One of the best writers on this site, Verbal Remedy, posted about writer’s block this week, and something must be in the air, because recently, I haven’t been able to write a lick. Nada. My Muse, at this point, is like my first girlfriend after we broke up—yeah, I could call on her, but nothing much is gonna come of it.

You try to think of topics, as a writer, that haven’t been done to death. There aren’t any. We have reached a point in civilization where everything has now officially been covered. Oh, and mocked. And there have also been pieces commenting about the mocking. It’s all been done. Move along, nothin’ to write here.

If you’re not a writer, and instead, say, actually make things people use, you probably don’t have much empathy for the whole ‘writer’s block’ thing. I think that’s the case with most stories about the ‘struggling artist.’ I’m pretty sure the reason the film of ‘A Chorus Line’ wasn’t a huge box-office hit is that,  for the typical American worker, the notion that ‘it’s really hard to dance in a show’ didn’t really resonate.

 After trying for days to start a new comedy piece (weird term--“I think I’ll just have a piece of comedy, thanks”), I finally had a breakthrough. I now know the reason why I haven’t been able to write lately. It’s my chair. It doesn’t roll. Damned stupid, non-rolling, stationary chair.

 I think a writer’s credibility goes up a notch with the rolling chair. There’s something profoundly powerful about…not having to get up. Since I live in a small studio apartment, I could conceivably spend an entire day sitting on my ass. That, my friends, is living the dream. If I feel a need for some exercise…well, I can read about exercise on the internet.

 Having a rolling chair says a lot about a man. It implies, “He’s so busy he can’t take the time to stand.” It says. “He must have a lot of visitors, what with him needing a chair turns around like that.” It says, “That’s kinda sad that he needs to pretend he works in an office.”

 So today, to procure said chair, I entered the Swedish labyrinth known as Ikea. I realize that, to use the math of the far right, that means I’m a socialist. After all, I’m shopping at a Swedish store, Sweden has socialized medicine, therefore I want to pull the plug on your grandparents.

Ikea actually frightens me. First of all, Ikea stores are too freaking big--I shouldn't need a map after I'm already at my destination! Just because you're a Swedish company, doesn't mean your store needs to be the size of Sweden. If I'm getting two things, say, a rolling chair and a skillet, and I've found one of the two items, I shouldn't need to consult a GPS device to locate the other.Here's an idea--split up into multiple stores, each specializing in something. It's called a mall, and the concept works. 

Secondly, It’s all just a little too…efficient, don’t you think? You know who else was efficient, don’t you? The Third Reich. Seriously, is that an Ikea catalog, or Aryan Monthly? Everything in a nice, flat box? Lemme tell you something, Mister…Swedish guy. REAL LIFE doesn’t come in a nice flat box! And ya know what else, Sven? Oh, never mind, imaginary Swedish person.

 Now, the idea of low prices because you build the shit yourself is fine, but why stop there? Why not have a store that’s just a pile of wood and particle board, with another big pile of random screws and bolts? And no cashiers—just boxes of money at the entrance out of which you make change. Imagine the savings! I wonder if Swedish grocery stores follow the same model. Shoppers wandering through aircraft-hangar sized warehouses, picking their own bananas, milking cows... "Honey, don’t forget we’re having lamb chops tonight—bring your mallet and your cleaver.”

I guess I’m just willing to spend a little more in order to arrive home with the actual thing I bought, and not a box representing that thing. Also, I am, mechanically speaking, a numbnuts. My stepdad wouldn’t let me go into our own garage after he watched me try to hammer two boards together.

In those high school aptitude tests, I would score 99^th percentile on everything except what they called ‘spatial relationships.’ They would show a diagram of a bunch of pulleys and gears, and the question would be something like, “If pulley A turns counterclockwise, which direction would gear C turn?” And I would stare at the page as if trying to decode the Rosetta Stone, thinking, ‘who could possibly figure that out?’ I remember scoring in something like the 43^rd percentile on ‘spatial relationships.’ which is only slightly better than Bobo the Circus Orangutan would have ranked.

 My one attempt at assembling an Ikea item was a desk, which took me three and a half hours, an hour of which was spent looking for more instructions than the half-page of sketches included in the box. When I was done, it looked like a desk, but I had four random pieces left over. I was afraid to use the desk, because I was worried at least one of those pieces was the piece responsible for actually supporting any kind of weight. I mostly put really light things on it, like postage stamps, and my keys.

 So, I have a chair now, and it has wheels. Okay, I actually have some cushions, some metal thingies, a couple of plastic dealies, and some wheels. But I vow, someday, somehow, I will take those cushions, most of the metal thingies, at least one of the plastic dealies, and the wheels, and I will make me a chair. And then--yes then,  I will be able to write.