Intellectualizing '30 Rock' Into Political Psychobabble

Slate's Jonah Weiner and his piece, "I Want to GOP to There" attempts to argue that NBC's sitcom "30 Rock" doubles as an argument about the viability of liberal ideals and the allure of a pragmatic, colder-eyed conservatism" but adds that, as an audience, "we seem meant to accept Liz's Jack-ward drift, if not cheer it on outright, as part of her maturation."
MisterSparkle, a commenter at New York Magazine offers a great rebuke of Weiner's thesis,
What needs to be taken into account is that Tina Fey is liberal, and this is her show. Jack is based on Lorne Michaels, who is a Republican and does have a stake in the show, but I don't think that Tina Fey would make her own character a conservative. Rather, I think she's parodying her own best efforts to hold onto some liberal spirit in the face of failure, and the unfortunate by-product is that the conservative ideology wins out in each story.
You can read Weiner's entire article here.
Dorsey Shaw is the Video Content Manager at AirAmerica.com


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Comments
This non-content makes the cover?
http://www.slate.com/id/2166941/
Seriously - you will literally laugh out loud at this.
it's not that tina fey's character is a conservative, she's just sort of an uptight upper middle class white liberal. and the "real" tina fey pokes fun at the well-meaning liberal idea. it doesn't make her a conservative...it makes her funny..and it means that she's willing to make fun of herself. but srsly, isn't it notoriously common for well-meaning liberals to get to a certain point in life and want to act like wealthy people?
also the slate author fails to take seriously the changes that have happened to jack's character since the first season. i actually only started watching the show this year and was shocked when i went back to rewatch the first two seasons at how much more "bosslike" and more of a threat jack was then. he's all soft and cuddly and fallible now. the slate person mentions this change sort of offhandedly but doesn't take into account what that change means for the show's politics.
ok done using brainpower for this. :P
ALSO the slate guy totally misread the episode about the 1960s woman TV writer. just because she rejects the chaotic radicalism of the 60s doesn't mean that liz lemon is a conservative - it just puts her even more solidly into the well-meaning "safe" upper middle class liberal camp. the show constantly spoofs its own corporate ownership and fealty. this is just another example of that same attitude.
This paragraph is a pretty good summation -- also his statements that as the political winds are shifting so is the political humor on the show. I thought it was a good article with one exception: Liz Lemon only appears to agree with Jack because he is her boss. That is obvious -- she is a liberal with flaws and foibles, he is a conservative born and bred into it, and Gove love him, nothing is ever going to change that.
dorsey shaw, i'd be interested to see some kind of theory as to why conservatives identify so much with fictional characters. here's my evidence:
http://www.manhattan-institute.org/html/_dmn_southpark_reps.htm
can i get a wtf? i'm curious if this derives from the same impulse that believes the bible would be a good template for law making. do conservatives view everyone as if they're a fictional character? why would anyone think jack is a character to be emulated? how about cartman or mr. garrison?
seriously, does anyone watch star wars and think, man, that darth vader would make a kick ass president?
(Whom I think she is smart, funny and super sexy by the way) is trying to make is that both sides of the political spectrum want the same things. They both have their silliness and their good points.
Also, we may be loosing sight of the reality that this is a comedy show meant to make you laugh. God knows we can use some of that in this country. Maybe we should not all take ourselves so seriously is the point of the show.
It seems the hardcore democrats and republicans see plots in everything and some sort of code embedded secretly in shows and art and movies to subvert the faithful. While the extremes on both sides duke it out the rest of the country is moving towards the middle and shows like 30 rock are attracting a bigger audience by doing the same.
I do have a question if Tina is the liberal and Jack is the concervative, what is Kenneth?
30 Rock is a show that I DVR and can watch over and over again: hilarious writing and acting. Tina Fey is an over the top liberal in real life and so is Alec Baldwin, which makes it even funnier.
Thanks for this.
sidenote: comments about what does/doesn't deserve an OS editor's pick strike me as profoundly sad. if someone makes such a comment, they probably need to reevaluate where they are placing Open Salon in their lives, with all due respect. and really, an editor's pick says a lot more about an editor than it does about the pick itself. write to write, not for editorial praise within a blog community, regardless of how wonderful that community may be...but maybe those are just words for a college student who hasnt yet faced the harsh loneliness of the real world. peace.
Thanks for bring this to my attention. It seems rather silly. Fey pokes a lot of fun at herself as a liberal, do-gooder. But it's clear the moments she relents and moves to the dark side, that it is the dark side. We see humor in it, though I don't think we cheer her on, because those of us who are liberals find solace with our own guilt over compromising our principles.
This is the show that had Jack dating a "high profile Bush administration official" with the initials C.R. who was portrayed as being overbearing, codependent, and into "Abu Ghraib role playing." This is the show that had Jack defending a G.E. subsidiary who caused children's skin to turn permanently into bright orange because "there have been no proven bad health effects." This is the show that implied that Jack sodomized the former vice president after the accidental release of a "gay drug" in an underground bunker.
It's like the people who think that The Simpsons espouse a specific point of view. The strength of both shows is that they don't pull punches on anybody. Everybody's fair game.
But the political reporting (Dickerson et al) is consistently good. And their podcasts are top-notch overall. Salon would do well to emulate the podcasting done at Slate.
As regards this being on the cover of OS, who knows how they make these choices?? I know it's not your fault nor should you have to take the fall for where your stuff ends up. Unless, of course, you bribed them... which I heartily disapprove of unless it would work for me, which it didn't the 14 times I tried.
Sweet, optimistic and naive to the political ways of the world.