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4 years, 11 months, 10 days on OS__________________________

designanator

designanator
Location
New York, New York,
Birthday
April 22

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FEBRUARY 7, 2012 11:31AM

Roadkill brought us closer together, part five

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We were now into the early part of November and one liberal arts class that Maria and I happened to share was called Mass Media. With the exception of one field trip downtown the course was strictly classroom based. Not being a ph0to major I naturally brought my Minolta SLR along the day we went to WPRI-Channel 12 which was only a ten minute walk from the RISD campus. Ironically, Maria, who was the photo major didn't bring her Nikon along that day.

This was the second time I ever had visited a television station. The first time was years ago when I was around ten and my parents took me on the NBC tour at Rockefeller Center and I not only was able to see where some shows were produced, but also radio/tv star/game show host, Gene Rayburn, was there that day and said hello to the group.

Channel 12 was a far cry from Rockefeller Center, but meeting with people from the station who showed us lots of details more than made up for the difference.

 

A facade shot of Channel 12, which had been renovated just a few years before the time of our visit in '76.

CHANNEL 12 FACADE

 

One of our classmates having fun on the set of the evening news set. His cigar is a reminder of how non-existent smoking laws were in those days. At some point in the future Channel 12's evening news would be called Eyewitness News, just as had happened in NYC on Channel 7.

  CHANNEL 12 1

 

A photo of one of the monitors in the news control room.

CHANNEL 12 SCREEN

 

Before the ubiquitous international symbols for women and men were on rest room doors there were simple signs that said "women" and "men." I received a gentle ribbing by Maria for this odd photo I shot.

CHANNEL 12-RR

 

 

MARIA CH 12

One of the best shots I took of Maria during the fall of '76. A candid shot with her dressed in her signature black turtleneck, vest, jeans, handmade necklace, and wide leather belt. We were just seven years past Woodstock and most of us at school still dressed in the casual apparel of those interesting days. Flashforward a few more years and many art school students were typically dressed all in black. In my opinion, our clothing had more going for it than the artists soon to be clad in all black.

As I recall, the group was checking out the craftsmanship of the wooden table. That's what happens when you surround yourself with design students.

 

 

Crosby, Stills, and Nash's song Long Time Gone that serves as a reminder for me of Maria and my friends from that time in the '70s when the U.S. had just pulled out of Vietnam a few years prior and so many of us were into design, photography, arts and crafts.

 

 

Two shots of downtown Providence taken from my bedroom window.

Below is the beautiful First Baptist Church (which WAS the first Baptist Church in America) with the two RI Hospital Trust buildings and the Industrial National Bank building in the background. To the right of those buildings in the Biltmore Hotel. Jumping ahead a decade or so and the Providence skyline had added several office towers to this particular view.

BEDROOM VIEW A

 

Looking more to the north is Veterans Hall where I had attended four RI Symphony Orchestra concerts the previous year and to the north of that  is the Rhode Island Statehouse. Flashforward to 2012 and the view would include the huge Providence Place Mall and the relocated Providence train station.

BEDROOM VIEW B

 

 

One of the reasons I was shooting so much film towards the end of my years at school was due to buying film in bulk 100' rolls and "rolling my own" film canisters with whatever number of exposures I needed at a given moment (to a maximum of 36).

While Maria and I didn't do any drugs I was her "dealer" when she ran short of black & white 35mm film. In 2012, I am still using the same type of Kodak bulk 100' film and 35mm film loader as I was in 1976:

ROLL FILM

 

On some occasions I would shoot a few shots to make sure I was at the end of a roll before taking the canister out of the camera. It was at this time in the fall of '76 that a random shot picked up a sampler I had woven in weaving class that semester which can be seen hanging to the left of my closet turned darkroom. This is also the only photo I have of my darkroom from that school year. With 24 hour access Maria made use of the darkroom more than once.

CLOSET DARKROOM001

 

 

One of the events at this point in time was The Electric Cowboy who presented an interesting multimedia show using music and slide projectors, etc. The show was sponsored by the graphic design department and held in the RISD Auditorium. I brought my camera along and as far as I could tell was the only one present documenting the event with a handful of photos.

ELECTRIC COWBOY001

 

A close up of the control panel--the black and white photo does not do justice to the colored lights and electronic displays.

ELECTRIC COWBOY002

 

Tom, the head of  the graphic design department wearing a mask. Hans, our typography teacher in graphics is seen in the background.

ELECTRIC COWBOY003

 

A classmate wearing the mask later on...

ELECTRIC COWBOY004

 

This presentation almost pulled in more students asking questions than most presentations I had attended in four years of school.

  ELECTRIC COWBOY005

 

 

Maria didn't happen to attend The Electric Cowboy show and she also did not come to another presentation I sat in at that time in the fall. This second event was a lecture presented by the RISD industrial design department featuring Jay Doblin, who was a world famous industrial designer. I was actully surprised the lecture room wasn't filled to capacity, but I do remember it was held in the middle of the afternoon which may have been a scheduling conflict for other students. Again, I was present with my Minolta SLR and captured the event for posterity. Had I not gone into graphic design, I might well have steered myself in the direction of industrial design which formed part of the basis for my OS series on going back to grad school to become an industrial designer!

JD

 

Jay Doblin has since passed on, but search him on the web and you'll find lots about him and his design work...

  JD SEARCH RESULTS

One thought starting to be on my mind at this time is how this wonderful school year was now roughly one third over. It was turning out to be best year out of the four and I wanted to slow down the clock. The best I could do was to enjoy each day to its fullest.

 

 

 

The next part of the story will be along in a week or so...

 

Previous installments:

Part one

Part two

Part three

Part four

 

 

 

 

 

 

 

All black & white and color photos (except Google search page shown) and the text are © 2012 by B+Co., Inc.

 

 

 

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Comments

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I enjoyed this post of memories so much especially the photos. Who knew the years would be so fleeting? Maria was so beautiful then; she no doubt still is.
I love this series. I love the times and the clothes, great memories and Maria is a beauty!
Miguela, thanks so much for your great comment! I remember so many of us were looking forward to getting jobs and earning money, but a couple of years before 1976 an artist/designer friend (in his '60s) of my brother had told me how the college years are one of the last times one has freedom of time, lots of time to explore creatively, and little responsibility, hence I should really relish those years carefully. Great advice that I was happy to use! Thanks also for your thoughts on Maria...naturally, I have favoritism at work here, but I also thought she looked great in those days and later on after graduation, too!

Scanner, thanks so much for coming back to check out each installment! I'll miss writing these once the story has been told...it's really been a lot of fun and also thank you for the kind words on all of the subjects covered here, including Maria!!
I love the trip down memory lane. I especially enjoyed the facade and it's angles. I was a kid in one of those local shows trying to be like Howdy Doody. I think it was called "The Merry Mailman" and we were taken to a studio in the stinky part of Jersey somewhere. Secaucus, Bayonne, somewhere like that. I'm sure I was the one picking my nose. Nice post. (r)
And, as the comment goes into the ether, you realize you meant to say "its."
Gorgeous! I'll have to check out the other installments.
Crosby, Stills, and Nash. They don’t allow artists like that anymore. Its hard to create robots without silencing God.
Stacey, I remember hearing Orson Bean say one Friday night on "To Tell The Truth" that he'd be spending the weekend in Secaucus. Ever since then Secaucus has had a special meaning for me! Wouldn't it be fun to see tapes of when you were on that show! Thanks so much for the great comment and story! I imagine you have seen a few similarities in this series to my 2008 Providence posts, but with all different photos presented from that time period of the '70s.

Cindy, as mentioned on your post this evening it's great to see you here and I hope you'll be posting more stories, too! Thank you for the nice thoughts and I hope you find the other installments interesting to read!

Jack, CS&N (and CSN&Y)--destined to always remain on my short list of super musicians! Thanks for your wonderful comment!
So enjoying your chronicling of this school year, step by step, as it unfolds. The pictures really capture the feel and look of the time. However, as someone who to this day routinely asks "Does that come in black?" when it comes to clothes or furniture, I feel I have to stand up for my generation of arty types and our sartorial choices ;-)
VA, thanks for the thoughtful comment on the post and mentioning your own interest in black! I have a few garments in black, too, and I actually hadn't given it a lot of thought until I was looking over the photos of the clothing of my friends from that period and was struck by some of the differences. Even back in '76 some classmates were getting into the black clothing look, but they were more the exception than the rule. Originally, I thought this series might be four posts in total but as I keep digging here through old memorabilia the number of posts keeps growing!
You know a friend of mine in Maine used to say that the liver from Porcupines were the best in the world. He occasionally got his from roadkill.
Thanks for sharing and being so daring.

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What a fascinating photo essay of life for some (lucky?) ones in the 1970s.
Algis, I was surprised to learn that there is a roadkill cookbook which probably goes into the subject matter of porcupine livers. Not really my type of comfort food! Thanks for the great comment!

Mary, the story wouldn't be nearly as fun to put into words were it not for the many photos from that year. Thank you for the wonderful compliment and comment!
Finally I have a chance to read this roadkill series all at a sitting. Fascinating and charming, plus you make me envious or else want to go back to school. You doodled in Art History, and I cut class to go to the Quad movie theatre down the street. You learned so many things I wish I knew, especially darkroom photography (I dabbled, not in art school but an adult education class at the old Stuyvesant High). I especially love that you saved that note from your roommate about the money owed! Do your former alumni-classmates know about this series? Can you have it somehow incorporated into the RISD Alumni association archives? I look forward to the next batch.
Sharon, thanks very much for your wonderful comment! I just sent you a PM about it.