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High Lonesome

High Lonesome
Location
Southwest desert and mountains, U.S.
Birthday
June 06
Title
Hey, could you ...?
Company
Sometimes
Bio
Pastor, maker of tents, writer, naturalist, mother to many, wife to one, woman of the sandwich generation.

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Salon.com
JULY 31, 2009 2:00PM

My mom, she gots dis boyfriend

Rate: 29 Flag

 Prickly pear

Or: Why kids in this region grow thick, thorny skins

My husband and I are walking back across the street from my parents’ house, where we’ve just delivered dinner, when a kid zooms up on a bike.

“You take out my stitches, doc?”

The doc looks blank for a moment and then asks, “Did I put your stitches in, Birdman? I don’t remember that.”

“Nah. My mama, she ain’ got gas.”

That’s one of the drawbacks of the Indian Health Service: Patients have to get there. On the other hand, “there” would be a lot farther away, both less accessible and less affordable, without the IHS.

Birdman’s real name is Roberto, and he lives somewhere near us, or at least nearer to us than to the clinic. He’s a familiar character, because he’s impressively talented at getting what he needs. In his case that’s a good thing, because he needs a lot of help. His mother has made some really bad choices, and she seems determined to repeat them frequently and dramatically, often at her son’s expense.

People stop by the house all the time, wanting some little medical service. Sometimes they get it; sometimes they’re told to stop by the clinic tomorrow.  My husband is an inherently nice guy, and removing stitches only takes a minute, so the next thing I know, Roberto has his shirt rucked up and his eyes scrunched closed for a procedure he’s sure is going to hurt.

He has good reason for believing that. Across his back are two uneven rows of black knots, holding together the skin on either side of two long gashes.

“What happened, Bird?” Pediatricians know that eliciting information often is easier if the patient doesn’t have to look them in the eye, so he talks while this patient is face down across his lap, arms and head dangling to the left, feet kicking to the right.

“My mama, she gots this boyfriend.”

 “I figured.” There’s always a boyfriend, each one worse than the last. “And your mom’s boyfriend hit you with a stick?”

“Nuh-uh. Piece of PVC.”

“Police come?”

“Nah, diddun’ go to no doctor.” There’s a wealth of information revealed in that statement: Mom didn’t take him to the clinic because she knew about the mandatory reporting requirement, which means this isn’t the first time, but we knew that.

“Where’d you get the stitches, then?”

“Guy does the sheeps.”

“Vet?”

“Umm, not ‘zackly.”

“No?”

“Uh, a helper, like.” Like, the guy you call when you can’t afford the vet, although he seems to have been capable, if not artistic, with the sutures. “He come out, see you, you don’ got gas money.” Or when your mom doesn’t want her boyfriend to go to jail.

 My husband makes eye contact with me and says, “Babe, can you come hold the light?” I know what he means: Come look at this. He’s not concerned with the quality of the previous repairs; he’s bothered by the several generations of bruises criss-crossing Roberto’s back, apparently inflicted over his clothing but still sharply enough to pull the stitches loose in at least two places.

“Boyfriend hit you a lot, Birdman?”

“Some. I make him mad.”

“No reason to hit. You know that.”

“My mama, she say I don’t got the devil’s own sense.”

“You must have some. You came here to get your stitches out, and I bet your mom didn’t send you, did she?”

“She don’ know.”

“You get in more trouble if she finds out?”

“Nah, she won’ care, long as no policemans don’ come.”

There’s the dilemma. If we call the police, they’ll go talk to Roberto’s mama and her boyfriend. They won’t remove the child from her care; foster homes are rare, reserved for problems far more serious than this one, and they aren’t always a big improvement over a child’s current situation. They won’t take the boyfriend to jail because it will be his word against that of a child whose well-known survival skills include lying prodigiously. So they’ll just issue a warning, and the boyfriend, humiliated, will beat the crap out of the little boy.

Again.

“Your mama, she got a plan to prevent this from happenin’ again, Birdman?”

“She say I need stay outta the way for a while.”

We exchange glances again.

“You want to help Leetso with the yard?”

Leetso, called that (the Navajo word for uranium) because liver disease has turned his skin yellow, is another stray. Temporarily sober, he needs some money, so he’s working on our lawn and garden. As near as I can tell, he’s not actually accomplishing anything, but he’s still sober. He’s supervised by Anna, our “housekeeper,” who also doesn’t do much, but she doesn’t tolerate any misbehavior.

“An’ sleep here for a while?” Roberto catches on quick.

“Yeah, we got a place.”

“ 'bout a week’s prolly all,” he allows. “Mine goin’ back on purty soon.” The boyfriend will go back to the employee housing provided by the coal company when mining operations resume after the scheduled hiatus for maintenance, and Birdman’s mama will find another boyfriend, one who may be better or worse.

“I’ll walk down and tell your mama, then.” He’ll tell her a little else besides, like what happens to her income if she loses custody of Roberto, and then he’ll take the boyfriend aside and make clear the fact that others are taking a personal and pointed interest in the boy’s welfare. That’s the most we can hope to accomplish. He’ll talk to the police, too; he’ll say he thinks he has it handled for now. Nobody wants to make a bad situation worse.

“You gon’ take out my stitches first?”

“All done, Birdman, but you need a bath. Here’s what I want you to do while I’m gone: You go in and take a shower and then have Mrs. Doctor put some stuff on your back, ok? Then we’ll find you something for supper.”

Roberto gets stuck on one word. “Ain’ takin’ no fuckin’ bath! Can’ make me! Bitch! Don’ you lay no hand on me!” That isn’t unexpected. The Birdman’s outbursts are legendary, and there’s no doubt they’re a risk factor for significant abuse. He’s no more willing to tolerate a loss of face than is his mama’s current boyfriend or every one of the couple dozen before that. This is the way men in his world act: Either they win or they lose, and nobody wants to lose.

The doc, who has no compunction about laying a hand on him, reaches past flailing limbs and picks him up by the back of his pants.

“Bird,” he says sternly, and then waits for the racket to die down, at which point he sets the kid on his feet. “You’re a smart kid. You know that’s not the way to keep your skin in one piece. Don’t pick fights with people who can hurt you.”

Tall man and small boy face off. “’zat a threat?”

“You gots any experience to suggest that life is any other way, Birdman?“ asks my husband, who has never in his life threatened a kid. He turns and heads down the sidewalk. Behind him, the kid continues to sputter.

“Don’ need this fuckin’ shit!”

“C’mon, then. I’m headed to your house.”

Roberto recognizes a challenge, but self preservation wins out. ‘I ain’ usin’ no soap,” he mutters.

The doc stops and levels a look back over his shoulder. The little boy turns toward the house. “Stupid fuckin’ whites,’ he says, but he says it quietly. Then he perks up.

“You gots Mountain Dew?”

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Comments

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I am so honored that I am first up here to respond to this story. First, you succeed brilliantly in making the scene come alive. I went an reread it and decided it was the dialogue, definitely that made it possible the classic and wise 'show not tell' deal in action. Getting the dialect and slang right is a tough one and you did it perfectly, just wonderfully. The phrase: "I ain’ usin’ no soap,” he mutters." made the entire story for me. Doc and Mrs. Doc really have it going on in this situation. I would be their friends I know it. I loved this story. This is why I come here, to experience them. This is one of my all-time favorites. Thanks for letting me look at eh snapshot. By the way, I got right into too, which is a skill that you pulled off.
You know how great writing sucks the wind out of you and makes you soar at the same time? That’s how I felt about this piece. It touches the heart while still making you smile and even laugh (gotta agree with Dr. Spudman about both the dialogue and the soap line!). There was a spell when I thought I was in a Sherman Alexie novel because of the familiar landscape and great writing, but that this is nonfiction makes your vignette all the more profound. Makes me want to reach out and pull Birdman out of that ugly situation—either that or kick the boyfriend out of the picture. Regardless, I’m relieved to see Roberto has an amazingly resilient spirit.

Thanks for sharing this encounter with us in such an eloquent and moving way,

Melissa
Thank G-d you're there.

Thanks for sharing this - it was painful yet warming at the same time, you know?

Thumbed.
I'll take him in. Can you send him to Hawaii? We'll hanai him, that's a local custom for taking in someone elses kid and raising them. Over here, many people have their family and their hanai family.
As an Oklahoma doc, I can really relate to this (from jaundice to the abuse to the Indian Health Service). Great story, though sad. Beautifully written.
This brought tears to my eyes. I bless Doc and Mrs. Doc for being the right people for the job. I bless you for writing this in such a way that I heard every word, and the "subtitles" were perfectly rendered. Wow. Full heart on this.
Well, f--me, I come back and there are six flipping comments for this work of art. God, this place pisses me off sometimes.
Dr. Spudman, thank you. I have heard that dialect so often that I can now use it to think. (Too bad my college French didn't take quite so well.) As for the number of comments, I am both blessed and cursed with sufficiently broad perspective to see how trivial such things actually are.

Melissa and Deborah, thank you. It's hard not to be able to spirit children away. If I were in charge of CPS, I'd be tempted to institute a one-strike rule with parents (which, I'm aware, would have resulted in losing my own after my first mistake). Since I'm not, I just try to help in the small ways in which I can. Kids are amazingly resilient, thank goodness.

Bill S and Owl, thank you.

And Steve, thank you as well. It's a story that's far too common.
Life in "Indian Country"...what a raw deal. This kills me.
I really enjoyed reading this very discomforting story, because your writing is so good. And you are good people, too, which is heartening.
A real and sad story told with grace and written with consummate skill.

My heart bleeds for the Birdmen of the world, and there are so many. Right here in my little working class village there are many, many children caught up in a world like Roberto's. You and your husband have a wonderful way of handling very difficult and delicate situations. Bless you both for your strength and compassion.

Monte
rated, of course.
What a moving, deeply realistic piece of writing that really resonates with me. Thank you for writing this.
Impressive and poignant story, High Lonesome. I think using dialect as a tool in writing to track the speed and breadth of a story is difficult. When people talk to us in person we all kinds of body language that cues the interaction. In writing we just have the words. I was very impressed at the use of dialogue to create the visual image of acquiescence of Birdman. Bless you and thanks for sharing the story.
HL, I've read some of your work here before, but I'm not sure if I ever commented. I simply couldn't walk away from this one, though, without leaving something. This is a powerful work, the timing and pace are spot on. I could see the action and hear the voices--and especially see Birdman's back. Ouch. What a brave (and brazen!) little boy! Whether this is fiction or fact, it still resonates on many levels. I thank you for writing. I've added you as a fav so I won't miss your work again. Rated. D
Brilliant writing, and I don't mean smart. I mean it illuminates. I could see the kid through his words. I understood the glances between the adults. The experience of having been through this once or twice and the fearlessness of knowing a strategy may or may not work but as a responsible adult you take your best shot. A story that gets told, sadly, too often, but rarely this well.
It's so sad that no one can really fix Roberto's situation because to call in authorities puts him in a foster home potentially worse than the home he has. I hope what you can do will be enough.
Excellent atmosphere, convincing dialogue. Thanks for posting this. Rated.
Awesome--in it's sadness, it's compassion, it's writing. I've always been flabberghasted by a system that refuses to rescue children from this often enough. Abused animals get more support.
yekdeli, yes, although no part of that is uniquely Native, nor is the sum.

Monte, as always, you are a blessing. Yes, there are so many.

Mr. Mustard, Patie, Yarn Over, Jimmymac, SuznMaree, Alan, serendipityschild, thank you.

James Poyner, it does sometimes seem that way. With human beings, some people worry far too much about whether they "deserve" help.
Doesn't it say it all that some of the commenters don't realize this is fiction.

Though, I suppose, not entirely?

Rated for leaving me wanting to read the rest of the story.
HL, you never disappoint. You are obviously an important contributor to whatever community you inhabit, be it real or virtual. Dialect has got to be tricky to write -- I've never had the nerve to try -- but yours doesn't hit a single false note.

With a little help from you and the doc, I'm hoping that Birdman can defy the odds and do okay in this life.
nerd cred, this story is, unfortunately, wholly factual. Thank you for the compliment.

Laurel, thank you. As a journalist, I can handle real dialogue. I'm not so good at fictional dialogue; I never can figure out how to weave it in with description.
Ah, High Lonesome, my heart is bleeding for that poor boy. When I close my eyes for a minute, I can see the reservation in my mind's eye. I can see this child and his beaten back. What a painful story.
My brother came to live with us when he was 7, in 1963. His parents left the Navajo reservation to come to Dallas. Arthur, as he was known then, and his brother and sister had been taken away from his family because of their neglected condition.

Fast forward to January 2000. He died of exposure in a tent city in Isla Vista, CA (near the UCSB campus). He had been a street musician, eeking out only enough to buy booze and a bit of food.

"Stupid fuckin’ whites" indeed.
Wandered in via Catherine's post today. What a nice gesture on her part and what a reward to find this story. Sensitive and realistic. Thank you and may your fridge always brim with Mt. Dew.
HL, this is masterfully told. You illustrate the problem vividly. I know that this is a problem in so many communities. And there are not well paid lobbyists to advocate.

Thank you for directing me to this stellar piece. It is much appreciated!