Nick Leshi

Nick Leshi
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Bronx, New York, United States of America
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December 13
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Writer, actor, media professional, fan of entertainment, pop culture, and speculative fiction. Contact nickleshi@aol.com for more info.

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AUGUST 3, 2011 10:45PM

Who Makes the Best Animated Movies?

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After enjoying success with Rango, an animated movie about a chameleon, Paramount Pictures has decided to start making more cartoons.  There's big money to be made in animation.  When I heard the news, I started thinking about which company is the best in the field.  Before we jump the gun and prematurely assume that the answer will be Pixar, let's look at the product that each studio has delivered.

It's easy to see why Paramount would suddenly have animation fever -- Rango, directed by Gore Verbinski, was a surprise hit.  Even though it had an all-star voice cast (Johnny Depp, Isla Fisher, Abigail Breslin, Alfred Molina, Harry Dean Stanton, Timothy Olyphant, Ned Beatty, and Bill Nighy), its blockbuster success creeped seemingly out of nowhere.  Who would have imagined that a Western-themed computer-generated cartoon about a pet chameleon stranded in the Mohave desert would become such a hit?  Worldwide, Rango has made over $240,000,000 -- a phenomenal number for a movie with little advance buzz, released in the usually slow period of early March. 

Now that Paramount has decided to invest more in animation and start churning out more cartoons, it will hopefully deliver quality stories.  A look at its competition reveals that Pixar is not the only company to challenge it for a piece of the box office pie.

Even though Pixar is without a doubt the golden child of animation companies, with a string of critical and financial champions (Toy Story, A Bug's Life, Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Cars, Ratatouille, WALL-E, Up, Toy Story 3, and Cars 2), other studios have shown that they are not ready to give up the fight, producing some excellent feature length cartoons of their own.

DreamWorks has proven to be one of the best, creating some of the finest examples of the genre in recent memory: Antz, The Prince of Egypt, The Road to El Dorado, Chicken Run, Shrek, Spirit: Stallion of the Cimarron, Sinbad: Legend of the Seven Seas, Shrek 2, Shark Tale, Madagascar, Wallace and Gromit: The Curse of the Were-Rabbit, Over the Hedge, Flushed Away, Shrek the Third, Bee Movie, Kung Fu Panda, Madagascar: Escape 2 Africa, Monsters vs. Aliens, How to Train Your Dragon, Shrek Forever After, Megamind, and Kung Fu Panda 2.  With Steven Spielberg, Jeffrey Katzenberg, and David Geffen in charge, DreamWorks will continue to offer topnotch animated entertainment.

Disney, of course, is the other big player in the arena and should never be counted out.  Sure, its glory days seem like ancient history -- can any studio replicate the classics of Walt Disney's peak years -- Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Alice in Wonderland, or Peter Pan?  Disney itself came close with its second Golden Era -- The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, Pocahontas, and The Hunchback of Notre Dame.  Even its lesser films are still pretty darn good: Lady and the Tramp, 101 Dalmations, The Sword in the Stone, The Jungle Book, The Aristocats, Robin Hood, The Many Adventures of Winnie the Pooh, The RescuersThe Fox and the Hound, The Black Cauldron, The Great Mouse Detective, Oliver and Company, The Rescuers Down Under, Hercules, Mulan, Tarzan, and Fantasia 2000.  Impressive!  Disney continues to show that it will not surrender its crown lightly -- its recent animated lineup has included Dinosaur, The Emperor's New Groove, Atlantis: The Lost Empire, Lilo and Stitch, Treasure Planet, Brother Bear, Home on the Range, Chicken Little, Meet the Robinsons, Bolt, The Princess and the Frog, Tangled, and the new Winnie the Pooh.

Other studios are also in contention.  Fox has given us Anastasia, Titan A.E., The Simpsons Movie, Waking Life, and Fantastic Mr. Fox.  It has also distributed some blockbuster animated films by Blue Sky Studios: Ice Age, Robots, Ice Age: The Meltdown, Horton Hears a Who, Ice Age: Dawn of the Dinosaurs, and Rio.

In the modern era, Warner Bros. has produced Batman: Mask of the Phantasm, Space Jam, Cats Don't Dance, Quest for Camelot, The Iron Giant, Osmosis Jones, and Looney Tunes: Back in Action.  It has also distributed a long line of interesting animation, including Thumbelina, A Troll in Central Park, The King and I, South Park: Bigger, Longer, and Uncut, Pokemon, The Polar Express, Corpse Bride, The Ant Bully, Happy Feet, TMNT, and Legend of the Guardians: The Owls of Ga'Hoole.

Sony is also a contender, with a cartoon filmography that includes Open Season, Surf's Up, Cloudy with a Chance of Meatballs, The Smurfs, and the upcoming Arthur Christmas.

So what do you think?  Which is the greatest animation house of all?  Does Paramount have a chance?  It will next release The Adventures of Tintin, but after that it will start developing cartoons of its own, utilizing Viacom's Nickelodeon library of properties, but surely also developing original content as well.  Fans of animation should view this as a good thing indeed. 

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I grew up with Disney, so my affection lies there. But, I think they're all phenomenal!
I could use a little animation myself. Tough summer.
Thanks for pointing out the winners and losers in the genre. In the end we are all winners and more.
Miyazaki. Hands down the "best." Not the most commercially viable but the art, oh my goodness, the art.

Of those you listed, I think Pixar still does the best stories. Dreamworks is a toss up for me - some are wonderful, some get a little too obnoxious for my taste (but I'll admit they have kids howling w laughter). You can never count out Disney, though they've been uneven recently.

It will also be intersting to see what Universal does to follow up Despicable Me - a great movie!
I enjoyed so many of the others, but Keri h has it, I think.
Hayao Miyazaki is by far and away the master of the genre.
echoing here
Spirited Away is my favorite movie ever
It's unfortunate that animation is considered a genre only for kids and families. I think there is a lot of potential for grown-up animated movies (Japan and others do this very well) -- science fiction, for example. Imagine if Pixar did a serious superhero cartoon (Incredibles was great, but I'd love to see a Pixar version of the Hulk, for instance)?
I have to go with Sylvain Chomet. I loved both The Triplets of Belleville and The Illusionist.
I still say Pixar has the highest batting average.
I liked Disney when I was a kid. But now, it's mostly Japanese anime for me. Hey, Nick, did you know Netflix streams some anime shows and movies? There is also some legitimate online sites, including Hulu,that also show it. Of course, you can also catch some on Cartoon Network's late night Adult Swim on Saturday. They were showing some on ScyFy Channel recently but I don't know if they still are. Also, you can buy it on DVD and in some cases, blu-ray.
Monster House was a good one too.
yeah the list you make above is very impressive and the net total of [most computer-] animated movies is phenomenal.
you dont discuss the trend that hand-drawn animation [mostly ala disney] has been fading really fast over the last 10 years, a striking situation.
also 3d is key part of the equation.
Vzn, hand-drawn or 2D animation is still kicking -- mostly on TV but Disney kept it alive with The Princess and the Frog. But you're right, computer-animation is the current flavor and likely the wave of the future.
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Lot of fans of anime here. I agree that the graphic artwork of Japanese stuff is excellent, but it lacks the movement of American animation. The anime backgrounds are gorgeous, wonderfully imaginative and beautifully colored, but the cliched facial stylization and stiff expressions and postures of the characters with the little mouth movements that indicate when they are speaking undermine the overall quality. Many Japanese animated films could just as well (or better) be a comic book or graphic novel as a motion picture. On the other hand, American animators are masters of giving their characters real movement, but often (over)use these techniques to create childishly manic slapstick chase or fight scenes. If only someone could combine the best of these two schools of animation .... It would be tremendously labor intensive and expensive, of course, but we can dream can't we? Isn't that what animated movies are all about?
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I think Pixar is a wonderful animated movies maker

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