
“You don’t tug on Superman’s cape.” – Jim Croce
As Smallville begins its ninth season this autumn, it finally looks like Clark Kent will get the chance to don a Superman costume. Rumors were confirmed when a clip at this year’s San Diego Comic Con featured a shot of actor Tom Welling wearing a black outfit with a big silver “S” on his chest. What bothers me isn’t so much the black and silver colors of the new costume versus the traditional blue, red, and yellow. Rather, my biggest pet peeve is that they have him wearing a dark trench coat instead of the familiar cape.
We can argue forever about the color scheme. In my opinion, Superman needs to be in bold primary colors. It’s been said many times before – Superman is the day to Batman’s night. The Man of Steel doesn’t hide in the shadows. He doesn’t cover his face with a mask. He gets his powers from Earth’s yellow sun, and like the sun he’s meant to be a beacon. The Superman persona, with the cape and shield insignia, is just as much a facade as the Clark Kent persona, with the eyeglasses. The real person behind it all is Kal-El, the Last Son of Krypton, the loner we see in the Fortress of Solitude or during those moments when his guard is down with people he trusts. The Superman persona is meant to be a symbol for the entire world to see.
To make him wear black, and worse, to discard the red cape, is a flawed attempt to make the character hip and cool. It negates the symbolism attached to the costume and it also abandons the powerful aura present in the most iconic superhero costume ever designed.
Yes, tights and a cape are comic book clichés, because Jerry Siegel and Joe Shuster set the standard. Other characters wore capes for dramatic effect before Superman hit the scene in 1932, but none compared to the Man of Tomorrow.
Making Superman wear black (with a trench coat, no less) is an even bigger cliché. Neo from The Matrix was partially inspired by Superman, and now Smallville is ripping off the Matrix design in a sad attempt to update the character.
I complained about the lack of a cape back when DC Comics redesigned the character in a lame storyline. I complained again on Ain’t It Cool News when Nicolas Cage was rumored to play Superman in a Tim Burton version and I saw the preliminary dark, capeless costume designs.
As I posted again on AICN, Superman without a cape is like Indiana Jones without the fedora or Batman without the pointy eared cowl or Captain America without the shield. Just as the Dark Knight’s cape is meant to evoke the fearsome wings of a bat, Superman’s cape is meant to give the character a sense of nobility and awe. Without the cape, he looks like any other newly designed character trying to stake a claim in the modern superhero landscape.
Give the man a cape. Don’t tinker with Superman’s legacy.
As Smallville begins its ninth season this autumn, it finally looks like Clark Kent will get the chance to don a Superman costume. Rumors were confirmed when a clip at this year’s San Diego Comic Con featured a shot of actor Tom Welling wearing a black outfit with a big silver “S” on his chest. What bothers me isn’t so much the black and silver colors of the new costume versus the traditional blue, red, and yellow. Rather, my biggest pet peeve is that they have him wearing a dark trench coat instead of the familiar cape.
We can argue forever about the color scheme. In my opinion, Superman needs to be in bold primary colors. It’s been said many times before – Superman is the day to Batman’s night. The Man of Steel doesn’t hide in the shadows. He doesn’t cover his face with a mask. He gets his powers from Earth’s yellow sun, and like the sun he’s meant to be a beacon. The Superman persona, with the cape and shield insignia, is just as much a facade as the Clark Kent persona, with the eyeglasses. The real person behind it all is Kal-El, the Last Son of Krypton, the loner we see in the Fortress of Solitude or during those moments when his guard is down with people he trusts. The Superman persona is meant to be a symbol for the entire world to see.
To make him wear black, and worse, to discard the red cape, is a flawed attempt to make the character hip and cool. It negates the symbolism attached to the costume and it also abandons the powerful aura present in the most iconic superhero costume ever designed.
Yes, tights and a cape are comic book clichés, because Jerry Siegel and Joe Shuster set the standard. Other characters wore capes for dramatic effect before Superman hit the scene in 1932, but none compared to the Man of Tomorrow.
Making Superman wear black (with a trench coat, no less) is an even bigger cliché. Neo from The Matrix was partially inspired by Superman, and now Smallville is ripping off the Matrix design in a sad attempt to update the character.
I complained about the lack of a cape back when DC Comics redesigned the character in a lame storyline. I complained again on Ain’t It Cool News when Nicolas Cage was rumored to play Superman in a Tim Burton version and I saw the preliminary dark, capeless costume designs.
As I posted again on AICN, Superman without a cape is like Indiana Jones without the fedora or Batman without the pointy eared cowl or Captain America without the shield. Just as the Dark Knight’s cape is meant to evoke the fearsome wings of a bat, Superman’s cape is meant to give the character a sense of nobility and awe. Without the cape, he looks like any other newly designed character trying to stake a claim in the modern superhero landscape.
Give the man a cape. Don’t tinker with Superman’s legacy.


Salon.com
Comments
Furthermore, I am so tired of the cliche that in order for a story line to be dark, everyone needs to wear black, there is no sun in the sky, and the world is monochromatic, as if this is what it means to be "mature." Every I go to a movie that starts with a screen so dim I can barely make out the details, my expectations fall. I hate the new superhero movies that just drench the screen with blacks, as if the only crime that occurs is at night, in the darkest of places. True evil happens in broad daylight, with everyone watching.
They killed off Jimmy Olsen (and I don't want to hear the excuse of Clark and Jimmy being too close in age). What can we expect? Didn't that trio of heroes from the future ask Clark about the cape and tights? I don't remember the exact phrasing. Smallville is scratching to hold onto its audience. Moving to Friday night likely won't help. The producers won't risk anything that might make the target audience (which I'm not) flip the channel. All that said, Superman ain't Superman without the full costume.
Superman is yesterday’s hero. Even today’s special effects could not salvage the most recent attempt to resurrect the hero, unlike Batman who has been resurrected quite nicely. Why? Because the iconic primary colors of the goody two-shoes Superman doesn’t play in today’s world. We don’t buy it. If Superman actually showed up wearing such a thing, folks would be snickering in the background. (In contrast, Batman mostly stays out of sight. His appearance at police headquarters so he could rough up the Joker actually bothered me quite a bit. It was out of character.)
Smallville has gone downhill dramatically of late. I am amazed that it was actually renewed. It hasn’t been worth a damn since Lex Luthor’s departure, but fan that I am … I still watch it. I cringe whenever they do this “red blue blurr” nonsense. (There are writers who should be taken out back and shot.) Unfortunately, after such nonsensical foolishness… and with the routine addition of a make believe and also ridiculous attempt at a Justice League… I am not sure they left themselves with anyplace else to go. They had to put Clark in a costume.
I was thrilled to read here on your blog… that they will abandon the red and blue duds. That would have finally forced me to turn the television off.
I was a regular watcher until John Glover's departure, myself...
http://www.coverbrowser.com/image/superman/82-1.jpg
BTW... Smallville should NEVER have tried to insert Doomsday in their weekly series. It was horrible. (Seriously off point... but I'm just saying.)
He's still got quite some time before he picks up the cape - he's always been wearing red and blue, by the way.
We saw a few years ago just how well the traditional Superman archetype “flew’ with audiences in Superman Returns – basically it didn’t.
This is one of the problems we lament about constantly on Ain’t It Cool; how do you make something with such a rich and deep back-story accessible to the masses? I think Smallville is a damn good answer if 9 seasons on air is any indicator of success.
Will it placate comic fans, absolutely not! I dropped the show after the second season, simply because the mutant (excuse me – kryptonite irradiated human) of the week became an over played parlor trick and the soap opera theatrics had simply become grating. When Lana Lang wells with tears every episode he has transcended from soulful to unbalanced.
Am I happy about the black costume returning? Absolutely not (I shuddered back when Mullet and Perm Superman adorned black in the 90s)! Do I fault Smallville for going this route though? Again, absolutely not!
And yes, trenchcoats might be "classic" -- for Columbo or Neo -- but not for Superman.
Also, I know that on Smallville Clark still isn't officially Superman yet -- but it's been NINE YEARS. Tom Welling is in his mid-thirties now. What's he waiting for? Social Security?
I appreciate everyone's comments though. It shows just how deeply Superman is still ingrained in our pop culture.
Wait. Shouldn't I get a development deal for an idea this good???