Natsuki Kimura

Natsuki Kimura
Location
Urayasu, Japan
Birthday
June 21
Bio
I live in a country known for its many earthquakes; I live 200 kilometers away from three smoldering nuclear reactors; my father saw the mushroom cloud over Nagasaki as a boy; I watch movies with titles like Neon Genesis Evangelion and Gattaca; I read books with titles like Trout Fishing in America and In Our Time; I make collages about my wife and show them in Tokyo galleries; I spend weekends writing about nukes, aliens, vampires, and love child Vulcans.

FEBRUARY 4, 2012 1:35AM

Short Story: Before Joining the Dead

Rate: 11 Flag

My right arm disappeared the same time Yui did. I woke up and it wasn't there, as if it had always been that way.

I then stopped smoking and eating because I no longer had to. Work stopped being important so I stopped going to the office. The TV and the web and books stopped being interesting so they stopped being a part of my life. Music didn't, though. I put all the Philip Glass CDs I had into my iPod and listened to them all day, everyday.

I'd walk around all day with my earphones stuffed permanently in my ears. One day I left my apartment without locking the door and never went back. I didn't need to eat or drink but I slept in libraries and train stations when I needed to rest. After a while night and day stopped being a factor. I stopped thinking about time. One day I let a truck crush my watch. Crunch. It wasn't as amusing as I hoped it'd be.

One day I checked into an ancient ryokan inn in Izu. I decided to stay there for a night because it was cheap and I needed a bath, for I hadn't bathed in a week. The ryokan smelled like stale cigarette smoke and looked like it never got past the 1960's. On its walls were yellowing posters for the Tokyo Olympics and long-defunct airlines. A mirror had a hand-painted slogan about ridding Japan of Philopon, a drug they used to give to factory workers so they could work continually without sleeping. (I heard Philopon means the "love of work" in Greek or something to that effect.)

I went to the ryokan's big bath. I was the only one there. I soaked in the tile bath and closed my eyes and tried not to think about anything, especially Yui. That was when I realized I couldn't remember her face. I couldn't get past her name and the fact that she had gone. I also couldn't remember some other things. The make and color of my car, for instance.

I opened my eyes and saw that a tiny old man had dipped into the bath without me noticing him. He looked frail and his pupils had a faded color, but he had a smile on his face.

Nonchalentness is the key attitude when taking a bath with others, so I didn't speak with him and he too sat silent, still wearing a smile. After a while he left the bath for the dressing room, which was on the other side of a sliding door.

When he left he didn't close the sliding door, which is against custom. I soon found out why.

He wanted me to watch him put on pink panties and a yellow bra. He would put them on and then take them off. He repeated this at least ten times.

I soon saw that there were others in the dressing room. They were people who looked like they didn't belong in the 21st century:

Three naked young men carrying wooden rifles and wearing Imperial Japanese Army caps.

A pair of middle-aged European women wearing only corsets.

Two European men with handlebar mustaches wearing only top hats and carrying walking sticks. (I now think think they were the husbands of the women in corsets.)

Two European girls in tan nightshirts, one with long, prematurely grey hair and another covered with burn scars.

A tough-looking man covered with dense dragon tattoos, carrying a well-polished sword.

All these people looked quite happy, and all of them had smiles on their faces. And whoever they may have been, it was obvious that they were the dead.

When I looked at the old man with the bra and panties again, I saw my right arm held against his chest with his yellow bra.

So that's where it went.

When I realized that I too was dead, I suddenly remembered Yui driving my blue Mini at me. And, I remembered that she was grinning as she did this.

A couple of the dead gestured for me to join them, as did my right arm. But, I decided I still had unfinished business and left the bath through the rear window.

I am now heading back towards Tokyo.

Author tags:

fiction, short story, japan, death

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Comments

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Great post. Certainly has more humor than Mishima. faved and rated.
The dead don't rest until their business is finished. R
Note: It is 2:45 am as I read and comment on the story. It has added to.the dream-like natture of this story. R
Hello old new left-san: welcome to my pages. i hope you'll visit again.

Trudge164-san: dream-like? maybe. but i really did come across an old guy with the bra and panties in a seedy bath. i haven't gone back, but i'm guessing he's still there.
This was amazing! I love the details, like the old man holding the arm against his chest. I also love the ending. Thank you for a brilliant read!
Yes, brilliant it is! All the twists and turns. Actually I was relating it to your original stories about the father and son who are gay. I can see them in there someplace and I see your view point as one trying to figure it all out. "It" is overwhelming. The snippets are intense. It is just life passing by on a cart.
I want the name of the restaurant you ate at before you took the nap which created the basis for this story! :)
Alysa Salzberg-san: that painting you chose for the prompt gave me a lot of ideas. the wagon in the gutter was the genesis of the "dead people not getting to their final destination" thing. thank you for reading!

zanelle-san: yes, i place great value in "figuring it out." in that sense, the task i gave shinobu mochizuki isn't that hard -- all she really has to do is to see and accept what's going on in her world, though this does require strength and courage. i treasure your comments.

Blinddream-dan: i think it's in the milk -- the "safe as milk" album by captain beefheart. i've been listening to it a lot and it's shaped the last few shinobu stories as well as this one. cheers.
This was not a walk through the park (at least not any park I'd care to walk in). I enjoyed the varied descriptions of the bath guests. I did, however, have a stretch seeing how you came up with this from the prompt though. Keep writing, I look forward to your posts.
R
Would be wonderful if the Cooper were an ampha-car.
Out on a limb-san: Thank you for your comment!
When Alysa first posted that painting, my thinking went more or less like this: "That wagon is stuck in a ditch. That must symbolize something. Oh, I get it! These guys are really dead but they haven't made it to the final destination yet! I could write all kinds of stuff with this."
After that I thought about a place that seems close to heaven/hell (hence, a hot springs bath, complete with brimstone and an old guy who wears women's underwear) and the kind of death that a contemporary person could have without noticing that they've died (hence, a traffic-related death). And as is the case with most of my stories, the main character is having serious girlfriend problems (hence, the girlfriend who just has to run her boyfriend over). I'm not sure where the thing about the arm came from.
You are v. talented. R
Incredibly imaginative! A great read and rated.R
Fantastic! Poe meets Kurosawa in this tale of woe and revenge. I thought this line was a good bit of succinct humanizing: "One day I let a truck crush my watch. Crunch. It wasn't as amusing as I hoped it'd be."
I am stunned by the existential journey you can portray. How the mind must go forward, no matter what. I suspect you are laughing, but you trashed my "reality" like it was so much carbon paper, and yet I yearned for the feeling of release with which this journey began.
R++