John Patrick Gallagher

A Voice Crying Out In The Wilderness

John Patrick Gallagher

John Patrick Gallagher
Location
New York, New York, USA
Birthday
May 06
Title
Editor-In-Chief
Company
Guy Comedy Network
Bio
Pro Writer with BA in Creative Writing from Purdue, University. Playwright. Author. Telly and Cable Ace Winner. Ad Agency Copywriter, Creative Director, former President of a division of Saatchi & Saatchi. Wrote-produced comedy pilot for ABC-TV. Director of many things including way Off-Broadway. Produced greatest jazz orchestra of all time (so said LA Times) for Hearts For Ella (Fitzgerald) Benefit at Lincoln Center. Lyricist and oh, hell, this is so fcking boring, but I lost a bet to a buddy and have to tell whole truth. If this self-damning faint praise gets me work I have to buy him beers until year 3000, but worse I have to take his advice.

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Salon.com
OCTOBER 28, 2009 11:05AM

A Modest Proposal To Make OS Writers Rich And Famous

Rate: 11 Flag

It seems most all of us share the desire to be paid for our writing.  Those of us who sometimes get paid for some of the things we write don't get paid enough. Others don't get paid at all.  

Maybe we can do something about it.  I suggest we form a Cooperative right here on OS where we generate income we can share.

I think that's what the Tips BS and Google BS is supposed to be all about, but that approach isn’t exactly a roaring success from my point of view.

Let's assume we all continue to write what we write when we want to write it.   I say this because that's what we'll do anyway, and that's what makes OS unique. And actually marketable to sponsors.

First we need a source of income.  As far as I can tell Salon makes no money from Open Salon.  We need to change that.  But only if we are true socialist liberal progressive who share in the wealth.

Either we need sponsors or we need to sell t-shirts with photos of Noni the Intern or Who Did That To My Cat, or snarky words of wisdom from Blumenthal, or poems from... or...uh, nevermind, that won't work.  Back when I consulted with New Line Cinema, I learned you can make more money from merchandising than the movie, but only after you've established a Freddie.

So we need advertisers. For advertisers we need an audience.  No, not an audience — we need different audiences for many different niches which showcase different writers and their subjects.  The writing needs to reflect brand personalities and bond the brand to the niche. Not that we try to do that, we just retrofit our work into the appropriate niche.

For example the niche for Polygrip, a former client, is oldies who write about social setting and their problems.  What I mean is, you don't have to write about your teeth falling into the punch bowl.  You can write about how the grandkids won't share their drugs with you, uh, I didn't really mean that. But you know what I mean. You write what you want to write about — like Cougars you want to do... (has anybody done that yet?) and that becomes part of the oldster niche audience we sell to GSK Oral Care.

But before we do anything else, we need to generate numbers of readers.  Let's face it.   Numbers on OS suck.  Okay, given we're still in Public Beta, if we are, there needs to a lot more people reading us.

The answer to that is a full-out Google Advertising campaign, pr, personal appearances on FoxNews, and a syndication plan that puts us on different sites or in real publications — and all the stuff Joan and Kerry were probably planning to do anyway.

 

 

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writing, pay, writers, open salon, os

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Comments

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I want to see O'Really? debate O'Reilly as part of the PR tour.
. . .and, Noni?

Can I have the bandage concession for THAT debate?

O'Reilly would be lucky to escape with his loofah intact.
I love this idea, but how do we separate the hanger-oners, from the workers/writers if we split the income equally?
Rated
O'Really and Noni together on tour with John Blumenthal coordinating. ~R~
If you can figure this out and make it work, you deserve the Nobel Prize for literature. Not only would you make OpenSalon a profit (and all of us for that matter) but you might well have a model newspapers could utilize. That could help them shift into sustainable online presences. Having done work for a non-profit news site, I see the pitfalls in that model. Having worked for traditional print papers, I see the problems that are killing that part of the industry. Best of luck here! I'm all for sharing the love!
How about OS action figures in Happy Meals?
@junk1,
I think we share revenues by a complex formula works based on overall income to niche category, split among all members, with best performers (Ratings and readers) getting bonus shares. Those that didn't writer or didn't get readers would have to save up a long time for their Happy Meals.
@Ameilia,
You are right that nobody has quite figured out the web revenue model that everyone else suddenly copies and therefore becomes a standard. Maybe this could be a good test case.
I'd be glad to be an action figure in a Happy Meal, but maybe it should be like a grownup Happy Meal. When I get my own Action Movie, can I get John Blumenthaul to write it? And what is the revenue split on merchandise and spinoffs with the other OSers if this nutty idea would actually work?
Do we produce anything that people want to pay money for in numbers great enough ?
@Motoring Homeless,
Maybe I'm alone, but I think the writing here is pretty good. It's all about establishing each writing niche so it matches with product niches. The work is good enough. If the advertising, marketing, and promotion drive trial readers, I think they'd come back. I don't think this is about one or two writers emerging as stars, but about each of us finding the people who identify with our work, and getting them to try us.
@Noni, I'm am both Writers Guild and Dramatists Guild, and I know it is not a movie model where writers are work-for-hire and sign over all rights. I don't know all the models, but we'd be more like the theatre model than the movie model on merchandising and product extensions. The core company retains some of the movie rights, so they'd be motivated to try to sell it and the writer-creator-talent retains others.
"Snarky words of wisdom?" Them's fightin' words. Pistols or swords? Or should we have write-off? Or a bake-off.

And when did I ever have anything resembling wisdom? On the other hand, I like your Noni idea.
R
What about the nude oil wrestling?
I couldn't agree more. The writing here is superlative or I wouldn't be here (as a reader, of course, heh heh heh).

My question is, where is the market ?

Are there enough people out there on the Internets who, for one thing, still read ? Witness: YouTube.

And is there a large enough subset of the ones who DO enjoy reading that would be willing to pay anything to so do ?

Try this brief test on yourself: Go to your favorites list here on OS and look at the writers in that list and ask yourself :
"Would I pay X number of dollars or cents to read this person?"
OES - we may have some problems with ABlonde's action figure...over 18 only? Although I'd bet she'd make for a VERY happy meal...
John, we are singing from the same choir book. My action figure would look like a lollipop. Or a toothpick with eyes. :)

Hope
@Motoring Homeless, Sorry but wrong question. It's not would you pay money, but would you be willing to read it if there was advertising in the vicinity.

As individuals we can't get readers to pay us money. But as a group, we might get advertisers.

With your "name" I bet a motor home company would run a Google type ad near your posts, or put an avatar near your comments. And we'd all ignore it, but we'd get paid because Motor Homes are a niche that would fit with all the travel and vacation posts.

Now, I don't care much for Foodie Tuesday posts, but I bet Pillsbury or Sara Lee might.
Brilliant. I think your equitable split formula is do-able. Commenting could be worth a point. Writing 2 points. And every rate 5 points. Something like that.

I totally ignore the advertising that's already on the page anyway.
OK. It is starting to dawn on me.

I routinely read stuff with advertising in the vicinity and, for the most part anyway, ignore said advertising. I guess I am naive to think that everyone else does the same or there would BE no online ads.

OK, so back to my original, knee-jerk reaction: Where do I sign ?

Do we get to pick our own niche?

Can we have multiple niches ?

Is cross-niching allowed, forbidden, or encouraged ?
I like skel's point system.

And to Moto's point, I think the story content defines the niche.

I think it's got to be a system where the writers don't change what we do, we just build a co-op system within OS that is good for Salon and benefits the writers.
I like Noni the Intern's idea. You are one smart cookie.