Homer Langley

Homer Langley
Location
New York City, New York,
Bio
Soldier turned Veteran turned Mental Patient. If you know who I am, please pretend you don't. Thanks.

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Salon.com
Editor’s Pick
JUNE 30, 2010 9:38AM

The gun in the jewelry box

Rate: 28 Flag

For a time we don't see each other. I spend time at my apartment with Abe. We go out, we meet girls, I go on dates, I drink. I stop writing. I consume myself with the day-to-day, the armor of the unintentionally single man. 

At counseling she deliberately looks good. She deliberately speaks of the men she has seen, but is affectionate. She is happy, and I don't know whether at those moments it is because she is near me, or because the rest of the time she is not. 

In a way, we are both happier. The time alone. No obligation of feigning a relationship that has been tattered since the war. For a brief moment, I think I know what it is to feel like a 27 year old, and it feels good. Weightless.

On a hard day, she invites me over, and I oblige. I wonder at the sanity of it, but we are Homer and Cassie, and sanity is not a function of our relationship. 

We linger in the usual places. Around the kitchen counter with glasses of wine. On the sofa by the television. We don't linger on the front steps of her apartment because I have stopped smoking.

Her place is cleaner. She is more organized. There are no dishes and I wonder at this because before I cleaned, I organized, I took care. In the simplest way, I am proud, and afraid.

I go home that night, but I see her again.

We sleep together. The carnal bits of me come out and she indulges. We fight brutally, all bruises and sweat. We fuck. We parry, dodge, embrace, attack, and silently console.  

I lie in her bed one night and she curls against me the way she only does after sex. The fan whirls above me. I have hope. I am hopeful. But the hope, where it was once unfettered, is tied with grief. I know it is fleeting because with her, it is always fleeting, rising and setting with the moon. In the morning, she will touch me differently. In the morning, the tenderness will go like the dew, up into nothing. I curse the hope.

In the morning I wake up and she is gone. It is hot. I loathe putting on the same clothes from the night before in my own apartment, the walk to my own place, changing and then going to work. I step in the shower, wash, and exit. I go to her jewelry box and search for a q-tip and in the drawer I find a gun instead.

It is small and unremarkable, carefully placed in the jewelry box where she keeps her wedding ring and the necklace I gave her. I don't know why it is here. I know who gave it to her, a man she knew from deployment. I am not bothered by any of this. Guns are common, more common an accessory in the military than rings or bracelets.

 I am bothered that she does not tell me.  I am bothered that there are things she does not tell me, not because I want to know, but because she lives in secrets, in folds of the night that I am tired of trying to penetrate. In the Army, in war, guns are meant to keep others at a distance, a show of force. I see no difference now, not in the weapon, but in the secrecy, words kept so that she can shoot them at any second should a threat arise. 

I am tired of war, and only want peace.

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Comments

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"in folds of the night that I am tired of trying to penetrate" - elegant how this echoes the earlier sex. The rhythm, even in the longer sentences is staccato - like Morse code or gun fire.
No one wordsmiths like you, Homer. Like consonantandvowels, I'm repeatedly struck by your use of the monosyllabic to punctuate, and was equally struck by the "folds of the night" contrast. You do this like no one else.
This has a chilling elegance to it. Very enthralling. Thank you and thank you!
Really well told. I've been on the counselor's couch and can relate to what you're going through. The desire for peace resonates.
Always quietly direct, perhaps a deliberate choice because it feels like it might be covering the desire to scream . . . the restraint makes the story all the more palpable, and powerful.
Very powerful, and driven by its raw simplicity interwoven in a far less simple reality.
Life is war. War is life. Everyone is on the battlefield. I learned that during Vietnam. No one escapes unscathed, no matter how remote they think they are from the fighting. Those who fought bring the fight home with them when they retire from the battlefield, and those who never went are grateful they didn't and regretful at the same time. I found the use of present tense to describe past tense events to be very effective.
beautifully written. i have missed your posts. you described the secrecy so well and from a view point different from mine. thanks.
this is writing at a different level, it is incredible and brilliant
This is the first thing I've read of yours. Wow.

"words kept so that she can shoot them at any second should a threat arise" I could think on just that for hours.
I only want peace, too.

Thanks, Homer. I always love it when I find you.
Brilliantly real.
I wait for your posts -- keep them coming.
I love your stuff, Homer
I love your work
I've missed you
Glad you're back
Good writing. Filling. No, that is not right. I am left with one thought. I want to read more.
Always impressed by your writing.


{[R]}
Hello. Nice to meet you.
Tightly written. Good editing. Deserved EP.
R for many reasons, the truth being the first.
homer, I am spell-bound by your writing. wishing you that peace.