You're considered an intelligent person. Thoughtful. Well-spoken. Urbane. At social gatherings in your local Bohemia, when you speak, people appear to turn slightly, to put down their tea — to listen. At night in your little bed, in your heart, you wonder if perhaps you have something important, something special to say. You wonder if you may be — dare you think it? A writer.
Dear and most hopeful reader, Monsieur Chariot has uncovered that the difference between a person with a great deal to say and a writer, is that writers have in common something of which the aspiring writer may have been — until now — entirely unaware. Actual writers, it may now be told, share a special device that allows their ideas to be transmitted: thrust forth from the darkest recesses of the mind to the vast, bright expanse of Le Grand Monde. A subtle blade with which the mad charge of thoughts can be slashed into sentence after impeccable sentence!
Critic! Authoress! Playwright! Correspondent! Bend your ear to my disclosure! You, who wish to march out into that great world, to slay a rampaging public with your wit, your wisdom and your insight! You, who long for the shining career as a writer! To you I say: Arm thyself! And not with mere words: Bah! But with nothing less than the Poet's Falchion! That Lexical Lance, that Bilbo of Bookmanship, that Semantical Sabre... The Quill Pen!
The Quill Pen
Hugo. Murger. Colette. Baudelaire. Poke any truly great writer and he or she will poke you back: with a Quill Pen! On the parchment of history, as in today's worlds of Bookery, Bloggery and Magazinery and what-have-you, the gentleperson who does not "quill" most surely fails to find any audience at all. You may be very interested to know that our Benefactress herself, that Grande Femme des Lettres Madame Joan Walsh, perched, as she is all day and all night at her magnificent escritoire in the dark and cavernous oak-panelled offices at Le Salon, tirelessly scribbles out her missives with nothing more — and nothing less — than an imposing ostrich plume Quill Pen in resplendent royal blue, a color discriminately chosen to invoke l'esprit de Vérité et Démocratie!
Yea, ne'er a jot would be writ by the noble novelist, the eminent editor or the peerless poet — were it not for The Quivering Quill Pen!
And what of you, Gentle Reader? Is your mind brimming with words, words and more words? Well then — without A Quill Pen, one might enquire, how do you intend to present those words, long-hand and on parchment, as required by Open Salon?
How To Make A Quill Pen
A High-Minded Endeavor Suitable to Creative Gentlepersons, Accomplished with Steady and Nimble Fingertips, as Illustrated in my Elegantly Tiny Paintings
First, pick a feather, the color and texture and origination of which resonates most profoundly with your person, your values, your politics, your artistic pretensions and your dreams.
Second, make a sloping cut with a small sharp knife to remove the tip of the quill.
Third, turn quill, cut side up. Insert the knife, scraping into the hollow by carefully levering the blade upward.
Fourth, on the scoop-less side, cut a straight slice in the barrel.
Five, you will notice a sloping aspect with a slit, and your quill begins to appear a pen.
Six, shape the nib by carving the corners on either side.
Seven, cleanliness, of one's person as well as one's nib, may require scraping.
Eight, sharpen by cutting at an angle from the top.
Voilá! Flèche! Coulé! Your Quill Pen is now flashing, at the ready, that you may correctly execute attack and parry! Thrust forth and conquer, brave little writer! Open Salon with the silkiest shiv — the Pliant Sword!

who brandish the Wordsmith's Wispy Weapon: won't you describe the

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Comments
The major drawback to the quill pen is that it can be difficult to write in blood. A metal nib allows one to combine inkwell and ink source. A quill pen requires the small sharp knife be kept sharp, handy, and optionally clean.
http://www.moleskines.com/
Monsieur Chariot treasures your thoughtful and sophisticated distinction.
Ah yes, Newport! Rhode Island's little slice of the French Riviera!
It seems that you have left out a step for those of us who would prefer to use les plumes au naturel. It seems that natural quills have a fair amount of oil in them, especially goose quills, which must be removed for the quill to work properly. While this may be done in the microwave (a horrid invention usually used to overcook vegetables and toughen previously delectable meat) it is traditionally done by baking the quill, before the final trim if memory serves, in hot sand.
Of course, being on the very edge of modernity as I am, I normally use a more high tech solution - an entre les guerres fountain pen. They're surprisingly inexpensive, well built, and expressive.
Thank you for your charming reminiscence, written out in longhand; I will cherish it. The red ink, however, was an odd touch.
Guilty as charged, sir! M. Chariot is chastened by your sly erudition on the subject.
You are by far Open Salon's most exquisite blogger. As we say in California, you're one cool dude,
As one of Monsieur Chariot's personal muses, you needn't concern yourself with contraptions and devices. Your presence alone illuminates.
Monsieur Chariot is encouraged by your kind salutation and offers in return the Vulcan Salaam!
For those who are interested, pre-cured quillsare readily available at various web sites, as are quill knives. Quills are available dyed or natural and pointed or unpointed. Even the pointed ones need a bit of customization.
Rest assured that I am most grateful for your instructive comments! You will be gratified to know that I intend (at some juncture) to repair my essay to include the "curing" step — especially if our little blogs are to become available to the general public at launch.
How charmingly quaint!
My own method - when needs require I summon Thalia, muse of comedy - is to finely hone my right proximal phalanx metacarpal claw using a stump of selectively cut Vermont Wide Eastern White Pine wrapped in Caribbean sisal hemp.
Said talon then is dipped in refined Octopoda ink harvested from Bay of Kaloni off the verdant Isle of Lesvos, Greece.
Find an odd sheet of Fourdrinier paper and voila - lithography!
I then sit on the idiot with the opposable thumbs until it all gets typed in.
Not the best of solutions but for me it sufices.
Likely the fresh catnip is a phytopharmaceutical factor.
Feline inscribements — frequently made on the flesh — are exotic indeed! Oooo-lalalalalala! Tut tut!
Bon moments...
In the emergence of your adventures, my good man, M. Chariot catches a strong whiff of the Errolesque!
The quill preparation makes me think of my shortly-lived foray into oboe reed production. I lack the skills.
Balk not! As an Artist, Collectress and Photographress of some repute, you would do well to focus something of that creativity on the fashioning of your own Quill!
the pen is mightier than the sword
;-)