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Paul Levinson

Paul Levinson
Location
New York City, New York, USA
Birthday
March 25
Title
Professor
Company
Fordham University
Bio
Paul Levinson's The Silk Code won the 2000 Locus Award for Best First Novel. He has since published Borrowed Tides (2001), The Consciousness Plague (2002), The Pixel Eye (2003), and The Plot To Save Socrates (2006). His science fiction and mystery short stories have been nominated for Nebula, Hugo, Edgar, and Sturgeon Awards. His eight nonfiction books, including The Soft Edge (1997), Digital McLuhan (1999), Realspace (2003), and Cellphone (2004), have been the subject of major articles in the New York Times, Wired, the Christian Science Monitor, and have been translated into ten languages. New New Media, exploring how Twitter, Facebook, YouTube, and blogging have changed our lives, was published in September 2009. Paul Levinson appears on "The O'Reilly Factor" (Fox News), "The CBS Evening News," the “NewsHour with Jim Lehrer” (PBS), “Nightline” (ABC), and numerous national and international TV and radio programs. He reviews the best of television in his InfiniteRegress.tv blog. Paul Levinson is Professor of Communication & Media Studies at Fordham University in New York City

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JUNE 15, 2009 2:27PM

The Shield in Perspective

Rate: 4 Flag

My wife and I just finished the seven season run of The Shield, first shown on the FX Channel. Netflix made the seventh and final season available just last week. We saw The Shield on the strong recommendation of our nephew, Marc Thacher. I was extolling the virtues of The Wire, and my wife and I the power of Lost, and Marc said, yeah, but trust me, you have to see The Shield, it's the best show ever to have been on television.

He may well be right.

First, though, let me offer the ever-relevant apples and oranges proviso - television series, like all works of fiction, are never completely comparable. The Wire is in a superb now classic class of its own, not as police drama, but in its vivid, scalding, anthropologically rich presentation of life in the drug drenched hood. The Shield, in contrast, is more about police. And neither show has much in common with Lost, which inhabits a unique position in story telling that transcends even the science fiction of which it partakes.

But television series can nonetheless be compared on some levels.

Lost, for example, had a weak second and most of a third season (which ended with a stunning game changing finale). It also has had its share of weak episodes. The Wire also had a few weak episodes, though nowhere nearly as many as Lost.

The Shield had none. Furthermore, it started with a kick in the solar plexus at the end of the very first episode, and played out its ramifications through all seven seasons. And the last show was the best series finale I've ever seen.

I wrote a lot about the series finale of The Sopranos - and gave a talk about it at The Sopranos conference I helped organize at Fordham University last year. I thought the ambiguous ending was masterful.

But it didn't hold a candle to the ending of The Shield, which tied up in brutal, heart-rending detail the story lines of major characters - not with tantalizing question marks ala The Sopranos, but with punch in the soul resolutions. This is story telling on television in a new, real dimension.

All great television has great acting, and The Shield is in the top tier of that, too. Glenn Close and Forest Whitaker did some of their finest acting in their guest roles. Michael Chiklis was a tour de force in the lead role of Vic Mackey in every scene. And Walton Goggins grew as Shane in the series from a sidekick to one of the most memorable characters ever on television.

I'll say more about the plot in a later review (with spoilers), but, in the meantime, trust me, you have to see The Shield.

See also
... The Sopranos Anti-Ending and The Sopranos Conference at Fordham University May 2008


5-min podcast review of The Shield

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Comments

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Wow, can't wait to see the final season. I completely agree with what you have to say. It's the best I've seen in years. I was also big fan of "Homicide, Life on the Street" which had it's own gritty portrayal and big share of masterful acting.
I never thought much of Michael Chicklis before seeing The Shield but he is a master at his craft and should be recognized for it.
Thanks for your great input on this superbly made, written and acted show.
Great post. Frankly, I have always thought "The Shield" to be superior to "The Sopranos" (don't get me wrong - loved that one too), and the series finale is simply one of the best conclusions in tv history.
I loved The Wire and its complexity but in the end, I vote The Shield as the greatest crime drama ever on TV and maybe the greatest show of any genre. The Wire wins for realism but The Shield wins for near-insane over the top plotlines that actually resolve themselves in ways that are very dramatic are true-to-the-characters. I admire how clever the writers were and how good the actors were to pull this whole thing off. There were times that I used to watch it on FX and then immediately watch the same episode again because they repeated the two times on a row to play the time zone game. And, you're right, The resolutions of main character story lines in the last few episodes were amazing in how they faced up to the consequences of these characters actions. It was brutal in some cases but those outcomes were the most true to what had come before.
You don't even mention the great CCH Pounder?