I dunno about you, but I love Sam Shepard. Many years ago, I Loved loved Sam Shepard. Oddly enough, I discovered his poetry before his prose; his prose before his plays. I kind of backed into True West, as it were. And fell in love all over again.

I'm on my way out there to find the book I think this poem's in, but thought I'd throw the question out there:
Has anyone heard of a poem titled Paris, Texas? I think? I don't mean the play; we've all heard of the play, seen the movie, perhaps. No, this was a poem, possibly in Motel Chronicles, so far as I can deduce, that I read and carried with me nearly 30 years ago, from Kansas to New Orleans to San Francisco... and then lost it. It has a line that was my line, and now I can't quite grasp it, you know? And, lo and behold, when Everything's available via Google, etc., it's not there!
It 'goes', variously as follows:
Is this Paris, Texas
Or Paris, France?
Am I alive
Or am I dead?
... then on, ending something like this, and This is the This that I carried with me:
I cannot fall on my knees
I will not beg
I have not the strength to fight
You see, it's the dichotomy that gets me. Every time. He cannot, will not; and yet has not the strength to fight.
* * *
In the days after 9/11, living near NYC, devouring everything I could read; glued to CNN and the like, a writer, I think it was Richard Ford, put it all together for me. He wrote of the jumpers from the Towers, those that chose or had to choose to fly, sometimes hand-in-hand. He referred to their "resigned desperation", two words that are not supposed to go together. Yet they did. And do. I mean, I realize the root word, despair. But desperation, to me, meant frantic and actively fighting. Whereas resigned....
Dichotomy. A succoring playmate, up, with a twist.


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Sam Shepard's work has always been of great interest to me. I saw one of his plays performed at Idaho State University, "A Fool for Love;" a guy who was majoring in theatre, a friend of mine, had the lead role. . . . The play which garnered him a lot of respect was of course "Buried Child." He doesn't write much anymore---not that I know of, anyway. His acting is still superb; and I guess he's damn lucky to be married to Jessica Lang.
Richard Ford is another fine author, and I've read nearly every one of his books, most recently "The Ultimate Good-Luck," and it's his brand of social realism that I most admire, by the way.