These gazes are real, as visual fiction goes, and they serve us with plausible anecdotes for placing synthetic figures in an American landscape. Many have been cast out of their original situations, and are most likely victims, each with an uncertain reckoning in a conscious world.

The reality of the barrier between composition-plastic and skin makes us curious as we wade deeply into the territory of human surrogates and robot-companions. They are lifeless in reality, without “soul”, yet we have a need to find a place of respite for personalities that do not actually exist. They are a creation based on an image…an image that inspires stories.

The facial rendering of a mannequin in a photograph lives as truly as a photograph of a familiar face. They stare back with a seeming awareness, or knowingness that delivers a measure of vulnerable, yet questioning certitude. The thing they seem to want for is merely a phantom of desire. They are reflections of our scintillating levels of need, and, in their way, they are carriers of beauty.




















Portraits of manneqins taken in various shops, restaurants, and homes in New Jersey,
Ohio, Pennsylvania, Indiana, Missouri, Illinois and Kansas
This post first appeard in "Does This Makes Sense (dtms)", a platform for critical thinking.
photos copyright © 2011 by Gary Justis



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Comments
Siri in my i-phone. Hmmm. . .
Rated♥
I like what you said about being able to recognize each artist/restorers style, and their task of finding the balance between drag and cipher…This experience of yours is worth an essay!
Thank you Kelly, I like the flawed and damaged ones too. It appeals to my tendency to empathize with the character. It almost seems they have the most to say to us.
Lea, Good to see you! Yes, especially the Newsweek portrait…not too crazy…
Mical, thank you so much. I’m glad you recognize the power these lifeless forms hold for us. I think we are really looking at certain aspects of ourselves when we gaze at them.
John, Thanks for you kind comment on the essay as well as the images. Perhaps avatars will go a way similar to the retired mannequin. Fascinating to consider. A brilliant observation of a possible future….good one!
and expect dreams just from looking at them all.
This: "They are reflections of our scintillating levels of need, and, in their way, they are carriers of beauty." captures what I'm thinking eloquently.
she's picture perfect
and very unsettling,
she throws my philosophy,
my fears, back onto me,
i...
the incognito,
wearing the masks,
the wigs, of another
........................
wonderful Gary, the "automobile windshields for glasses" and "lock of hair encircling eye" taking me away to somewhere, well away ~
thank you.
Very moving.
#2--a Swiss Alps guide who buys his clothing in South Beach and stayed long enough for a tan??
Lovely and haunting
i felt some sort of connection to the film "a.i. artificial intelligence" at the sight of so many discarded mannequins
but why didn't you photograph any mannequins of color?
white artists frequently overlook this. there were no black actors in "AI", and few in any of spielbergs films at all.
Loved this.
HUGGGGGG
Smithery, Thank you for the kind comment. The gazes do seem to trigger something in us. It seems to go more deeply with the faces we recognize on some level.
Suzie, absolutely the point! They reflect back our inventions about their lives. I do remember the Twilight Zone episode. I remember being so let down at the end when the mannequin realized she could not have a life as she imagined.
Inverted, Thanks for the lovely poem and for recognizing the windshield glasses on the photo of the brunette. I appreciate your visit and you are welcome…
Neutron, Old Navy has those mannequins with the exaggerated facial expressions. Kind of grotesque and scary….
Hello Algis, Thanks for the visit! Yes they do invite a deeper gaze than we might give most objects. I would speculate the ancients experienced their carved and bronze figures in a similar way, although with the painted ones with realistic details, it’s impossible to say how aware they were about projecting themselves onto the sculptures.
Jan, In AI, the horror of the film depicts the victimization of the androids by human beings. Part of the horror of those scenes, where the robots are tortured for sport was, the emotionless resignation on the part of some (robots), and total fear with others. There is a robot companion product that I find fascinating. It’s in the form of a baby dinosaur, about the size of a small terrier. It is designed as a companion pet for those who live in situations where a real pet is not allowed. It is also a valuable companion for the elderly. It’s name is Pleo: http://www.pleoworld.com/Home.aspx
I’m astonished at the video testimonials for owners, who actually love this synthetic pet. I hope people can check it out. If you see the robot as a useful appliance, then the creepy factor is lessened. Thanks for your comment.
Kathy, Thank you friend! All the best to you…
John, I agree on # 2! And I have seen some of these from the 70’s. One to my favs is from 1913, the one with the facial damage. The eyes are large, and the face has a very serene look. # 19…..thanks for the visit!
Thank you Joan! Gld you cam over…
Greg, Good word my friend…thanks for the visit and great comment.
Baltimore..Hello, thanks for the comment. Mannequin that depict non-white subjects are very difficult to find in the antique shop venue. I am looking, and I will insert them as I find them. I agree about the blatant inequity.
Hello Linda, They do!...thanks for coming over, Hugs back to you.
Zanelle, that would be a treasure of a discovery. I know there i=are images of mannequin factories online. It’s a subject that has fascinated everyone for centuries.
Deborah, thank you for the comment..very kind
Hello Myriad…very, and complicated as you come to know them better…
Jilathre, they will wait for you to return…It’s odd how some tell their history through the physical damage. Similarly, we tell our histories (visually at least)through our physical abnormalities, and visible stress.
Hello Nikki. Thanks for the guidance and encouragement on this post. I really enjoy working with you and hope to continue as time goes by. Thanks for taking time out to come by. All the best to you.
Bluestocking, thank you…the variety is seemingly endless as you discover them. I have hundreds of images, all different.
Keri, Yes it should. I found it impossible to look at spiders, then I read about them, and the fear dropped away and fascination kicked in. These figures are made of glass (eyes), plaster, plastic, horsehair, and pigments.
Erica, Yes, that episode has been mentioned a few times…I thought I was the only one creeped out by it when I was younger. Thanks.
Candace, You are welcome and thanks for the visit. I see a compilation of features from one to the next…all familiar, and striking. I see several relatives of girlfriends over the years, and a bully or two. I’m so glad you took time to visual study this series!
Sarah, thank you. There is an eerie element because they are so still in the flesh/plastic/composition/plaster..
Maureen, There is so much information to mine in objects, from specialized ones to the mundane. Thanks