting I posted a little while ago. I added lines in. Reilly says he likes the colors, which aren't coming through as well as… Read full post »
Not Forever, Not For Now

François Lemoyne, Time Saving Truth from Falsehood and Envy, oil on canvas, 149x113.5cm (from The Wallace Collection)
In case you heard a loud POOF echoing around the art world recently, that was the sudden deflation and disappearance of the façade of museum curatorial omnisc… Read full post »
Back on the Canvas
Chris Rywalt, Untitled Oil #9, 2010, oil on canvas, 18x24 inches
It's been a long time since I painted on canvas. But I've been thinking of switching back because I can prepare canvas in my studio, whereas making panels -- which involves sawdust… Read full post »
Even More Recent Stupidities

DUH
Things have been quiet. Too quiet. Maybe it's because they know I'm watching, just waiting for the moment when they write something inane, moronic or just plain stupid, waiting for that moment to pounce! And put them on my blog.
But… Read full post »
January 7, 2010: Ken Noland
I'm going to try something a little different with the shows I saw last Thursday: I'm going to break them out into separate entries. The last slog I wrote up ran very long and having all the shows together like that seemed a bit too much. What… Read full post »
January 7, 2010: Helen Frankenthaler

Helen Frankenthaler, High Spirits, 1988, acrylic on canvas, 65 3/4x98 3/8 inches
Having exhausted myself amidst the crenellations and battlements of uptown I headed downtown to Chelsea to catch Piri's other two recommendations before the galleries closed and the openings opened. I went as… Read full post »
January 7, 2010: Winter White at Tria Gallery
Piri's final recommendation to me was a group show of new work at Tria Gallery titled Winter White (until January 21, 2010). I hustled up to 25th Street and made it in before Carol Suchman, one of the gallery principals, could close up shop.
I have to… Read full post »
January 7, 2010: Mostly Monochrome at McKenzie Fine Art

James Lecce, Meltaway, 2008, acrylic polymer emulsion on panel, 42x24 inches
After working my way through Piri's suggestions it was time for my own. I started where I often start, at McKenzie Fine Art, where Valerie McKenzie had put together the group show Mostly Monochrome (until/… Read full post »


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