Weeks after you were buried, I came alone and played Pavarotti for you. "The fat guy with the great set of pipes," you used to call him. I brought the Walkman I had given you one Father's Day, and those tinny little speakers. If anyone had been watching, they'd have seen a woman kneeling on new grass, looking furtively about, embarrassed. There was a jogger on the path. I waited. I fussed with the flowers.
When I knew we were alone, I set the speakers on your headstone and played Nessun Dorma. Softly at first, a tentative offering; then a second time, louder. A third time, and the world went soft focus: a salt-stung blur of sky and blossoms, the hum of summer insects; more than one beloved voice. The fat guy with the pipes.
I spoke to you in whispers, as I had on the night you lay dying. "Are you here?" You must be, there is so much to tell you. While Pavarotti sang for us, I told you my secret and asked your forgiveness.
I ask again now. I ask as often as I remember. When I play Pavarotti, I sometimes find your answer in my heart. We smile.
Then we sleep.


Salon.com
Comments
peece,
dj
Rated
happy seems unappropriate under the circumstances, so Wistful Father's Day, "h",sl, thanks for sharing
Thanks for taking us to that graveside concert with you, and for making our hearts sing.
—Melissa
Something (not Turandot related) about the fat guy with the great set of pipes:
My sister worked for the Philadelphia Orchestra when Riccardo Muti was the Music Director. Pavarotti was a guest artist. While rehearsing music from Pagliacci , Muti noticed Pavarotti making notations on the score. It was widely rumored that Pavarotti was not adept at reading music, so Muti wondered... and went to peer over Pavarotti's shoulder: he was doodling clowns in the margins.
clowns in the margins