Not What I Expected

 

mishima666

mishima666
Birthday
December 31
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Still above ground.

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FEBRUARY 22, 2009 5:34PM

Making Guitars by Hand

Rate: 13 Flag

 

Yesterday I visisted the shop of a young luthier in Portland, Oregon, Peter Tsiorba.  I took some photos that he could use on his web site.  The following is a small selection of them.  These were all taken with an ordinary digital camera, not a cell phone camera (like most of my photos).

There was both natural and electric light.  In the darker areas of the shop I had to use a flash.

 One side of Peter's workbench:

bench1

 A few tools:

IMG_0460

On one end of the shop are some unfinished guitar backs.  The one on the right is rosewood, and would be used in a classical or flamenco "negra" guitar:

IMG_0441

Another view of the bench, with Peter in the process of shaving off some wood prior to mounting one of the curved side pieces:

IMG_0484


 A guitar under construction, showing the bracing that will be under the top:

IMG_0432


 A view of another guitar top: IMG_0471


A couple of tools and a few pieces of wood:

IMG_0442


Here Peter is working on a rosewood side piece:

IMG_0463


Guitars in various stages of development:

IMG_0468-1


You can see many other interesting photos of guitars and tools at Peter's web site photo gallery.  (Photos not taken by me!)
I currently play a traditional flamenco "blanca" guitar made by husband and wife luthiers John Shelton and Susan Farretta, both of whom used to be flamenco performers.  Formerly of Portland, they relocated to west central Oregon where they now have a large rural shop space devoted to guitar-making.

I have known them for a number of years.  Though not currently performing, John is still a hell of a guitar player, even though he says he isn't.  He once said to me "your guitar should always be faster, better, and louder than you are."  And believe me, the guitar I have meets all those criteria.  Here you can see their new web site.

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photos, guitar making, guitars

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I am full of jealousy that you got to meet these folks. The wood looks lovely and I do appreciate all good craftsmen.
I bet the sounds coming from these guitars was awful good.
I do wish i could play music.
The guitars do sound great -- except when I play! But that's not the fault of the guitar.

I'm just glad guitars can't talk. Otherwise I would get a torrent of abuse from mine --

"What was that? You call that music?"
"Why don't you sell me to someone who can actually play?'
"Have you considered piano lessons?"
Wonderful post--I'm putting it on my facebook so my jazz guitarist friends can see it....they'll love it, too.
Your photos are fantastic. The really capture the beauty of good tools and good craftsmanship.

I'd love to be able to make beautiful things like that.
Lovely photos! It always amazes me that someone can learn enough to actually make a guitar, or violin, or etc., by hand. But then I'm also amazed that some people (not me) can also learn to play these gorgeous instruments.

I've had the pleasure of seeing your beautiful Shelton-Farretta and hearing you play it and I suspect that your guitar would actually be saying things like: "Hey! That wasn't half bad!" and even the occasional "Hondo!"
These were great! I remember I took a class once where we had to build our own instruments - many people built guitars - I chose tube drums. Mostly 'cause I've seen amazing craftspeople like this at work and I didn't want to sully the instrument. Really makes me wish I could pick up and play again.
Mishima, a beautiful photo essay!
gorgeous mishima, well done. a beautiful post.
Excellent work Mishima. And I understand your guitar's hounding of you. I have a lead ear, slow hands and a 40 yr old Martin D28, one of the last to be made from a 2 piece Brazillian rosewood back. I think it deserves better than me. It is the one thing I trouble over most when I think of how my possessions should be passed. After all these years waiting for me to do something worthwhile, I think it deserves a better home.
Flamenco! What a grand specialty for a guitarist. Would love to hear you play, but am in the woods of VA and never hear flamenco out here. My girlfriend growing up in Los Angeles danced since age 9 - her brother Joseph Serretore played flamenco guitar with all the greats. She still dances in Las Vegas now. Bravo on this post!
I've taken the liberty of referring Mr. Tsiorba's shop to a friend and enthusiast. Well done with the photos, homes.
Oh, this is so nifty!

My husband and I make miniatures as a hobby and recently we made a mini guitar shop - went all over Memphis looking at real guitar shops as research, and got to tour the Gibson factory as well as talk to a local luthier, who was real glad to talk to someone who wasn't a 13 year old boy wanting a guitar. I'd love to do a luthier's shop sometime but it would be awfully complicated to duplicate all those tools in miniature, so I think I'll just look at your pics and say how I love people who do cool stuff with cool stuff!
I just had to come back again,mishima. The wood just gleams in the pics.
So beautifully done work the gives over and over.
Thanks so much fot this beautiful post.
I enjoyed this glimpse into Peter's workspace and the links and slideshow. In Albuquerque there is such a shop called Pimentel & Sons which can be visited here. When you see old photos from the Fender factory, of guitars which now can fetch in the tens of thousands, with a palette of necks stacked up like cordwood, you really appreciate the value of a hand-made instrument. Nice photos.
A well made guitar is a work of art that makes music. Great post.
I love your photos, especially the unfinished guitar backs one, so lyrical, and the other geometic one too.
Fascinating look at guitars from a whole new viewpoint. Few things more amazing than watching talented people create things. Thanks for sharing this!