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MARCH 17, 2012 6:41PM

Four hearts and a vase of jonquils

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I wonder if they'll be there,

Near the place where you gave up the ghost.

I wonder as I drive the road you rode

To where I know I'll find the rubber remnants

Rubbed off tires locked by brakes

Your squeezing hands applied in desperate

Change of heart?

 

I wonder as I pass the place

You likely entered from,

From where your widow lives,

From where she moved to

When your hearts unclasped.

I wonder how your final visit was,

If separation's storm had waned

For one of you, or gained new ire.

I guess the latter.

 

My wondering gains velocity along the stretch,

The final stretch from where you likely entered

To where you must have seen the STOP sign growing large

As you approached it in your deadly dash.

I scan the road for skids of black to tell me

Something more was going on,

Some failure of machine to heed

The man astride its virile engine,

But no...

Oh, wait! There's one...a small thin stretch of tire skid,

Well short of the end, no STOP sign yet in sight.

Short, but long enough to imply

Another violent death forestalled --

A child's...a dog's...

No.

More likely one last throttle goose,

Acceleration burst, no

Change of heart.

 

So now I near the spot where your life stopped,

And wondering's back to what I'll find

Besides the skid mark...there it is...

It starts too late, too near the octagonal sign.

No sign of of impact out there beyond,

Where it happened.

All cleaned up, everything.

I stop and crane my neck,

Strain eyes to find the yellow clump,

The jonquils I'd seen yesterday,

A luscious bunch ensconced in vase

With a single forsythia sprig and one of white hemlock.

I'd seen the mourner gather and arrange

And leave with them for destination

Undisclosed.

 

Ambivalence now resides within,

You deserved the flowers, those flowers,

I can't deny, hard as I try,

Hard as it is to reconcile the betrayal,

The terrible poignance of so intimate a gesture

To another.

That the widow received them in your stead

Is a softer pain for me to bear

On the surface.

 

Author tags:

death, ambivalence, betrayal, poetry

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Comments

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I was wondering all of this with you. You drew me in...
Maybe somebody took the flowers. Or maybe she gave them to somebody else. It does make you wonder.
I think I know how you feel, bubba, or at least how the narrator of this poem feels. The angst is hard to ignore. I found myself squeezing imaginary handlebars as "I" approached the stop sign.
very unusual and moving poem
I was in a VA hospital and Michele (one 'L' no hell?) would bring me yellow
jonquils
daffodils
and (still)
smell them
`
This reminded me of my grandmother.
She died is a roadside accident long ago.
My Grand Father's auto slid off the road.
My Grand Mother's femoral artery bled.
She died 21- day after my Uncle Bernard.
Bebop (nickname) slid into a big oak tree.
She died (sad) near West Point, New York.
Dad's plane crashed on Thanksgiving Day.
I was (1948) just born one month before.
I once mentioned that (sigh) on my blog.
Skid marks remind me of anger or death.
So the dead guy does your woman and you think he deserves flowers? You poets are a queer bunch, that's for sure.
Thank you, LL. Oft times beauty and sadness go hand in hand.

Patrick, wonderment is the poet's domain, as I know you well know. I appreciate the compliment.

Both are possible, Gertrude. It stirs the imagination, doesn't it? Thanks for sharing your ideas.

Glad I made it real for you, Matt. Thanks for the visit.

Kathy, your compliment flatters me.

Art, I'm sorry to have provoked some painful memories for you. I hope the memory of the daffodils helped some.

Henry, there are often several ways to look at something. Capone always sent flowers to the other gangsters he had killed. Not suggesting that happened here, but the giving of flowers can have ambiguous connotations.
I always wonder, when I see the small tributes on the side of the road, the life story of who is missed. You have filled these sad blanks in for me...
Thank you, Lunchlady2. Those little memorials are always sad to come upon, but I find it also good to know that somebody remembered and cared enough to mark the spot.
You write very well.

I am confused, though. I didn't read it as someone who slept with the writer's wife. Could you show me where I missed it?
Thank you, Phyllis. That was Henry Aldrich's take on it, and it's a valid read but it doesn't have to be seen that way. The speaker does mention betrayal and it could be that the person he witnessed gathering the flowers was someone close to him, a wife or lover, perhaps. I was trying to portray the emotional ambivalence that any sudden, violent death is apt to create. People are left fumbling with gestures and questions. I personally never know how what I say to survivors, especially close family members, will be interpreted.
Thank you for the explanation. I read the writer as somehow close to the accident, either as a friend of the deceased or perhaps the driver of the other vehicle.

I have trouble speaking to grieving persons, too, so I keep it brief and heartfelt.
So much raw and real emotion wrapped in luscious colorful words.
Such a beautiful poem.
rated with love
This is an interesting journey into a sad place. Well done.
i love this. theres a sort of detached tone to it that works well.
for me, this: "All cleaned up, everything." spoke volumes.

always a pleasure to see more poetry here on OS. thanks!
reading this I felt pulled to sort of drift along, a bit out of control...I didn't realize until the very end how intently I was paying attention.

four hearts, storms and ire...and sympathy.
.........(¯`v´¯) (¯`v´¯)
☼•*¨`*•.¸.(ˆ◡ˆ).¸.•*
............... *•.¸.•* ♥⋆★•❥ Thanx & Smiles (ツ) & ♥ L☼√Ξ ☼ ♥
⋆───★•❥ ☼ .¸¸.•*`*•.♥
Phyllis, either of those interpretations could apply. Sometimes the questions give rise to new ones. Was it suicide? If so, what might have led to it? Was he distracted until too late to react? The complex relationships left behind, was that part of the cause? No one can ever know for sure.

Thank you, Poetess. You are most generous.

Sad it is, Sheila. Thanks for the kind words.

Thanks, Wren.

I appreciate your visit, Lorianne. Your comments give me new insight.

You're an astute reader, Catch-22. Glad to have you on this ride.

Yours is graphic poetry, Algis. I am honored.
Frosty Funk. catch-22 Etc. are fun.
Poets are the most fun. editor fun?
If he think he's funny he's duh dung.

Flowers need well composted dung.
The editor deletes me. He bah funny.
`
in bathroom stall
`
overhearing
the Chief Justice giggling
in a men's room stall
`
`
This is corn confusing
`
a child wondering
about the value of silk
from corncobs
`
A editor sit in outhouse
`
puffing while he pew
pew mean sit to pew
he sit to puff a pipe
he smoke pot & sit
he sit & it just pew
`
Later
I hope
editor
no hate
poet
Frosty
Funk
too, huh
`
Art, it does seem as if the editors here have little use for poetry. It's a shame. Thank you for your words of encouragement.
It is indeed great writing when you can feel yourself crashing through a stop sign. Great work~
Thank you, Scanner. Sometimes at the end all we can know is the sensation itself.
This is a powerful piece. I wish I knew the story behind it, but I guess that's part of the power.
Nice to meet you Frosty. You're not cold at all.
This is quite a sad and beautiful poem. Wow.
I'll be thinking on this for a while.
This poem leaves me with so many questions. I shall think about it for days.
Well done FF!

(BTW--Am trying to figure out your avatar picture. Care to say who that is?")
Thanks, JL. The "story behind it" is only an inspirational seed. I would have not nearly as much fun telling it as I did putting this together.

Yours is a mighty warm comment, Scarlet. I'm thrilled that you like the poem.

V, those questions kept growing for me as I worked this out. There are still plenty, and most will be mysteries forever, I'm afraid.

Chicago Guy, another thrill for me today. I shall need a drink before long. I PM'd you the answer to your question. Curious to see if anyone else comes up with the name.
Ambivalence is my personal favorite emotion.
I dont know why people think it is feeling nothing.
It is like super-feeling! The feeling of polar opposites
simultaneously.

The poet is looking for a desperate change of heart.
He finds none.
Again,
ambivalence would be the emotion even if one was found...
the poet's comforting assurance that it was not an intention to die,
vs.
the horror of imagining the frantic horror of the
suicide who changes his mind at the last instant...


ambi.
ambiguous.
you do it well.
James, you are a very discerning and thoughtful reader. It is a pleasure and an honor to have you visit and share your thinking with me. Good grief, I sound like a Rotarian conferring or receiving a plaque of some sort. Pardon that, but I hope you know what I mean to say.
I could see that cleaned up intersection and for some reason felt I should get out of the car to have a closer look.
I felt the same way, JMac. Places where I know people lost their lives carry a strangely volatile energy for me for years.
I like a puzzle, your poem and the comment from CG, I just discovered a Google feature, I didn't know you could search by image, cheating?, anyway off to read about Tom Wolfe's and Scotty's common parent (MP)
I'm with Patrick Frank -- I was drawn in by the line "Near the place where you gave up the ghost." Thanks for sharing!
Weird, I have Tender is the Night on my nightstand.
That's a lot of story in few lines. Well done, Mister Frosty.
By cracky, you are a poet. This was intriguing. Betrayal and ambivalence are paintiful but rich fodder as you know.
I always wonder if the ghosts of the people are there when those memorials are placed by the roadside.