janicephelpswilliams

janicephelpswilliams
Location
Harbor Springs, Michigan, USA
Birthday
May 07
Title
Illustrator, Book Designer, Writer
Bio
Janice Phelps Williams is a book designer, illustrator, and writer. Learn about services for authors and publishers, as well as her artwork and books at www.janicephelps.com.

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AUGUST 21, 2012 10:53AM

For the Path to Publication, the Map Is under Development

Rate: 2 Flag

An author I have worked with, Jessica Bell, posted a link today to an article from Forbes: Publishing Is Broken, We're Drowning in Indie Books - and That's a Good Thing, by David Vinjamuri. Here is the link.  I wrote a lengthy comment on Facebook about the article, and decided to post it here as well. I'd love to know your thoughts.

I'll be traveling for a few days, so may be delayed in replying to your comments...

My response to Vinjamuri's article:

I can see this issue from several sides: publisher, author, reader. And, Vinjamuri covers the subject well. He doesn't talk much about editing, though, and what I've noticed in 14 years of working with indie authors/self-publishers is that they, some of them, devalue editing. They don't understand the role of an editor, they don't know how to evaluate if an editor is able to do the professional job needed, they confuse proofreading with editing, and they don't know how to access the level of editor they need to ensure their book has its best chance. (The same can often be true of cover design.)

I can't tell you how many times a book has come to me for design already having been "edited" and it is in no way ready for publication. But the author doesn't see it. I've often been hired to re-edit work that was previously edited at great cost and, to be completely honest, there have been times others have been brought in to do a second round of editing on work that I've been involved in (because it takes years to learn how to be a great editor). Publishing houses have multiple people who are professionals and read the manuscript and offer structural suggestions and marketing suggestions and proofreading suggestions. A self-publisher, even if he or she hires the best designer and freelance editor available, would find it difficult to replicate the team effort publishers put into books (at least some books, certainly not all, and certainly not as they did as assuredly decades ago).

It all comes down to money. It takes money to make money. It takes years to learn how to write. It takes years to learn how to edit. I bet if there was a survey, 80% of the people in the US would say they "want to write a book" or "could write a book." In actual fact, it is not such an easy thing to write a successful book. It's a profession, but how does one get paid while they develop the experience and time in the chair at the keyboard that is necessary? And then, when they are finally *there*, a young acquiring editor feels they are too old at 40 or 50 to have much to say.

I have been astounded by the poor quality of ebooks being promoted by self-publishing authors who are hurting their careers by their rush to publish. At the same time, as a writer I understand this and have perhaps fallen victim to the seducing voice of publication as well. I am writing a book. What will happen to it? Who will read it? Is there hope of finding a publisher for it? Should I spend all that time on it then?

Many small publishers will find it difficult to be profitable selling ebooks. The profit margin is so slim. And, in selling printed books, there are so many difficulties on the distribution end. The distributor who gave me my start has gone bankrupt. Borders, the most open store to small publishers, has gone bankrupt. Sometimes I feel like starting a little printed catalog and mailing it out to people to look at while they read their coffee and maybe they will order a book. In fact, there are a few publishers who send me this sort of thing and I love them. The brochures are quirky and the publishers have a definite brand.

I have thought about going the other direction from print on demand, in the direction of collectors' editions of handcrafted books, and then an ebook for those who can't afford the handcrafted book. I'm going to look at this option for "Finding Pletonia."

As a former publisher, I can tell you that ending my 11 years as a publisher (due to the climate of publishing, the numbers, the lack of capital, the competition, the returns, the time in my life that all these things took place, the other choices that I had that were more profitable and fulfilling) has been sobering and of course caused me to think about what works and what doesn't; for me, for authors, and for publishers. And also for readers! I keep settling into bed with books that just don't work well or were not marketed/titled/designed/categorized/proofread correctly.

What I would say to any writer starting out who wants to be published is to write because you must; because there is nothing else on earth you want to do more than writing; because you are willing to work at it; because you want to do it whether you succeed or not. Figure out a way to support yourself, educate yourself about the craft of writing; save up for the services of the best editor you can find, and keep at it.

~Janice Phelps Williams, www.janicephelps.com. (I am an editor, illustrator, and book designer and have brought more than 250 books "to life" since 1997. I am also the author of the "traditionally" published book: Open Your Heart with Pets: Mastering Life through Love of Animals)

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Comments

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Ah independence...the new conformity! As a genre writer, I think that most novices just want to get published. With so many print publishers going under and so many venues vanishing or restricting submissions, there is a bottleneck of talent wandering about the internet and a plethora of advice experts. Even worse, some of our genre publishers and professional groups are herding us there and condemning us later...Most of us do no know what to do, we only know we write and need to find a route to publication. As such, it is hard to criticize the e-published and the indies...I think we may have to put up with a glut of bad writing to find the jewels that otherwise would get lost in this literary night. Remember that many of our greatest writers did not find "traditional publishing" in their lifetimes, either. If we all don't stand up to support print, we abdicate the right to complain about the net. It really is that simple, because those who are deluded into believing their own mythology will never believe an editor's criticisms are warranted. In throwing out the old and sometimes despised system, we are throwing out the literary baby with the bath water...Book buyer beware!
Janice, at first so good to meet you here, and your work is so needed. I found so many truths in your work, and your saying

'...because there is nothing else on earth you want to do more..''

is what I try to say about my work also.

Rated.
KC: Thank you for your detailed comment. As I have made a good living providing services to self-publishing authors (for the most part), I do support the indie pub movement. Yet, I will say that even with great covers and careful editing and money for marketing...it is still a difficult path and many authors are surprised at how difficult it is. I ask them to compare being a publisher with one book to being a store on the corner/net with one kind of chair/cookie/hat to sell. Publishers survive by throwing many titles into the race and gambling that some will pay off, and pay off well enough to subsidize the less-marketable titles. When a publisher has one or two or twenty titles, each title has a lot of pressure to perform. Don't get me wrong though, I loved being a publisher. It was wonderful, rewarding work. But the bookstores, distributors, and book reviewers (mainstream) are set up for a system that is completely different from the system whereby an author connects to his/her readers and then everything takes off from there.

Years ago, before Facebook, when an author asked how to market her book in the face of bookstores that would not put it on the shelf (and a lot of that reason has to do with economics, not necessarily the quality or demand for the book), I suggested she "get as close to the reader as possible." Today, with social media, it is possible to do that, and I think it is a wonderful thing.

I liked the comments in the Forbes article because a few of the commenters were actually making a living in the midlist, and this is encouraging. I do think there is still a problem for readers in discerning what is worth spending time and money on. There is nothing like three sighs worth of ebooks to send me running to my local bookstore to touch and hold and then come out many dollars poorer but feeling like I'm carrying treasures.

I agree that there are many jewels not being published traditionally today. And if they are published, so much falls on the author's shoulders. Creating anything: paintings, manuscripts, music or sculpture takes dedication. Here's to all those who rise early or stay up late to create the stories that are so important to our sense of knowledge, wonder, and entertainment!

Stathi: Thank you also for commenting on my blog. It's good to meet you and I hope to get to know you better through your blog as well.