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DECEMBER 20, 2008 4:10PM

Recoverd Soul: Joplin's "Cry Baby"/Ellison's "Stay With Me"

Rate: 3 Flag

(This post is largely inspired by and cribbed from a discussion at the fantastic Soul Sides blog.)

janis ellison frank

"Stay With Me Baby" by Lorraine Ellison 

"Cry Baby" by Janis Joplin 

If you’re not familiar with Janis Joplin’s jaw-dropper “Cry Baby”, that’s a shame.  This track is pure soul and, despite Joplin’s noted reputation as a bluesy rocker, it reveals a voice different from the Joplin heard on classic rock radio staples like “Piece of My Heart” and “Me and Bobby McGee”.

“Cry Baby”, originally a 1963 hit for Garnet Mimms and the Enchanters, was written by songwriters Jerry Ragovoy (“Time Is on My Side”) and Bert Berns (“Twist and Shout”), the duo that also co-wrote another piece covered by Joplin, Irma Franklin’s “Piece of My Heart”.

In 1965 Frank Sinatra was slated to record the Ragavoy/Berns composition, “Stay With Me Baby”, but cancelled due to illness. Lucky for us, the studio and orchestra were booked and paid for allowing back-up singer Lorraine Ellison to step in. Ellison unequivocally slays this track. 

As it turns out, “Stay With Me Baby” is clearly Ragavoy and Berns re-arranging their older “Cry Baby”. Structural and lyrical differences are clear; Ellison’s version starts with a calculated and soothing build up, whereas Joplin crashes right into the pathos. Yet both renditions stop you in your tracks – Ellison and Joplin display a rare power to erupt in an utter and desperate longing.  If these songs don’t make you emote and empathize with the singers, then you are clearly dead inside and have a heart two sizes too small. 

For bombshell tracks, “Cry” and “Stay” are ridiculously underappreciated. Perhaps “Cry Baby” is too soulful and doesn’t fit into classic rock radio’s repetitive format; but I’d rather hear Janis belt out this tune than hear “Bobby McGee” for the umpteenth million time.  And Ellison clearly deserved more notoriety and success; who knows why her track has been lost to time. You’d think that with two versions of such a stunning song at least one recording would reach widespread popular acclaim. 

Fortunately, the age of digital music allows easy rescue of worthy lost classics. 

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Further listening:

Garnet Mimms and the Enchanters’ 1963 recording of Cry Baby.

Mary J Blige excerpts Stay With Me Baby at the 2007 Grammy Awards (@ 2:46). It may not be remarkable at first, but Mary sells the urgency and agony of this song in a fashion that I can only describe as devastating. She’s not acting; she’s living that song. It’s a gripping (albeit brief) performance that catches you off guard. 

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Comments

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Corey, we have very few crooners and soul-singers left out there. I love music but have gravitated so heavily toward instrumental hard core jazz and blues with lyrics because of the influx of boy bands and wannabe soul singers who do nothing but infinite runs with their vocals.

What a breath of fresh air.

RATED!
Peace,
G
Greg,

Fresh air indeed. It's amazing how 40-year-old music can be reborn and sound brand new when it is not over-played by radio and used in tons of movie/TV shows.
I'd never heard the Ellison - wow - thanks!
Janis was one of my favorites as a young woman. My mother hated it when I played this Cry Baby or Piece of My Heart, but she had no idea how deeply I related to the raw, ripped out of the bottom of her soul, authentic sound of anguish that Janis Joplin was able to deliver. It pushed me.

Thanks for sharing this. Listening to Janis is a soul recovery project even still. You know I love Mary J. Blige for similar reasons. Authenticity is not for everyone, but for the few who appreciate it served up like this, it is transformative.
You're welcome, dor and Susanne. And, thank you Susanne for sharing that.

I know my little corner of OS can't spark a revival of these songs, but I hope if people liked what they hear, that the songs get passed along. I'd never heard the Lorraine Ellison song until the other day, either.