Catching up on my podcasts, I just listed to Terry Gross's interview this week with Joseph O'Neill, author of last year's literary sensation, "Netherland." She asked him what his reaction was when he found out President Obama was reading the book. O'Neill's response:
"Well, I mean, I'm a bit of an Obama fan and was a supporter during the election so, and in the primary, so I was thrilled privately. But on the other hand, I suppose, if I sort of reflect about it, I sort of feel, in a way, that it would be wrong to be too thrilled, because why shouldn't a president read a novel? In this case it happens to be mine. And I sort of feel that there's such a sort of asymetrical relationship between the president and the rest of the world in terms of power, that it can only be good for the soul of such a powerful man, whether it's this president or another, to submit temporarily to the authority of a novel, because whatever the nature of the novel, it is actually, ultimately, a submissive act to read a novel. ... For the period of time during which you're reading the novel, you're acknowledging the supremacy of this text, even if, of course, you own your own interpretation of it. And I think that there's something healthy about the scale of that activity, for somebody in his position of power."
I know that O'Neill isn't really saying that he thinks it's a good thing that the most powerful person in the world is submitting to the supremacy of his text. Or is he?

Salon.com
Comments
I haven't read the book, but I'd say it has more to do with Obama's need for a simple escape from his duties, rather than the supremacy of the text. The latter sounds a bit presumptive to me.
But what do I know? Back to my next post, "My Favorite Fart Jokes and Why You Should Tell Them In Church."
That is how I interpreted O'Neill's comment, "to submit temporarily to the authority of a novel", FWIW.
“In many ways writing is the act of saying I, of imposing oneself upon other people, of saying listen to me, see it my way, change your mind. It’s an aggressive, even a hostile act. You can disguise its aggressiveness all you want with veils of subordinate clauses and qualifiers and tentative subjunctives, with ellipses and evasions — with the whole manner of intimating rather than claiming, of alluding rather than stating — but there’s no getting around the fact that setting words on paper is the tactic of a secret bully, an invasion, an imposition of the writer’s sensibility on the reader’s most private space.” — Joan Didion
And even if he was saying that. So what. He wrote a powerful social epic. That's an extremely impressive thing to pull off in this day and age of scattered values and communities. He deserves to feel on top of the world.
but i submit that getting lost is not a submissive act. i submit that the author has no more dominion over me than i allow.
MC's explanation is imminently reasonable and gracious, as usual. I still find the way that O'Neill was expressing that sentiment (if that's exactly what he was expressing) unfortunate.
JS wrote: "i submit that the author has no more dominion over me than i allow."
I think that gets to what I found irksome about his response. It's so presumptuous.
I do find it a leap to assume that someone, just by reading, becomes so fully immersed in another's writing that such power accrues.
I'm with Monsieur Chariot on the process, but I deliberately select books that make me want to engage in the process of letting an author create a reality for me. Not many books or authors make the grade.
:-)
/grad school wonk-assery
Perhaps Gross is simply expressing admiration for Obama's mental flexibility and openness in being willing to "submit" for a time to a novel's different world view.
Perhaps the other implications of the statement are merely a case of accidental arrogance.
Sincerely,
Rower #9, Agreeable Crew
Artists also produce things for other people. Art is a vision that is shared, and every artist hopes that his vision will be the most viral and long lasting. And it's a definite plus if very powerful/influential people share the vision that I have produced.
Unfortunately, beyond any ancillary effect that the most widespread art might produce on a cultural level, its effects are unfortunately ephemeral. I got very sad on my visit to Cleveland's Rock and Roll Hall of Fame recently when I saw my most favorite 1960s San Francisco groups entombed in plexiglas. Here was my youth, embalmed, and it broadcast the betrayal of art.
Quicksilver Messenger Service and especially Jefferson Airplane deliverred messages of ultimate change, revolution, when they came out. Their message was that United States society had to radically readjust to a different path from what it had followed. And yet, from 1965 onwards the United States of America has continued to sail on its very way with underlying fundamentals and structures of its actions hardly changed at all. All the promise of revolution that the SF rock groups promised has only resulted in a groovier America, yet an America that continues to get involved in useless wars and operates of the rich, by the rich, and for the rich.
So any art, no matter what its message, or regardless of how popular or obscure it is, is still a tribute to the individual artist's own ego. When I produce a work of art, I hope that it will give me immortality, and yes there has to be a power trip there somewhere.
So when Joseph O'Neill talks about temporary shifts in power and domination when it comes to art, I take his words at face value, and I believe him.
In the experience of reading, only the READER knows the experience - it is his or her own.
O'Neill seems to be expressing a point of view intended to sound nonchalant, but instead he ended up coming across as more than a little self-important.
So World War II was unnecessary, eh? All we really had to do was enroll Hitler in the Book of the Month Club.
how dare he!!
It does read as quite arrogant. For me, this is the difference between reading the written word and hearing audibly and seeing physically the inflection, tone and seeing body language. He says in the quote above "submit temporarily to the authority of "a" novel", so he doesn't single out his novel at that time. The thing about written word, and we've ALL experienced it on here and in e-mails and even text messages, you don't always get the intention of the sender, or the receiver misinterprets, or both.
He sounded like he was really struggling for the right intellectual wording of what he wanted to say.
His comments soundednot just arrogant and pompous but ill mannered. The gracious thing would have been to say that any author is flattered when someone for whom it must be difficult to find free time would choose his or her text to read. O'Neill's mother is probably very unhappy with him.
;)
lol.
Sorry Kerry.
I believe that many writers achieve a much higher degree of clarity with the written word than the spoken word (perhaps why they write)
And, I am with the crowd here that it is indeed an act, maybe not of submission, but certainly of acceptance to give over your time, attention, and mind to a fictional world created by another...and that is what makes reading fiction so cool. I think the author is trying to say that he doesn't want to come across (& we shouldn't all be) jumping up & down like teenagers, screaming,
"OMG - the President is READING A [MY] NOVEL!!!!"
"Well, I mean, I'm a bit of an Obama fan and was a supporter during the election so, and in the primary, so I was thrilled privately. But on the other hand, I suppose, if I sort of reflect about it, I sort of feel, in a way, that it would be wrong to be too thrilled, because why shouldn't a president read a novel? In this case it happens to be mine."
To me it is clear that he IS expressing humility - he says he was privately thrilled (same as being flattered) but then realizes it's wrong to take Obama's reading of his book too personally, as if it were somehow a reflection of his outsized talent that Obama chose an *O'Neill* novel - he is saying "presidents, like any other people, choose to read novels, and he happened to choose mine, and this is more a reflection of how ordinary he is in his love of reading, than how extraordinary I am in my writing." His further comments simply amplify that reading is a particularly good thing for powerful people to do - it is an act of submitting yourself to a different perspective, suspending your disbelief in place of another's. To say "that only happens to the degree that I *choose* to let it happen" seems counterproductive to the act of reading - if you choose not to suspend all of your disbelief and keep reminding yourself, "yeah but this is just Twain making shit up, and Huck would probably be a racist in real life" then why bother reading?
I totally got what he was saying (I happened to hear it out of his own mouth, as I also listened to that interview) and thought it was wise and appropriate.
:-)
Seriously, I bet Obama reads Harry Potter to his kids. What does that mean..............?
note to self: find brain left in glove box of car.
Hey Obama... you wanna read mine... ANYTIME!!! (Although i would definately geek-out)... check it out on http://themayberrylane.blogspot.com
One can read a novel for enjoyment, for education, for amusement, for all kinds of things - I get the sense this author believes that one cannot, however, read a novel with a "critical eye" (HIS novel, at least).
So much can be revealed in the smallest statements (including big egos).