I haven’t seen the movie Moneyball yet, though I’m anxious to (I hear there is a talented, good-looking guy playing David Justice). As a serious baseball fan (whose mind is still boggled by this season's epic collapses by the Red Sox and Braves), I devoured Michael Lewis’ book upon its publication in 2004. I enjoyed the character sketches as well as the behind-the-scenes drama, and I finished the book knowing a lot more about the sport than when I started. However, I had a judgment then that time has only deepened: the story is a bit of an exaggeration.
As you probably know by now, Moneyball is the story of the Oakland A’s and their successful teams at the turn of the century. Like a mom-and-pop store owner forced to compete with a Wal-Mart outlet down the street, Oakland GM Billy Beane had to come up with inventive ways for his financially strapped team to compete with behemoths like the New York Yankees, which could afford payrolls four times that of the A’s.
Beane accomplished this by attacking the conventional wisdom, refusing to accept the hidebound views of his old-school scouts and adopting the ideas of the sabremetricians, whose guru, Bill James, had been looking at baseball statistics from a different angle. Focusing on skills that were undervalued in the market – i.e. a .270 batter who drew a lot of walks was more valuable than a .300 hitter who didn’t – they were able to tout players who would provide more bang for the buck. Beane assembled a team that is the baseball equivalent of the Island of Misfit Toys.
Some of the rave reviews for the movie have called it the story of an underdog, the success of the little guy against the system. However, anyone who has watched American capitalism over the years knows the success of the little guy is both rare and usually brief.
In fact, Oakland’s remarkable success was short-lived. Since the publication of the book, the team has appeared in the playoffs just once, and has not had a winning record in the last five seasons. There are several reasons for this.
First, Oakland’s success was built on a lot of luck. Specifically, it was based on a trio of starting pitchers – Tim Hudson, Mark Mulder and Barry Zito – that was as strong as any in baseball then. Starting pitching is the most important factor in the game (and the reason I think the Phillies are going to win this year’s World Series). Rapid development of pitchers is unpredictable, and the fact that Oakland had these guys for several years before they became eligible for free agency was the biggest reason for the team’s success. It’s like a poker player who develops a new system and gets dealt four aces in the first hand; he suddenly thinks he's a genius. (In Beane's defense, Hudson and Zito had been underrated by other scouts.)
My prediction then – and it came to pass - was that once Hudson, Mulder and Zito approached free agent eligibility, the A’s would trade them or let them go, rather than bust their budget by paying market value, and that this success would not be duplicated.
Second, their scouting acumen wasn’t as sharp as they claimed. A big chunk of the book concerns the scouting and drafting of Jeremy Brown, a catcher at the University of Alabama. Brown had home run power and the patience at the plate that Beane admired, but he was also, for want of a better word, fat; Baseball America writes that Brown “never met a pizza he didn’t like.” In fact, Brown’s status is so low that when an A’s representative calls him to tell him that the team is thinking of using a high draft pick on him, Brown interrupts the call to check with his friends to be sure it’s not a crank call. To the astonishment and derision of the baseball establishment, the A’s draft Brown in the first round. His success in his first minor league season is supposedly proof of the wisdom of Beane’s way.
Unfortunately, Brown’s career didn’t pan out. He does reach the major leagues for what is called “a cup of coffee” – ten mere at-bats – before quitting and returning to Alabama. According to an ESPN story, Brown found it difficult to live up to the expectations that Moneyball’s publicity had created. While Brown’s case may be a special one, public scrutiny and dealing with pressure is part of the territory for any professional athlete, and Beane may have misjudged Brown's readiness for it.
He should have known better just by looking in the mirror. Beane had been a first-round draft-pick of the New York Mets in 1980 and was considered on the fast-track to baseball stardom. He was 6’4” with a sculpted body, blazing speed and a quick bat. However, his career ended after a few seasons as a fringe major-leaguer because he turned out to be temperamentally unsuited for baseball success, unable to deal with failure (and even a .300 hitter is a failure seven out of each ten at-bats).
By contrast, his roommate for two minor-league seasons was Lenny Dykstra, who had a long, successful career and was Beane’s polar opposite. Short, with much less raw talent and less intellectual curiosity, Dykstra was much tougher mentally – his nickname was “Nails” - and better suited emotionally to the ups and downs of the game. “He was able to instantly forget any failure,” said Beane, “and draw strength from every success. He had no concept of failure.” (Unfortunately, having no “concept of failure” may be why Dykstra is now facing jail time, as he completely mismanaged his businesses and saw his net worth plummet into the red while creditors trailed him everywhere. The traits that make you successful in athletics may be useless in other endeavors.)
After the 2002 season, Beane was offered the GM job with the Boston Red Sox, but turned it down. The Sox, who hired as Bill James as a consultant, then offered the GM job to Theo Epstein, another adherent of sabremetrics. That leads to the final reason why Beane’s Moneyball philosophy ultimately failed – there was no reason why a big-money team couldn’t adopt his analytical insight too. Like Microsoft co-opting the ideas of a new computer start-up and then developing them on a massive scale, the Red Sox took Beane’s “more bang for the buck” philosophy, while also being able to sign expensive players who provided more bang, period. The result: the Red Sox won two of the next four World Series.
Moneyball, the book, is a delightful treasure trove of information for the serious baseball fan. My advice, though, is to take the moral with a grain of salt. In the end, Billy Beane learned what everyone, whether in sports or in business, has always known: money talks.


Salon.com
Comments
Let me also recommenf THE LAST GOOD SEASON, by Michael Shapiro, an on-field account of the Bums last season, day by day, in Brooklyn, and the back-room machinations leading the team to L.A. The traditional Bad Guy in the drama, owner, Walter O'Malley, does not come off as the REAL Evil...it's a surprise as to who does!
r.
Second, I greatly enjoyed the informed background you provide on the Moneyball phenomenon. I am looking forward with special eagerness for Moneyball the movie to come to Gloucester, but I think I've gotten enuf from your excellent post that I shall skip Moneyball the book and read as my next baseball book instead, CannaCorn, by Con Chapman.
By the way, did you know that one of James' studies debunked the notion that good pitching beats good hitting? Apparently it helps a team get to the playoffs but in the World Series, good hitting has a small edge.
Excellent writing here.
But I will echo what Joanie said!
and yeah how about that mum that produced Stephen Bishop who played Justice...
Good blog Cranky and I will have Steve read it to explain it all to me.. Us canucks ya know.. Its all bout hockey..:)
HUGGGGGGGGG
Good acting..not terribly exciting, but an very interesting film.
Different.
Then just as they were starting to get good, they moved to Oakland.
I can't forgive them the stupid Kelly Green and Finley Gold uniforms that Charley Finley put on them, although I used to enjoy the magic rabbit behind home plate who popped out of the ground to give the ump fresh baseballs.
Little known fact, now that the elephant on the uni's is green: It was white before for a reason, in that someone said when Connie Mack acquired the team in Philadelphia that he'd bought a white elephant.
Though I'm not a baseball fan, I get interested in it this time of year because of the playoffs, which as you know have already peaked.
I've seen the movie and was impressed. It accomplishes several very unusual things.
First, it takes a complicated story and makes it both understandable and interesting. It's a backstory about front office shenanigans, a subject I would never have believed to be of much interest to non-fans like myself.
Second -- and most impressively -- it performs a switcheroo on the classic baseball movie tale. It presents us with a great, grizzled gallery of baseball types, played by a half dozen terrific character actors, and asks us to see them not as wise, all-knowing sages but as intransigent antagonists to Brad Pitt's Billy Beane. Beane preaches cheapness and the importance of number-crucnhing, something fans usually abhor. The movie's heroes are - pardon the pun -- bean counters. And it works. You wind up cheering for the wonks (as represented by a compositecharacter nicely played by Jonah Hill.)
As for the "underdog" aspect of the movie, it's there but this is no "Rocky" in a ballcap. The movie's written by Steve Zaillain & Aaron Sorkin, so it's smart and knowing. This is the most ironic come-from-behind sports movie ever. The writers cannily pick their inspirational scenarios ("The Streak") and where it can't find any, it invents some (an episode near the end appears to be drawn from the saga of Jeremy Brown. If it's not factually true, it's poetically true and provides a wonderful visual summary for both the movie's theme and for the romance of baseball itself.)
A caution: grieving Boston fans will not be tickled by the film's final epitaph. But the rest of us will.
I'm looking forward to seeing what you make of the movie.
And of course his analysis was not perfect and had some luck. Statistics are just probabilities after all. Players can change, get injured, etc. But the beauty of baseball stats is that - and it's talked about in the book - there are so many games played, it is a veritable unending buffet of various stats, and with such a huge sample size, you can make a lot of useful inferences. Still, it's all probability. But you can't get much better than good stats in an uncertain model.
And your final point about the money. Right on. Somewhere in the book, Podesta himself literally mentions - and I wish I could recall the quote - that they (the A's) were basically trying to get the players they wanted and set up the teams they wanted before OTHER teams caught on to how they were really making things work. That they could get in a few amazing seasons before the teams with money could capitalize on the method. Which is what happened.
Lezlie
"Specifically, it was based on a trio of starting pitchers – Tim Hudson, Mark Mulder and Barry Zito"
That's the end of the story, no book/movie needed.
Reality being what it is, however, the true reason for many of Dykstra's successes on the field, as well as the rage with which he played, were chemically-based. Aside from the legal troubles that you pointed out, "Nails" still stands as one of the poster children for the steroid era. This could provide a cynically interesting side commentary to the entire "moneyball" concept if you think about it - one could argue that the rampant use of steroids and other PED's skewed the data upon which the sabremetrics and "moneyball" were based, thereby potentially diluting the concepts and ideas upon which Beane's genius is based.
Then again, even today, whenever someone erupts with statistics that make their prior career numbers pale in comparison, the "juicing" allegations remain despite baseball's efforts at cleaning up its image. Sitting in the Yankee Stadium stands last Sunday, I heard numerous people alleging that Boston's Jacoby Ellsbury was using some form of PED as he parked ball after ball in the outfield stands. The idea of 31 home runs for a leadoff hitter is, to most people, not proper or natural.
I'm just saying.
I've gotten out of the habit of casually accusing players like Ellsbury of taking PEDs when their output improves drastically. I've always said that if Roger Maris had his 61 HR season now rather than 1961, half the fans would think he was cheating.
The few pages that dealt with Beane and Dykstra as roomies - early contemporaries were pretty interesting. They really deal more with temperment as young up and comers as opposed to demonstrating anything about Dykstra's career.
As a young guy, Beane was kind of mistrustful and insecure about his baseball career. As good as he was in high school, when he got to the minors, he never seemed to think he was going to be very good or last very long. He was tempermental and emotional and constantly second guessed himself. Whereas Dykstra had the perfect mentality of a big leaguer. He was focused and aggressive and as I think is quoted in the book as able to "forget every failure and get strength from every success" or something close to that.
There was a great story about how Dykstra was in the dugout and asks Beane about the opposing pitcher "So who's that big dumbass?" Referring to Steve Carlton, hall of fame great pitcher, and asking if he's any good. Beane is incredulous that Dykstra doesn't know who he is and just how good the pitcher is, and Dykstra just sits there saying "Shit, I'll stick him."