When my husband and I went to London in 1985, it was at the height of the "Dark Cowboy" craze in Britain. I remember shopping at this tangled maze of shops in a big building on Kensington High Street. You could buy all kinds of "western" themed apparel. Decorative silver tips for the collar of your shirt and the toes of your boots. Bolo ties. Black gaucho hats. Long duster coats.
We had already been through the "Urban Cowboy" thing in the U.S., and of course, there is probably no period of time more romanticized and mythologized here than the old west. But it was really interesting to see this quintessentially American myth interpreted through the British fashion and music scene. These weren't shit kickin' cowboys. These were melancholy and mysterious gunslingers. They wouldn't have lasted two minutes out on the prairie.
Also available at the Kensington Market were an endless array of bootleg cassette tapes. And it was actually a friend of ours who picked up one called "Texas Instrumentals" that still survives to this day. Before I could wear it out, though, and after cassette players became virtually extinct, we transferred it to CD, where I just came across it again recently.
Most of the tracks are actually from the very early 1960's, which makes it even funnier that these bands and their guitar interpretations of the American west made a resurgence in post-punk London. I am always fascinated when American music and culture is filtered this way. (It's worth noting, too, that it was around 1960 when the "spaghetti western" film emerged.) I think it's incredibly enlightening to see your own culture reflected back at you.
Through the miracle of YouTube, here are a few of my favorite tracks from "Texas Instrumentals", by way of 1960's and 1980's England. Some of them really stretch the defintion of "western", but that's part of what makes it so interesting.
The Fentones - "The Mexican"


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I love your hybrid music posts. Ghost Riders always sounds good no matter who or where.
Here's another sample you might like. :)
http://www.cdbaby.com/cd/reggaecowboys1
I got so excited when I went on YouTube and actually found some of these old records, I just had to share. Glad you enjoyed it. It'll be our little secret, I guess. :-)
It shows the musicality of those musicians to lift classical melodies and put them into that context.
When I was very young, my family played a card game called (I think) Tripoli, and while we did, my parents always played an 8-track tape they'd ordered from Reader's Digest. For the past 40+ years, playing cards always make me start singing, "Out in the West Texas town of El Paso ...."
Margaret, I don't know how long it lasted, but they were everywhere in London that summer. Isn't the music great? The guitar instrumental is probably my favorite rock genre.
Lorraine, it is kind of amazing. Almost as much fun as the Uruguayan Beatles. Thanks for stopping by.
Paul, you get to say that you are the most knowledgeable music man on OS! (Talk about bait and switch, right? But that's your prize!) You might also be interested in listening to Nero & the Gladiators do Entry of the Gladiators by Julius Fucik! (And, yes, being able to arrange classical pieces into a rock song is pretty cool.)
High Lonesome, I agree that "The Hall of the Mountain King" is hardly cowboy-ish, which is why it's such a head scratcher that it ended up on a tape called "Texas Instrumentals". I'd love to hear the explanation for how that happened. And your card playing story is so sweet. Music is such an integral part of so many of our memories, isn't it?
Trudge, this stuff definitely has a lot in common with surf music. I wonder if surf was big in England too. 'Cause you know how much they love to surf over there! ;-)
I was thinking the same thing Trudge was; this music has a lot in common with surf music. And the band's names - almost as good as the music! Love "Krew Kats." The Reggae Cowboys (Scarlett's link) are pretty awesome too. Just listened to a few of theirs. GREAT post.
I would say the ones I have listened to so far sound more like surf music than western. Still enjoyable. I am a blues lover primarily and it was because of the "British Invasion" in the mid sixties that I discovered blues.
Dicky, it's true that there is a very thin line here. Still, there are some things in a lot of these tracks that evoke the wild west. It may be the chord changes or the scale they're using, the twang of the lead guitar, or the "shuffling" of the rhythm guitar, that kind of sounds like a herd of cattle or horses. Whatever it is, as Jim says, it's very "American". Also, that's very interesting that you were introduced to the blues via the British invasion. That's what I love about music - it goes around the world and borrows and steals on its journey back home.
"Valley of the Sioux" brought back childhood memories of shows like Bonanza and Laredo for me. Loved it.
Instead of yodeling, they do a kind of ayayayay thing. My husband had some on a cassette tape.