Divorce Bard's Blog

...Iambic pentameter is for the ear. Read it out loud.

Divorce Bard

Divorce Bard
Location
pretty how town, USA
Birthday
February 13
Bio
While the ashes of marriage #2 were cooling, I began a journal here in verse, to keep myself out of trouble. So far so good, and one day at a time. I took a hiatus this past January, and I missed it terribly. Writing daily had changed the way I think - not my opinions, but the process of thinking itself. So here I am back again, and hungry. I began with three rules: (1) Iambic pentameter, (2) Perfect rhyme, and (3) It had to be true (no hyperbole). I hereby amend rule number 3: If I'm writing about myself, yes, it has to be true. But it doesn't, if I want to tell a story.

MY RECENT POSTS

Divorce Bard's Links

December
November
October
September
August
July
June
May
April
March
February
January
MAY 9, 2010 11:03PM

Step. Sunday May 9, 2010

Rate: 11 Flag

I had the kids this morning for a while.
They had their soccer games, and then some lunch,
One little tiff I had to reconcile
Before I took them home -- and then a bunch
Of afternoon just hovered in the air.
I felt a little off; not wistful really,
But more like when I think there's one more stair
Before the landing.  Just a little silly,
For feeling there was something there, that wasn't.
And thinking it'll hold me up.  It doesn't.

Your tags:

TIP:

Enter the amount, and click "Tip" to submit!
Recipient's email address:
Personal message (optional):

Your email address:

Comments

Type your comment below:
interesting! I guess this is quite intentional... the way the rhyme is a little off kilter? Like your mood? That's what this non-poet thinks. I am sure the rhyme was how it is "supposed" to be. But it is not traditional or something... something broken or off a bit. Not "normal." Also... i had trouble with "bunch." It being Mother's day I kept thinking it was "brunch." Or maybe that's just the person of me who likes breakfasts...

Anyway, good one DB. Enjoyed it.
p.s. you should check out Cracker Colburn if you haven't already. She was scared away by some Anti-Texas people but she's a really excellent poet, I think. And a Catholic. :-)
http://open.salon.com/blog/crackercolburn/2010/02/25/noras_dove

Here's what I mean about Cracker. Your poems and hers have in common the fact that they draw much from real life with lovely particular narrative details. That's what I like about them as a journalist. They are journals, in a way.
I didn't have a problem with the meter or rhyme. It could be the way I have learned to read poetry --i.e., I concentrate on getting the meaning first, and let the structure take care of itself. I love this piece. It captured exactly how I know you felt when that vacant space moved into the pit of your stomach after you dropped off the kids.
Lezlie
L: I like that it is off. I was just wanting to see what DB said about it. I am interested in rhyming and metered poetry because I don't do it at all. This is "off" or "different" in structure somehow from most of his other poems. I don't know how, exactly. I just see that it is a bit different and that's interesting. Poor DB... sorry to have clogged up your commenting. Goodnight all.

This IS a good one. Doesn't top the wooden spoons and snow, though. That's the best so far.
Hm. Patty you made me nervous, and I went back and checked. The meter stands (that's a relief!). If you read it out loud, and eAggerATE the ACcents IN the LINE, it's all in place.

However there are three things (that I can see) that may be bothering you:

- "really" doesn't QUITE rhyme with "silly"... in many accents. In the accent I grew up with, it does. If this is what's bothering you, then good catch.

- the enjambment. The lines that end in "bunch" and "stair" are enjambed into the next line. Here's a link, by way of definition:

http://www.haverford.edu/engl/chaucer/assignments/enjambment.htm

...but enjambment requires an adjustment by the reader: you can't take the natural pause at the end of the line. Again, if this is bothering you, then good catch. But legal!

- The lines that end in "really", "silly", "wasn't", and "doesn't". These four lines, in strictest terms, have an extra syllable, which dangles after the last iambic foot. Here I use Shakespeare as my guide. He does this with some frequency, for example in the first four lines of his sonnet #3:

Look in thy glass, and tell the face thou viewest
Now is the time that face should form another,
Whose fresh repair if now thou not renewest,
Thou dost beguile the world, unbless some mother.

...I figure if THE Bard can do it, it's allowed.

I don't pretend to have the last word here (oh, the notion of a dust-up on OS about METER? yummmmmm...). So if anything else doesn't sit right, please comment.

And thanks for reading so attentively. Now, don't you have some appointments to be making?
Didn't seem off to me DB. That line "But more like when I think there's one more stair" expresses so much that we can all relate to at one time or another.
Excellent poetry lesson, Bard! Thank you.

I AM SOOOOO GLAD YOU DIDN'T DO ANYTHING ILLEGAL!!!
oops... that posted early... LOL.

Really, I do appreciate your OCD about this matter. It isn't a matter over which I would become legalistic but I am very legalistic about rules and commitments in other circumstances.

Thanks for the lesson. This is very great. I hope lots of people read your response. Very helpful and informative.

It was the ENJAMBMENT that got me. I liked it quite a lot, didn't know it had such a wonderful name. But I have never seen you do it to such a degree. And -- you are right about me not being particularly "well adjusted." LOL.

Goodnight, DB. Thanks for the smile and lesson.
I like the off-rhyme and Heaven knows enjambment makes a poem flow smoothly. What I love about this poem is the image of the absent stair, and the line "and then a bunch/Of afternoon just hovered in the air." A little gem, as always.
With ladyslipper: I love this image of the unreal stair and the way it makes you feel "just a little silly." I also like the definitive way you end the poem: "It doesn't." A curt slap of reality.
I love everything about this poem. Nothing jangles. Nothing jars. Your words capture the moments and emotions of an off balance day. The pieces fit. The honesty is all.
I love your poem. I can relate. Please check my blog. I just posted a couple of poems. You may like them.
the empty stair, very apt analogy DB. Understood.
... a bunch / Of afternoon ...

and : It doesn't.

What the others said, and thankyou for this, today, db.
A stunner of a thought. I had to stop, breathe for a little. I remember this feeling, but from a slightly different viewpoint. yet I never felt it through as you have here, so eloquently. As one lingers in the air, almost, a hovering sensation takes over. Fleetingly. But ever just as real as when I had known its related sense not so long ago, when I still raised young...... ~R~
The first time I read it, it seemed a little off. I read it again out loud...perfect!
Thank you all. There seems to be general agreement that "bunch of afternoon" worked. But the more I think of it, the more I actually agree with PattyJane -- it's a difficult word to accept for enjambment, just because of its shape in your mouth. The continuation to the next line is a bit of a surprise. But anyway...

PattyJane, as I said before, thank you for reading so attentively. And if you let me, I'll go on and on about meter. Be sure your tea is made before asking, I may not let you out of your chair for a while. And oh, yes the wooden spoon poem. I don't know when I'll have the opportunity to put wooden spoons, pajamas and snow all into one poem again.

L in the Southeast, hello there. I think you're new, no? Please come by again. And yes. That vacant space.

trilogy, thanks for zeroing in on that line. What actually happened was, I was walking home, and went to put my hand on my son's head and... no son. I had forgotten I'd dropped him off. And the stair idea came to me immediately.

ladyslipper, enjambment and "bunch" have been on my mind all day. It's a good thing I don't try to go back and revise these things. I'd never get the next day's done. I'm glad you liked it as is.

AtHomePilgrim, thanks for noticing the ending. I was surprised by the very curtness you mention.

anna1liese, thank you just for liking everything. If the honesty is everything, then it means nothing in the poem got in the way -- which is a very high compliment.

Dave Rickert, welcome. I have to write tonight's post, and then I'll be over at your blog to see what's up. Thanks for going poetry-hunting.

Kathy Riordan, why thank you.

rita shibr, thanks. Yes the stair -- so real that you feel its height and distance exactly. Then poof.

Kim Gamble, hi. And indeed, what I said to the others. Thanks, as always.

Poor Woman's Retro Diary, it is so nice to have you here. I'm glad the poem touched you. That was a pretty eloquent comment, too. Thanks so much.

I continue to be honored and challenged by having everyone stop by to read and comment. You are an exciting part of the day.

All for now.
Hello Fay Paxton. You slipped in while I was writing the evening's thank you's. But it's never too late: thank you. And yes, it's that "bunch" thing. It only works if you know it's coming -- sightreading this particular poem is a little awkward. I'm glad you found it to recover. Thanks for coming by.
I've come back this morning just to read again. I could hold onto this poem forever. The imbalance of reaching out for what was just there and is now gone. I marvel at your eloquence as you face your own journey day by day just as it comes.
Thanks DB. I guess I wasn't clear that I thought it was GOOD that it was off or different from your other poems. It seemed excellent given the sad situation of it being Mothers Day and the theme of divorce. I wasn't criticizing. It all seemed intentional. All the best. :-).
anna1, you put things so nicely. The poems are a surprising vehicle for stronger feelings. I'm glad some of that comes through -- sometimes I pace the floor for a couple of hours, trying to get a couple of lines right, and it's easy to forget what I was feeling in the first place. So thank you.

Patty. I wasn't worried at all -- first of all, I'm old enough to take criticism, if you ever ARE criticizing. But your comments just proved you were reading with great attention, and I am very appreviative for that. Just be careful: once I start talking about meter, you'll get neck strain from glancing at your watch.
Right on, DB. I figured YOU knew but it just seemed like everybody was jumping to your defense... and I wasn't actually criticizing you! LOL. Oh well... codependent I suppose I am. I just didn't want to be known as the girl who picks on Divorce Bard. snigger. snigger.
Take care and sorry I missed a Tuesday Poem. I will check in and catch up later in the week.
I love how the bunch of afternoon just hovers in the air, love everything after it.

That feeling of empty space, where you thought you knew there was a foothold and then the heavy fall of foot and expectation -