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AUGUST 15, 2008 12:07PM

Wanted: black female misfits

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Quick: Name the last black, female geek/misfit you saw in a film. Any film. I'll wait.

Yep. That's what I thought. I'm not sure when this non-trend started to bug me, but I reached full-blown annoyance around the time "Juno" came out. Don't get me wrong. On paper, "Juno" looks like the kind of movie I'd love, and it's been languishing in my Netflix queue for a couple of weeks now. 

I just wonder when it will occur to some screenwriter/filmmaker to create a quirky antiheroine who isn't white. The closest example I can think of is "Bend it Like Beckham," though don't get me started on how Keira Knightley became the big movie star instead of gorgeous Parminder Nagra. There's also "Akeelah and the Bee," but while it's a sweet and uplifting movie, it's not exactly in the Judd Apatow tradition.

I remember when I could go months without seeing a black female in any film, so I guess I should be happy that we're occasionally allowed to be sidekicks, uberdivas, lawyers and pretty girlfriends. Thanks almost entirely to Sanaa Lathan, Nia Long and the fabulous Regina King, I've even seen a few characters I recognize from real life. But when is Hollywood going to give the young, black female outcast some love? You know, the one who plays the clarinet, isn't tough, sassy or streetwise, isn't being courted by Nick Cannon, and  knows the difference between Wally West and Barry Allen. She does exist.

I'd also love to see an older black actress let her freak flag fly onscreen. One of the best films I saw last year was "Year of the Dog," starring Molly Shannon and Regina King. King was good in her supporting role as Shannon's ditzy, wide-eyed co-worker, and it was nice to see her play against type. Shannon was pitch-perfect as a woman who cracks up after her beloved dog dies. But as I watched the movie, I couldn't help wondering how King would have interpreted that thisclosetocrazy role.

Maybe I'd be more optimistic if Tyler Perry or any of the other black filmmakers making "positive" movies demonstrated a grasp of subtlety and irony, or an awareness of protagonists who aren't motivated by step competitions. (And by the way guys, black people do live in cities outside of Atlanta.)

Look, if America ready for its first biracial president, it's certainly ready for Michael Cera to have an offbeat black gal pal. I'm too old for the part now, but I'd be happy to provide some notes.

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M. Chariot anticipates a Renaissance in the American Black Narrative when Barack Obama is elected president.
Whoopi Goldberg in Jumpin' Jack Flash (1986). Long time ago.
Preach, sister, preach!
Right, you are sis. As a black person who works in the industry, here's how I see it. Not much will change until: 1)more black female writers, directors and executives enter the field and rise up the ranks; 2) one negative trend of the last several years finally reverses itself - the industry's unwillingness to make films that aren't exactly like other sure money-makers they've already made.
I'd like to see Wanda Sykes get a shot at something in a lead, rather than always being some kind of sidekick. I think she could play the kind of role you're talking about.
An older black actress letting her freak flag fly onscreen? Wouldn't it be lovely. For now, I'd be happy just to see an older black woman onscreen instead of seeing Tyler Perry, Martin Lawrence, or Eddie Murphy pretending to be an older black woman.
A culture who appreciate viewing minorities in serious, nuanced roles must be cultivated in this country. I'm part of that culture. What little I've seen of Tyler Perry's and John Singleton's films don't represent my experiences as a black man. I also loathe the glut of black comedies on network TV.

This emerging culture must be large and vocal enough to sway the industry with its wallet. Let's face it, when producers spend millions of dollars making a film, they hope for a profitable return. Most of us (Kevin Costner excluded) can't afford to donate that kind of money for art's sake.

Fortunately, digital filmmaking is driving production costs lower than ever. Not welfare toast cheese sandwich low, not yet... but from millions to hundreds of thousands and lower if you're frugal, savvy, connected or some combination of the above. However, regardless of who makes what movie, distribution is the real hurdle. In addition to more minority writer/producer representation, some of us better get busy buying up theaters! Kidding aside, even that area is progressing with the growth of the Internet and the straight-to-DVD market.
There's Whoopie Goldberg. But in general, yes, they play business women, crackheads and security guards. Not a lot of variety. And it isn't much better for black men. Cops and robbers, athletes, pimps and rappers. And unfortunately children are impressionable and model their own lifestyle choices after people on the screen they identify with. If the only back men they see are ganster rappers, criminal or athletes, how likely are they to aspire to be architects or writers? They will think of them as white occupations through submilinal but unintentional conditioning.
I totally agree 'mana! Thanks for the post! I feel very similar in the Latino community.
Yeah, I hear you. I keep thinking one will pop into my brain and I can say, wait, you're forgetting about so-and-so...but I can't...and that's the point. Bummer. On a different note, I being asian, very much appreciated Lucy Lu's character in Luck Number Sleven. Didn't matter that she was asian and she didn't have to speak with an accent, kick butt or be a nerd.
See Tropic Thunder. It makes the case for black men in film by having a blue eyed blonde play the black lead in the fictional movie.

It is very funny and has an actual black man as high contrast to the not actually black man.

How about Whoopie Goldberg in "Girls on the Side"? I didn't see it, stereotype or geeky friend/mentor?
"Boys" on the Side is a 1995 comedy-drama film about friendship, written by Don Roos and directed by Herbert Ross.

Three unique women embark on a cross-country road trip: Jane (Whoopi Goldberg), a lesbian lounge singer in search of a new life after breaking up with her girlfriend of years
I hope Msr. Chariot is right. And I hope part of this Renaissance is fueled, in part, by young black women feeling encouraged to write books and plays and movies.
Wow, thanks for reading everyone! I really appreciate the thoughtful feedback.
I agree wholeheartedly.
I am that black (well mixed) female misfit you speak of.

And the only example I can think up from a movie is the black girl from "The Craft" the movie about private school girls that practice witchcraft and eventually turn on 1 of their friends.
Well that was pretty "different" b/c she was all into occult things, not so much trying to be the R&B diva of every basketball players dreams.
I saw "W" last night. The Condi Rice character was the best.
Why yes! My favorite movie had a character that I loved very much who was very geeky. Lorraine Hansberry's "A Raisin in the Sun" had the character Beneatha; and for me she stole the show from the Sidney Poitier character of Walter Lee.

Lorraine Hansberry was an amazing writer and a great role model. She died too young. She had so much talent and she was way ahead of her time.