Two years after the birth of my book, I had quietly come to the unconscious conclusion, that it had finished surprising me. Then went downstairs for today's mail.
Truthfully, I ran down to get my royalty check, which I really need, and it wasn't there, but something better was. Four bulging manila envelops from the same address: Fremd High School, where I'd appeared at their Writer's Week last month.
It was an incredible day and I am so behind on posting about it--which I will, with great pictures. But the gist was: two great sessions with students, back-to-back in their auditorium, maybe 600-800 each, followed by two hours in the teacher's lounge talking to students and teachers in small groups and signing their books. They were bright and energized and it was amazing. But it didn't prepare me for this:
This was the best I could capture on my iPhone. It's about a two-inch stack of thank you letters:
mostly typewritten, quite a few handwritten, and all sorts of different stationary and cards. Each one from a different kid, expressing the impact it had on her or him.
I open the first envelop and sort of gasped. I read a few, tore open the next one, and I was crying by the third.
Maybe this is what teachers feel, or ought to. When I do these events, the rush of emotion is overwhelming. Kids are so expressive and I can see right there are excited they are and interested, and it's invigorating hear them describe what they can't wait to learn next.
But it's one big rush, more than I can really absorb. And I wonder, too, how much of the enthusiasm will last. Next week, will they remember? Will they really dig into that subject or will some new idea replace it thirty minutes later? Maybe that replacement idea will be better. Maybe I was just the excitement of the moment.
I never see them the day after.
I've gotten reports the weeks after. Teachers often write me to say the kids are still talking about it. Librarians email about their waiting list. Those are reassuring. Very. But I've never been bowled over like this.
Thank you so much to every kid and adult at Fremd High who wrote one of those messages. And to whatever teacher organized this wonderful gesture. (I think I know who.) What a difference it made.
What an amazing feeling to know hundreds of kids were touched in some way by my work. I hope it makes them read more. I hope it makes some of them write.
___
It's also a nice time to reflect on the book itself. I knew the anniversary of the tragedy was approaching, because I've heard rumblings from the survivors and always worry about them this month. I had forgotten the book had its own birthday as well--this past week I guess.
It's out there now--two years on a life of its own. It's even more like parenting than I had imagined. I birthed it, and I still feel responsible, but it detached from me publication day and started a separate life I can neither forsee nor control.
I can help it here and there, open doors for it--like these events, skypes with schools and the Columbine Teacher's Guide. I think that helps, but only on the margins. Most of it comes from readers--especially students and teachers and book clubs--and weird outside forces and the book itself.
I saw a Broadway play last night, and was talking with my friend outside the theater afterward about how exciting it will be when the stage-play version of my book comes out. (We optioned those rights to a very talented writer.) Someday, I'm sure there will also be a film. Who knows when.
Oddly, I was conflicted, talking about how excited I am about my new book project, and finally ready to put Columbine behind me. But not for good. Just off the front burner. I expect it to return several more times for who knows what developments. Definitely the play and the film. A few other possibilities I can foresee. I never saw this one coming.
Truthfully, I ran down to get my royalty check, which I really need, and it wasn't there, but something better was. Four bulging manila envelops from the same address: Fremd High School, where I'd appeared at their Writer's Week last month.
It was an incredible day and I am so behind on posting about it--which I will, with great pictures. But the gist was: two great sessions with students, back-to-back in their auditorium, maybe 600-800 each, followed by two hours in the teacher's lounge talking to students and teachers in small groups and signing their books. They were bright and energized and it was amazing. But it didn't prepare me for this:
This was the best I could capture on my iPhone. It's about a two-inch stack of thank you letters:
mostly typewritten, quite a few handwritten, and all sorts of different stationary and cards. Each one from a different kid, expressing the impact it had on her or him.
I open the first envelop and sort of gasped. I read a few, tore open the next one, and I was crying by the third.
Maybe this is what teachers feel, or ought to. When I do these events, the rush of emotion is overwhelming. Kids are so expressive and I can see right there are excited they are and interested, and it's invigorating hear them describe what they can't wait to learn next.
But it's one big rush, more than I can really absorb. And I wonder, too, how much of the enthusiasm will last. Next week, will they remember? Will they really dig into that subject or will some new idea replace it thirty minutes later? Maybe that replacement idea will be better. Maybe I was just the excitement of the moment.
I never see them the day after.
I've gotten reports the weeks after. Teachers often write me to say the kids are still talking about it. Librarians email about their waiting list. Those are reassuring. Very. But I've never been bowled over like this.
Thank you so much to every kid and adult at Fremd High who wrote one of those messages. And to whatever teacher organized this wonderful gesture. (I think I know who.) What a difference it made.
What an amazing feeling to know hundreds of kids were touched in some way by my work. I hope it makes them read more. I hope it makes some of them write.
___
It's also a nice time to reflect on the book itself. I knew the anniversary of the tragedy was approaching, because I've heard rumblings from the survivors and always worry about them this month. I had forgotten the book had its own birthday as well--this past week I guess.
It's out there now--two years on a life of its own. It's even more like parenting than I had imagined. I birthed it, and I still feel responsible, but it detached from me publication day and started a separate life I can neither forsee nor control.
I can help it here and there, open doors for it--like these events, skypes with schools and the Columbine Teacher's Guide. I think that helps, but only on the margins. Most of it comes from readers--especially students and teachers and book clubs--and weird outside forces and the book itself.
I saw a Broadway play last night, and was talking with my friend outside the theater afterward about how exciting it will be when the stage-play version of my book comes out. (We optioned those rights to a very talented writer.) Someday, I'm sure there will also be a film. Who knows when.
Oddly, I was conflicted, talking about how excited I am about my new book project, and finally ready to put Columbine behind me. But not for good. Just off the front burner. I expect it to return several more times for who knows what developments. Definitely the play and the film. A few other possibilities I can foresee. I never saw this one coming.
___
And if you're curious what one of these school events looks like, I actually had a student tape the sessions at Fremd, and posted one of them on my youtube page. It's here. (I can't get it to embed here.)
T
Salon.com
Comments
I'm so glad those kids gave you the response that they did.
I'm not a book critic, and I don't know if you would agree with this, but I don't think that the book is even about "Columbine." Columbine is just the setting. It's really about human nature, and the wonderful and terrible mystery of human nature, and the stories we tell each other about that.
Having read the book on my iPhone, I could also do word counts. Some form of the word "story" appears around 80 times in the book, even in the first sentence. When we humans have something important to communicate, we don't write philosophical arguments; we tell stories. The stories may be true or they may be false, but telling each other stories is how we struggle to comprehend human nature, the good and the bad.
So for me, Columbine is a story about stories -- the stories that the killers told each other about themselves, the stories that people told about the killers, the stories that the victims told about their own experiences, the stories that families told about their dead loved ones, and the stories that everyone told in an attempt to make sense of it all.
So I'm not surprised that people are deeply moved by the book, and I hope that any theatrical production or movie doesn't lose that sense of story and how we use it to understand the mystery of our own natures.
I'm glad that you got to know.
http://www.youtube.com/watch?v=CXNviWIVCkY
(i'll add that to the body of the post this afternoon.)
Congrats to you and your new project...and your new place and your new, well, everything!
Columbine is an amazing book - I have given it as a gift, as you know (Dave graciously signed copies for me) and every person I have given it to or loaned it to has not moved from their chair while reading it - it is that compelling.
(I DO wish you would write about "survivor" again - or something equally innocuous - you are great at observing the absurd!)