All that is necessary for the survival of the fittest

is an interest in life, good, bad or peculiar--Grace Paley

Juliet Waters

Juliet Waters
Location
Montreal, Canada
Birthday
August 01
Bio
Montreal writer, book critic, single mom, ex-Expos fan, now rooting for the Portland Seadogs. Currently working on a book about Developmental Coordination Disorder. Also learning to code. Visit me at my new blog: Familycoding.com

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JULY 26, 2010 7:57AM

True Blood recap ep. 30--I Got A Right To Sing The Blues

Rate: 9 Flag

Nan Flanagan

Nan Flanagan, The Political Face of Vampires

Sigh. Romance really doesn’t last long in the soon to be joined vampire kingdoms of Louisiana and Mississippi.  It seems like just yesterday Jason was pushing Crystal up against a tree in the moonlit swamp, Jesus and Lafayette were a cue ball away from a first kiss, Franklin and Tara were getting married, and Lorena was maniacally re-adjusting her head.

Sadly, by the end of this episode, Crystal is engaged to one of her meth making cousins. It’s over with Jesus, who hates drug dealers.  Franklin’s highly entertaining brain is mere pulp on a pillow. And Lorena is slowly carving up Bill’s body, crying blood to the Billie Holiday version of I Gotta Right To Sing The Blues, every minute looking more and more like a portrait by John Wayne Gacy as re-imagined by The House of Galliano.  

On the bright side, for my feminist blogger friends who’ve been noticing that “True Blood” has been getting a little heavy handed in its violence towards women: ring, ring, hookers. This is the episode for you. Because nothing says “we're sorry women” like a whole hour of girl on boy beatings, torture, and general ass kicking. Even the Were-Swayze will face the wrath of Sookie and Tara.

But first we must watch Bill leaping about Russell's palace trying to stake Russell with about as much success as a cat on steroids. “Are you serious?” Russell laughs, “I’m 3,000 years old!” right after he slams Bill into the ceiling with the power of his ancient vampire chi.  

Eric has a much better strategy: pretending Sookie is a pet. He reminds Russell about “its” unusual powers.  Sookie gets angry.  “Oh look. It thinks it’s our equal!” Eric laughs with convincing delight. Russell instructs the guards to take Bill to the slave quarters and orders Lorena to kill him. Sookie threatens to kill Lorena, who threatens to kill her back, and then wear her “rib cage as a hat.”

Obviously a woman who runs with the hat insults, Sookie tells Eric that he’s “Big Hat. No Cattle,”which I’m sure would be really hurtful if Eric were a taciturn cowboy, instead of a slutty spoilt Viking prince. But the smile Eric pastes on his face when Russell enters the room is distinctly phony.

Russell has some questions. So does Sookie.  Russell finds this mildly entertaining. “There’s a fine line between feisty and delusional.” But answering her questions at least gives him the opportunity to show off Bill’s dossier and let her know that Bill’s arrival in Bon Temps was no serendipitous accident.  

Meanwhile, over at the moonlit swamp, Crystal is making Jason feel “like a virgin, ” while he’s making here feel like “110 per cent woman.” Suddenly there’s a sound.  Crystal starts sniffing the air in a manner that suggests that she’s probably only about 60 per cent woman, and 50 per cent who-the-hell-knows-what anymore. Jason remains, as always, 100 per cent Jason, when he bullies Kitch Maynard, abusing, some might say, his power as deputy liaison in training.

In the palace slave quarters, Lorena and Bill share a tender goodbye while she slices open his sternum with what seems to be some kind of custom made man slicing/giant manicure kit. Lorena opines about the 30s and what a “stylish” and “elegant” time it was (except, I guess, for The Depression). Bill wishes he could have seen her when her eyes still has some light, before the darkness took over he soul. Sniff.  This is the most poignant slow, sadistic, painful death ever…until finally Cooter and Debbie show up to save Bill with a giant Band Aid! Oh, wait. That’s just Debbie’s pink bikini top, and they’re mostly there to drink his blood and repeatedly kick him in the ribs.

It’s a lot more fun upstairs where Franklin is entertaining Tara and his increasing army of fans (me  included) by prancing around in silk pajamas and insisting he will not “be policed.” He’s so hurt that she hasn’t noticed that he’s shaved. But if Tara’s hurt from being restrained to the bed again, she’s not showing it.  She seduces him into releasing her so that she can suck his blood on her last night as a human. We  learn the upside of fangs as Tara rips a sizeable chunk of Franklin’s neck with those blunt human teeth of hers. This will look relatively less gruesome a few scenes later when she pounds his head in with a medieval morning star. Am I the only one with a strong hunch Franklin will survive this and return crazier than ever?

Back in Bon Temps, Sam is trying to find out more about Tommy’s scars, while they watch Nan Flanagan of The American Vampire League on TV.  (Suggested comment thread: Vampires--Obama Democrats or Bush Republicans?) Sam goes back to Merlotte’s, and Tommy and his mother discuss her days on “the circuit.”  When Arlene mentions the pit bull that the Mickens led out of their trailer, Sam puts four and four (as in total number of legs) together and decides they’re using Tommy for dog fighting. He questions Andy, who is reticent to betray “inter-parish intelligence,” but does anyways.   Sam heads off to the nearest dogfights.

Russell and Eric head over to Sophie-Anne’s. In the limo Russell reveals that his plan for world domination has a bit of an environmentalist edge, since only the vampires can remember how awesome the planet used to smell and how great humans used to taste. Russell questions Eric about his feelings for Sookie.  Eric convinces Russell that he’s gay, evidently jamming 3,000 years of gaydar with the power of his total hotness.

Sophie Anne, having now lost control of the V dealing market, is busy reconstructing her wealth with scratch lottery tickets. (Who says vampires are all that much smarter than werewolves!)  Russell, for the umpteenth time, proposes a sexless power marriage. (Clinton Democrats?) But this is the first time he’s had Eric to back him up. Eric is so angry that Sophie Anne has framed him for V dealing that he throws her down and threatens to twist her head off and throw it into the pool if she doesn’t marry Russell. Yay! A Royal Vampire wedding!  With that settled, Russell and Eric decide to sleep over at Sophie Anne’s until sundown.

In theory this should leave the door open for Sookie to save Bill, while Tara meets up with Alcide. You wouldn’t think Alcide would be an albino wolf, but this could be a  great look at the wedding.  Ditto for the rib cage hat that Lorena might be wearing.  The show closes as Lorena sinks her fangs into Sookie’s neck.  And so ends this special episode of “True Blood,” violence against women, lite.

Tremendous odds are that Sookie will be fine.  Probably she’ll use her newfound blue electricity. Maybe Alcide will jump out from the shadows. But if it were up to me this would be the perfect time for a visit from Franklin, crazier and undeader than ever (Alaskan Republicans.)

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My favorite line (as best as I can recall):

Kitch Maynard (throwing arm behind his back): I ain't doin' nothin' you haven't done yourself.

Jason Stackhouse (not missing a beat): That's true, but what separates me from you is... .... .... (cricket's chirping)... ... ... somethin' about you's just wrong!
it just gets kitschier and kitschier (sp) but i love it!
Damn, your summations are a hoot! I am (embarrassingly) hooked on this show. I laughed hard when Sookie threw out the line “Big Hat. No Cattle,” which not only references a Randy Newman song but supposedly refers to a saying of Old West provinance about men who are all talk and no balls. I guess even Viking princes qualify.

In your deliciously detailed review, you forgot to riff on Eric's flirtation with King Russell, which is sure to send HIS significant other into hissy fit overtime. Other than that, and my trepidation (combined with some big hints online) that "weres" come in many forms and we're about to see another one (am I really supposed to choose between dogs and cats now?), I'm rockin' the show.
Dear Ms Waters---I just this week spotted your recaps of the True Blood evolving story. I can not believe you are able to write a recap of the weekly story with just one watching. "Fantastic" I went back and read all your posts and think you do a great job.
Good recap. As someone who has read all the books, the surprises here have more to do with how the show is introducing various elements and beings from the books - in some cases, it seems, well ahead of schedule. The TV show, in many ways, is actually better than the books and it is certainly different enough - though clearly inspired by Charlaine Harris' novels - to qualify as unique.
Are you noticing a subtle "conservative agenda" tone to the proceedings? I've been picking up weirdly conservative subtext here and there since the beginning. In last night's episode, the television was on in one scene and the vampire spokeswoman was debating several points about vampire segregation/integration with a Republican senator. She argued the "liberal" position, and he the "conservative" position. But what with how much violence, deception and chicanery was afoot in the vampire kingdom, the debate presented her as a liar and he like a sympathetic dupe to her evil, "liberal" machinations.

It seems to me that there is a parallel being drawn between vampires and "liberals" in general. And yet the picture being painted of this "liberal" population is one of terrible violence, corruption, evil. The show at times seems to be feeding into the fearful delusions of conservatives, who see liberalism as a dark force undermining all that is good, true and traditional in the world. As much as the writer seems to relish the world of vampires, shapeshifters and other creatures, conflating this world with liberalism reflects unresolved fears concerning freedom, individuality, foreign belief systems and social customs typical of conservative ideologies.
Sorry to take so long to respond to everyone's comments. But thanks as always for adding to my recap.

M. Chariot. I definitely noticed the political overtones. And I think they will get more pronounced as the season goes on. I don't think Alan Ball is trying to feed paranoia against liberals, since he obviously is one himself. But I imagine as a homosexual growing up in the south he's highly sensitive to hypocricy and the sort of faux populism that exists on both sides of the political divide. So I like the way that the vampires aren't identifiably either republican or democrat.

BTW, did you notice how stupendously Lorena rocked the sad serial killer clown look this week. Magnifique!
Lorena and Bill really bring the melodrama; not just in terms of gore, but in terms of unearthing psychological issues and trauma. His attack about seeing only darkness and evil in her eyes, and wishing that he could have seen the light instead - when she was alive - was brutal. I maintain that Lorena is one of the better characters, performed by one of the better actors: the relationship between Bill and Lorena is well-acted, profound, resonant; grotesque to be sure, but much more interesting than what is going on between Bill and Sookie.
Juliet, so glad to read your recap as always. I was out of town last weekend, staying with some no HBO having dead beats. By the time I got home on Thursday and watched the show, it just seemed too late for comment. Back on the horse this week though.

The thing that stood out for me this week was how closely this show followed the Sookie Stackhouse series. The shed where Lorena took Bill for his slow death, was just as described in the book. Even King Russel's home is reminicent of the one that existed in my imagination from the reading.

Most of the show is very different from the literary version, which I don't mind. It would get boring; seeing the exact same thing I already read. But every once in a while, it's cool when the literary and screen versions match up, if only briefly.

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