Megan, after a great run in the "beans, beans, the musical fruit" and new Cool Whip campaigns, decides to quit her job in advertising! Her heart and soul are in acting. One round of applause from an audience is worth all the Heinz beans accolades in the world. Peggy tries to talk her out of it - which makes sense, given that for Peggy the advertising work is the job of a lifetime. Don is understanding - he'll miss the sexual energy in the office, for sure, but he'll have a happier Megan at home, and he does have a decent streak that shows through sometimes. The whole segment is a noble statement on the fatuousness of advertising.
Meanwhile, Pete sleeps with the Gilmore Girl (Alexis Bledel), aka the guy on the train's wife. This is a daring move for Pete, who likes it so much he calls her, wanting more than a one-time tryst. She demurs, but Pete persists, arranging to come home with Howard (the train guy - who's also an insurance guy) on the pretext of wanting life insurance. Once in Howard's home, Pete even manages to grab a kiss from Beth/Rory. She leaves the room with a migraine, but later encourages Pete with a heart drawn on a misty car window. All in all, good show for Pete, and the second sex-out-the-blue thread for Mad Men this season, following Roger's flirtation from afar earlier this year.
And just top off this excellent episode, we get the Beatles' "Tomorrow Never Knows," ending up the show, playing into the credits, replete with a nice shot of the Revolver album cover, of which I have many. The show has migrated beautifully into the 60s, and I'm enjoying this season more than any other.
See also Mad Men Season 5 Debut: It's Don's Party ... Mad Men 5.3: Heinz Is On My Side ... Mad Men 5.4: Volunteer, Dream, Trust ... Mad Men 5.5: Ben Hargrove ... Mad Men 5.6: LSD Orange ... Mad Men 5.7: People of High Degree
And from Season 4: Mad Men 4.1: Chicken Kiev, Lethal Interview, Ham Fight ... 4.2: "Good Time, Bad Time?" "Yes." ... 4.3: Both Coasts ... 4.4: "The following program contains brief nudity ..." 4.5: Fake Out and Neurosis ... 4.6: Emmys, Clio, Blackout, Flashback ... 4.7: 'No Credits on Commercials' ... 4.8: A Tale of Two Women ... 4.9: "Business of Sadists and Masochists" ... 4.10: Grim Tidings ... 4.11: "Look at that Punim" ... 4.12: No Smoking! ... Mad Men Season 4 Finale: Don and -
And from Season 3: Mad Men Back for 3 and 3.2: Carvel, Penn Station, and Diet Soda and 3.3: Gibbon, Blackface, and Eliot and 3.4: Caned Seats and a Multiple Choice about Sal's Patio Furniture and 3.5: Admiral TV, MLK, and a Baby Boy and 3.6: A Saving John Deere and 3.7: Brutal Edges ... August Flights in 3.8 ... Unlucky Strikes and To the Moon Don in 3.9 ... 3.10: The Faintest Ink, The Strongest Television ... Don's Day of Reckoning in Mad Men 3.11 ... Mad Men 3.12: The End of the World in Mad Men ... Mad Men Season 3 Finale: The End of the World
And from Season Two: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12 The Day the Earth Stood Still on Mad Men ... 2.13 Saving the Best for Last on Mad Men
And from Season One: Mad Men Debuts on AMC: Cigarette Companies and Nixon ... Mad Men 2: Smoke and Television ... Mad Men 3: Hot 1960 Kiss ... Mad Men 4 and 5: Double Mad Men ... Mad Men 6: The Medium is the Message! ... Mad Men 7: Revenge of the Mollusk ... Mad Men 8: Weed, Twist, Hobo ... Mad Man 9: Betty Grace Kelly ... Mad men 10: Life, Death, and Politics ... Mad Men 11: Heat! ... Mad Men 12: Admirable Don ... Mad 13: Double-Endings, Lascaux, and Holes
20-minute interview with Rich Sommer (Harry Crane) at Light On Light Through