David A. Love's Blog

David A. Love

David A. Love
Location
Philadelphia, Pennsylvania, U.S.
Birthday
June 18
Bio
David A. Love is the Executive Editor of BlackCommentator.com, where his Color of Law column appears weekly. He is a contributor to the Huffington Post, the Progressive Media Project, McClatchy-Tribune News Service, theGrio, News One, In These Times and Philadelphia Independent Media Center. He contributed to the book, States of Confinement: Policing, Detention and Prisons (St. Martin's Press, 2000). Love is a graduate of Harvard College and the University of Pennsylvania Law School. He also completed the Joint Programme in International Human Rights Law at the University of Oxford.

JULY 16, 2009 11:40AM

Hey, Who Turned Off The Music?

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jackson 5 

 

Did the music die? The recent passing of Michael Jackson made me ask that quesiton.  

Recently I started thinking about the songs of my childhood, actually the soundtrack of my youth growing up in Southeast Queens, New York. I have fond memories of listening to LPs with my father on his old but reliable stereo set, with the hand-crafted turntable, and sand-filled wooden speakers that gave an earthy, real-life sound. Here are some of the songs that come to mind from that day:

Now, that was music! And it raises an important question in my mind, and possibly yours as well: Will music ever sound that good, ever again? Twenty or thirty years from now, will we remember the songs that are coming out today?

It seems that something went wrong along the way. Popular music, but specifically Black music, which dominates America’s and the world’s music scene, used to reflect the complexity of the human life experience, our emotions, our troubled times and our hopes and joys. In the music, there were the ever-present echoes of the drum rhythms and the storytelling griots of West Africa, of the Negro spirituals growing out of the experience of slavery in America, and of course the Blues. The cultural history was built into the music, and listening to it, at its best, is a religious and spiritual experience. And yet, the music always refined and redefined itself, through Jazz and Hip-hop and other incarnations. But all the while, the music reflected the aspirations and the full spectrum of what was going on in the community, the good and the bad, whether sitting on the street corner with friends, lamenting a lost love, or decrying injustice.

Then money entered the process. Don’t get me wrong, music has been a commercial venture for years. But it is worth noting that as the industry became more lucrative for its participants, or at least its owners, the music became more cookie-cutter, with more of the same and fewer options. Particularly in the past decade - when society was fed a steady dose of materialism and market growth - much of the music which was promoted reflected the materialism and hedonism of the times.Empty calories with little substance. There was much pain out there, to be sure, because after all the vast majority of people cannot afford a seaside mansion, a Hummer, diamonds, or a thousand-dollar bottle of whatever, and most common folk were slipping further as the moneyed few were getting fatter. But the music doesn’t reflect that reality, or at least the songs that get on the air do not. It seems almost fitting that the music industry is suffering financially, with a product no one is buying, just as the economy itself is suffering from systemic problems and is in need of big changes.

Part of the problem is that many talented musicians do not receive the exposure they deserve and we deserve. There are great artists out there, but they don’t get the air time. But on another level, society does not value musicians. Just look at the slashing of music and art education programs in public schools throughout the nation, as more focus is placed on teaching merely what appears on standardized tests. Music education is important to children’s lives as a part of a well-rounded education. Music develops creativity, self-expression, character and a sense of community. And it builds self-esteem, analytical and language capabilities, and innovation. I say this as someone who benefited from music programs throughout my childhood, and was introduced to the tenor saxophone as a sixth grader. Organizations such as the VH1 Save The Music Foundation and websites such as SupportMusic.com and Keep Music In Public Schools! are dedicated to restoring music programs in the schools.

So did the music die? Well, if it did, we need to make sure that we bring it back. We have the power to do it.

(Also published in BlackCommentator.com)

 

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I must admit I haven't heard enough contemporary popular music to know how good or bad it is. (I mostly listen to world music, classical and jazz.)

But I do know that music is becoming less and less profitable, with MP3 and so forth.

I also see that my older kids, in their 20s, listen to the music of MY youth. Back then, the music was perhaps less packaged and more authentic than the music of their own generation. (Is my age showing?)

But there is a shift happening. They don't have radios or TVs and mostly get acquainted with new music through the internet or word-of-mouth. So maybe with big changes in the music industry and the economic downturn, maybe we will see a shift to more honest, grass-roots music??? I guess we can hope.
What we used to refer to as R & B music (in the 70’s) has morphed into something barely recognizable. There is a dearth of real music being played by real musicians. Nine out of ten songs I hear on the radio are either looped samples, or artificially created beats created via the latest digital technology. The purists, who are committed to remaining authentic, are rare exceptions, not generally supported by mainstream radio.

We desperately need a renaissance.
I know that if musical education budgets are being cut in suburb/white America, I can only imagine it being much worse in the inner cities. Like athletics, any form of art needs to have money poured into it (more so than athletics that is), to keep our kids busy, educated, open-minded, learning and to help them find their voice outside of drugs and violence.

Put in kid into music and/or athletics and you cut down the chances of them getting bored and into drugs and other types of criminal and downward spiraling behavior.

Rated and very introspective.
Music should be mandatory for at least a year. Learning to read music is like learning a second language and the study of music improves math scores and over all comprehension. monkey fingered.
The movie, Mr. Holland's Opus (1995), addresses this question. Music is supposed to be fun. Our culture has lost that. Music has become performance by experts. I keep my home quiet now. One anomaly, some of the best music I listen to is cover-tracks for meditation inducing beats. When I think about the music of my youth, it makes no sense. Why would I care about the race horse named Stewball? Or the Love like a Lemon Tree? Or any of the other PP&M tunes that I grew up with? Or Bob Dylan's unhappy songs? what kind of folk wrote these tunes? They were never about me or things I cared about, except for Blowing in the Wind. And that provides an unacceptable and terrible answer to the most heartbreaking of questions. What happened to the music? I still enjoy jazz and innovative tunes. I loved some Simon and Garfunkel. Music needs to be relevant.
David, I love your list and remember each and all of these growing up. I can't find a single word that I can disagree with in this post. If we don't start teaching our own kids to read and write and love music, the arts and culture, then our future really isn't going to be very bright.
Great question David. You posted up some of my all time faves (of course I am 59) and I grew up in Motown with that "sound." Now I will say that my own children (18 and 23) listen to a lot of music from my youth - but the 18 year old is all into that rap stuff too, and I've just never resonated with it.