Some songs would better truncated; for instance, I think Beyonce’s latest, Single Ladies (Put A Ring On It), would be perfect at 1:45 seconds. This cannot be said about iconic cuts like Aretha’s Respect, Wouldn’t it Be Nice by the Beach Boys, I Wanna Be Sedated by the Ramones, and the frenetic Alice in Chains joint, Them Bones - all are quintessential 2:30 songs.
A staple in classic pop music architecture, the 2:30 song at its best is a taught and grovilicious gem, an approximation of perfection unleashed as a musical hit-and-run leaving first-timers off-balance and thirsting for more.
Alas, the 2:30 song is no longer king, but it still exists. Now it can be used as a time-conscious, tasty appetizer for an album or as a window into the artist’s ethos and aesthetic. Below are five 2:30 songs from my 2008 collection. It’s not a “bests” list; it's more of a Whitman’s Sampler of what I liked this year.
- A-Punk by Vampire Weekend Vampire Weekend
These boys are suspiciously soulful for White hipster rockers. - White Winter Hymnal by Fleet Foxes Fleet Foxes
There. In the arrangement and mixing – do I hear Pet Sounds? - 100 Yard Dash by Raphael Saadiq The Way I See It
Fast and fresh twist on classic soul. I saw Raphael live recently, and I wasn’t alive to see Stax, but I imagine that this is the closest I’ll come to seeing Wilson Pickett or Otis Redding perform. - 7 Pounds by GZA/The Genius Pro Tools
Hip-hop with head-knocking a beat and no hook. No frills. Old school. - Life in Technicolor by Coldplay Viva La Vida
Lush and textured instrumental prelude to an elegant album.


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