Greg Correll

W R I T E R

Greg Correll

Greg Correll
Location
New Paltz, New York, US
Birthday
September 21
Title
Founder, Chief of Deselopy (small packages); Editor (doesthismakesense.com)
Company
small packages, inc.
Bio
I write.

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OCTOBER 26, 2009 12:12AM

writ off

Rate: 30 Flag

My hands grip rocks.

My feet slip. I stand, straighten and slip again. Damn. Not half-way up this goddamn conveyor of crushed rock. Not pea gravel but real rocks: golf sized, cornered with perfect points, dusty. Bits that sticks to your hand.

I crouch. Any small movement and I move inches down the steep slope.

I turn sideways and push my feet in, to make steps; lift one leg knee-high to make another  size-12 terrace. Each bearing-down compresses half a foot; I step and stabilize and step again, each clattery footprint perpendicular to the fall.

If I move quickly I overcome the slide some. No single foothold is steady, each grinds down. I cannot stay in place.

After a dozen aerobic sidesteps I stop, turn, sit. Breathe hard, ratcheting. My fat belly wants to fold but cannot, presses against my shirt front, leaves pink-skinned half-moons between each button. I hurt after moments of palms-down, from the pressure it takes to keep from sliding away, of losing what double-effort wrought.

I lift one and examine it, tiny flakes impressed; the other presses harder, to stay in place. "Ows" escape. My heels skitter below my point-pricked ass, unable to form small ledges in the loose stones. My hand's a mesh of reddened pits and scraped, floury hurt, gloved in debris. It sands me bad to rub them clean. I shake and flail instead, wipe tenderly on khakis.

I switch and the other palm is worse.

I can't sit; it's too much work to keep my place. Getting up, turning, costs me a yard backwards. I resume the lift, dig-in, lift, dig-in. I am still breathless, badly so after just three steps. I try managing my breath, blowing it out as through a tunnel. It helps for three more steps.

I scan above, for some lesser angle. None. These manufactured scree fields are formulaic: acute enough for run-off, constrained just so to keep it from collapse. The rocks but slowly fall away; more like decades of shift. I imagine the research; I wrote about it down below, in the tiny bent-spiral notebook now shielding four inches of my sore ass. Useless. I curse the precise engineers. Three degrees less and I could turn and march uphill like a young man.

I stop again. The field above looks white in the sun. I sit again, then lie down prone, head uphill. I can stay this way, with rocks more evenly distributed under me, if I remain very still, just these points here and here, the ones who immediately remind. Insist. From the very first. "Ow", I say.

I blaze with heat. I pull my shirt out and forward, make it a little looser around my gut. I slide a few inches with the effort. Everything I do returns lower, loss, return. Scratch my nose, some pebbles roll under my back, a half-inch. Some bit of me is hung up, so I raise a fraction to settle better -- and slide one inch more; I agitate, down another few, settle back. And then more uncomfortable. New pinches. Hard facets.

Don't think about it. I bend my knees, lose more. Sweat puddles along my back, ribs, down my brow, inside my collar.

My feet are hot in thin canvas, growing numb. No water. I close my eyes over and over, squeezing hard sometimes. My breath slows, I move my hands over the stones, stiff -armed, over my head. Rock Angel, I laugh. If only I could swim up this.

I try not to think how stupid this was, coming back to see where the boy died, in that roaring ice-walled river. He was young. I was young. I helped his friend, but the first boy, the driver, died grinning, drunk; broken back, leg, hip. Up to his chest  in 33 degrees fahrenheit, slamming thru his crushed Econoline. Too deep, too far, too gone, to reach, just 5 yards away.

I looked for the boy down there, I stood with pad and pencil, a greasy 4B, to bring him back to me, to look at at that last goodbye smile, that said "I went out a pistol, by gun, I give her what fer."

Nothin'. All I saw was rising flies, and wet rocks, the cool spray and the river's loud rimmrum schklosch repeat repeat, the sound controlling everything. All these years I thought he had nothing to say, nothing better or more perfect than that look to give me, thru the shattered door.

Now I know: he smiled sardonicus, for it was too loud to be heard.

He was potted errancy itself. Afraid to look down, at the broken angles, the wrong attachments that were his last dance, and if he felt any need to sing boddhisattva, or curse with a blood fever, or whisper his too-late sorrows? it was drowned out.

It was to be drowning for him there, at the moment coming soon, when he lost the muscle to hold his neck upright, and stopped pressing his weight on the frame. He folded into the water, his head anointed by oily rags that caught and bobbed on torn metal below his bleeding neck.

What did I think? that arriving 30 years later, moleskin unbanded, chewed pencil ready, I would see what I missed, I would not turn away this time, at that look of fear, as it just began to arc into his young, stupid grin?

No. No such vision came to me, just the long-needled spruce, sussussing like soft cymbals on dwarf cottonwood scrub. The tall weeds and boulders like strewn toys. The crash of the river. The hot sun.

No one there but me.

If I could I would slowly flap arms and rise like ginger over these grey imps. I think about physics. Why swimming works in water. The density of hot air. I rise, turn, and slip again. My ankles hurt; I re-assemble, push up, turn over, stand. I straighten, wipe my wet face, smear it with damp, muddy chalk. Forty-five minutes and I'm not even close to half way up.

When I was in my 20's I would have scrambled up and sung doin' it. I curse my age, my sore shoulders, my stiff legs, my pound bags of peanut M&Ms, my mounds of mashed garlic potatoes, in Montana, in Brooklyn, in High Falls. All the calamari and linguine, the kreplach and brisket and egg noodles, the cheese, the stupid helpings of cheese.

I slip, grab rocks, fall anyway. I twist, land on my ass, something breaks in the pocket. Phone. Still I can't hold up, fall on point of elbow, zang like drilled bone it hurts.

I twisted my back and neck. Everything stings, aches, tightens, and drips. The sun blazes white on white spotlight. Red is no longer a color; it's a stain of  hard burn on face, arms, neck.

I re-organize on all fours. My knees are pin-cushioned by shale points, gnomic rubble. I roll and sit, pulling knees close, brushing rocks and bits of skin off hands, then shirt, then knees, then hands again. Red smears. There are tears now, tiny plumes of threads around a jagged red volcano on my knee. I study it close, but sitting like this makes it hard to breathe, so I stretch my legs out straight.

The sun burns so bad, on my forearms, my face. I want to cry at how little I can stand it, these prickly goddamn rocks, against the backs of my legs. My skin is old. These rocks want to push inside me, I think, to commune with bone. They know I am writ small, writ off, nothing but paper guts, crinoline mind, hiccuppy heart. I smile at this line. The sweat drops faster.

My mouth pulls down. My eyes sting. I get up, pain in every angle, bent funny, and charge up, make it like a crab another ten feet, for twenty feet's effort, up the slope. I am making noise. I stop, breathe two times, charge again. I use just my right side this time, it's easier.

I take two steps, lose it: I turn my ankle into a bag of knives and hot cables and fall, face first, slide five, ten, fifteen feet back. My palms raw. Torn. I roll on my back, then all the way around to all fours.

"Shit." I say, and other things. I can't stay up, or sit. My hands are constellations of red sparklers.

Up on one foot. One knee. Dizzy. I see electric snowflakes hedge-trimming every single thing; when I close my eyes tight they turn blue, then cobalt blue, then canary yellow. My head hurts.

I touch fingers to stones, to steady myself. I stand. How far? Fifty? Eighty? My neck is tight. My left eye droops. I am frowning, the left corner. I look up and white layered pinwheels blind me.

I look below. No focus: there are two rivers one just above and to the right of the other. I lift my hands to my face but feel only the right cheek, beard stubble. My left arm is somewhere. I know I raised it. I turn my head and two worlds slide around -- I find it! on my other cheek, or maybe ear. The fingers, like lead, fall to my neck.

I turn but one leg drags and I fall again, my hands like tetherballs, my left ear and temple dull as a cement sack when I hit, hard.

I breathe.

Domino, I think. The sun fries my neck, my right arm. My right arm turns me over; it tries. I see myself from space, from the treetops across the canyon wall, the silly figure of pink and grey and tan and now red, stepping, sitting, scribbling, laughing, falling, going up, going down.

I laugh and it comes out "huhluff huwhuh huhfuhhh", and the line between the left corner of my mouth and the hollow place deep in my neck becomes a radiant steel spear; it starts in my teeth and buries itself in my ribs. I open my eyes wide and see two worlds swim, one ascending to the sky, to the light, one descending, falling away.

"My hat", I remember, down on the ledge below, it comes out: "ma-ah".

Breathe.

Breathe. The sun scorches my right cheek.

A time goes by. I turn and hook my arm and pull up, up, roll some, onto the dead side, crawling up. The gravel piles under my chest. Are my legs moving? I stop.

Breathe.

Time goes by. It is getting dark. My right leg is wet. Am I in a stream? Is it raining, on high? A lattice of wet white lines overhead. I blink, they settle into strung pearls. Blink, wet candles.

Darker. Tongue stuck out. I turn my head and smile, one side up, one side down. Lights go by, up there. "Help me" I say, it sounds like "huhpmuhh"

-

I dream about a home on a plain, seen from a badland cliff-edge. Hot and golden is the immense castellated home, made of flat, gold stone, perfectly smooth; the top three stories are old-red roofs against a wet green-blue, ablaze in the last full light of true sunset coming in from behind us.

I simply lift high to the top, to the great entrance that floats hundreds of feet above the liming orchards, the watered ground far below. I hear shouts under me, flashes of their lights; they raise me up.

I am inside. I turn and fall gently on the floor inside and stare rapturous and calm at the broken portcullis, the open roof, the sky-filled terraces all around, the tall windows. The floor beneath me is pin-point tip-tops, a thousand alpine conifers: itchy, sticky, spinning, The sun blazes into me and I remember my dream, the real dream of the real night before. My last dream. I remember:

I am with my father and we are both men and I have forgotten his hands and my blood.

I step up to him. Calm moments. I remember: I am taller now. I straighten up, leaning in -- and someone flares a light on us, for just a moment, bright, then away, gone molten blue, gone cobalt, and in that last backlit moment my father, frail from 55 years of polio and hate, turns just so and lowers as I rise up.

I am that simple inch taller. Calm moments pass, and it is those moments I remember, lying on the slow fingers of ancient bristlecones, the sky open and darkling before me, pierced by last rays.

A cloud passes. From last bright to dim light, I write on the sky. I smile: that's all. Just light, then gone.

The light fades, re-emerges. I grin so hard my cheek is stiff. Some light, sometimes.

I hear voices

-- shhh --

and I am

-- hush now --

slowly shaken to sleep.

 

 

 

 

 

 

 

//

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Comments

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bump for all the west coasters to read. As for me, I'll get right on it tomorrow. It's after midnight and I'm a Kindergarten teacher in 7 hours. :)
tragic knowing
fearful bliss
we cannot retrieve
regret

~~~~~~~~~~~~~~~~~~~~

Just goddamn great writing. I'll be thinking about this tonight. will re read tomorrow.

Thank you.
This kind of writing stays with you long after the last word is digested. Very powerful; I felt every heartbeat and the intense sunlight. ~R~
Greg, Your writing, as always, is absolutely brilliant. God, even that sounds minimal. You are, as a writer all that us wannabe writers, covet. I mean you got skillz, ma man!
Rated
Back to reread!
Lainey: thank you. Be rested for the kindelech.

Connie: Such kind words. Thanks.

Chuck: Well, I wanted to grip. Thank you.

junk1: a re-read. sigh. nice. thanks.

_
I couldn't sleep last night. I will write of why in a month. Meanwhile this came out. I guess: for those under 35? this is what mid-50s feels like.
_
This is masterful, just really masterful.
Walk away: I appreciate your fine comment. this one seized me.
Wow a thousand times.
Your writing never ceases to evoke physical as well as emotional reactions. It is not lost on me that this garden you face each day and toil for (and against) with such painstaking precision, tenacity, sweat and hard labor is more than a metaphor for your life. I may never have the opportunity to see what you reap from the earth but I can assure you Greg, your words grow, bloom and nurture more than my soul. They are of the soil and come from your heart. Amazing.
What amazing writing! You could teach a course for us without an inch of your talent. Great Stuff!
R~~
Well, um, thanks a lot for taking us on and into this event. Had to shake it off to get up and walk around to reassure myself that all limbs were functioning and the rock scrapes were all in my (your) mind.

That's what writing is all about - to take us to other people's places ... whether we want to or not. To know, at least a little, what it's like to live other lives...
I'm still catching my breath from joining you on this incredible journey. Such a great life metaphor - the struggle, the slipping down with each step up, the sharpness of the stones. And yet, your ability to forge ahead is inspiring. So is your writing.
From the opening line to the closing one, this is gipping, high-level reading, like what one used to find in Esquire magazine. I'm sorry - why isn't this an editor's pick?
Dorinda: a thousand thanks

Cartouche: thank you for these kind, heartfelt words.

scanner: thank you. I am still learning tho

Myriad: yep. how we let each other in, without too much leading...

Will Someone: lovely, sing/singes

NoisyNora: yeah, that metaphor; this was just too good, when it came to me. and getting old kinda sucks

Nikki: heyyy. yeah! what's up with that, huh? he he
Ahh, this is why we have you. Rated.
Oh, wow. Tragic. Such beautiful writing. Such emotion. Thank you.
This will require another read (and possibly another after that).

It is starshine condensed into small glowing letters.

Highly rated. Masterfully done.
Scared the hell out of me just reading it.

Is this part of a longer piece with the previous post about the boy in the river?
scupper: thanks

Gwen: thank you

Bill S: wow. that's a nice comment. Thanks

Con: good grief, Con, you remembered. yes, it is. I am considering a middle part, shorter, then assembling all three and submitting it somewhere. And it's near Halloween, so glad to be of service.
This took my breath away . . . the sheer vividness of the effort, the injuries, the stroke, the dream . . . Greg, you are a master.
Greg, this is tremendous, and much appreciated. Thanks.
Amazing post, amazing writing. Thanks. (Rated, of course)
what connie mack said. r
Well worth going back to read or re-read, "we save the other boy," which Greg posted July 1, as I just did. One of the strongest pieces of writing I've seen anywhere. About the only place to find writing as good as Gregg Correll's is on Greg Correll's blog. I was struck while scrolling by just how much of this excellent writing is there, one post after another, a few days apart, maybe a couple of weeks. And maybe this post gives us a clue as to how this is done.

I have often ventured back to a spot, just to feel it, to allow what happened there to return to a layer of conciousness closer to the top. But had I fallen, or gone down and not been able to get back up, I likely would have kept that to myself. Instead Greg offers this stunning piece which ends I'm not sure where, but will surely come back for a second read, but somehow connects this struggle with a past one, (also worth re-visiting, "the seventh bloom," July 29) to bring us to this uncertain ending following this epic reminder of the fraily of the flesh and the strength and obstinance of memory and experience.

Do I see a man only in dying feeling taller than the sick father? Not sure. But I think in your writing, Greg, I see what is not out of reach for the rest of us mere mortals, as some above have hinted. It's all there, always. One need only be brave and tough enough to keep going there.
owl: thank you for this keen comment

Coca: thanks

aHippieC: thank uyou

OESheep: hey, thanks

Jimmy: you astonish and honor me with this penetrating comment. I omitted, tra-la, the link to precursor -- which is in fact "we save the other boy", the story of that night in the river, when I was young and strong, and heedless.

I decided this was too good, too real, too personal for even the mention of another link, and the self-promotion of it. But I am glad you did, and I am humbled and grateful for this stunning personal praise.

Perhaps "I" die here. Perhaps it is hallucination, applied to the interior of an ambulance. It was all just a way to show rigor in description, and a way to get to those dreams, real dreams I had this week, the first ever wherein I stand up to my father, and in that dream feel nothing but a blend of companionship and compassion, something I have never felt in life toward him, not once, not ever.
I read this earlier and posted a comment, i don't know why it is isn't here but I think sometimes I hit the "post a comment" button above instead of the "post this comment" below.
One of the things I had to say is that I often read your posts with a tab opened to www.dictionary.com. I almost always have to look up at least one word. To say that you have command of the language falls short but is the best I can muster this late hour.
I also talked about how I am always propelled forward - can't stop - reach the end feeling like I have traveled the threads of this huge, vivid, stark tapestry that leaves me wanting yet a bigger picture.

I am grateful to come back here tonight and find that jimmymac points to other posts that may answer.

rated, as always
Masterful writing, Greg. A quality writer carries his reader along not just with him but inside of him. You do that here. Why on earth this is not on the cover totally eludes me. But the tricksters who are tptb are all the more losers for not seeing the quality here.

Blessings, and keep up the good work.

Monte
Barking: i almost never care about EP. (writers are such liars.) This one, tho... Thanks.

Teresa: i have done that very thing, wrong-comment-submit btn-wise.Thank you for the close read and kind words.

Monte: you always carry such good cheer with you. you and I and some others see what I have here. good enough. thanks

i think I should always trust my writingfeverdream urges at midnight.
Greg, the exactitude with which you describe the mechanics of movement is just amazing. It's all about the physical here, and as a reader I can feel the rocks sliding beneath my feet and the panic of not moving fast enough to keep myself going onward and upward. And all that stuff about the little granules pressed into the palms? Just dead on. Very nice work.