Russ Maheras

Russ Maheras
Location
Chicago area,
Bio
Chicago native; long-time public affairs specialist; former electronic countermeasures technician on A-10, SR-71, U-2, RC-135 and C-5 aircraft; professional cartoonist; comics historian; and 20-year Air Force veteran. Lived all over – including 10 years overseas. Hobbies include history, science, technology, cartooning, film and sports. Grew up on the west side of Chicago, and unlike most baseball fans in the city, roots for both the White Sox AND the Cubs.

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MARCH 3, 2011 10:26PM

The 'myth' of media bias

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In numerous discussions over the years with professional journalists, I've found that, almost to a person, they bristle at the term "media bias" -- treating it as if it's some absurd myth. But after many years of closely working with and watching journalists in action, the only thing I've found to be absurd is the fact that such professional denial exists in the first place.

For every story that ends up in, say, a newspaper, there are a series of “bias filters” it must pass through to get there. In larger dailies, the filtering process may be controlled by a handful of editorial gatekeepers, but in smaller daily newspapers, or weeklies, one person may very well be the sole filterer.

 

Bias filter #1: Screening the initial story pool. For the average newspaper, there will always be far more local/wire stories available than there will be space to print them, so each editor decides which stories will be covered and which will not.

 

For example, if an editor is a Global Warming Theory advocate, the editor may deem stories discussing its perils as “relevant” and “important,” and give them priority over “less important” stories. Such an editor may also resist printing stories critical of the theory. This “racking and stacking” of available stories is something editors do for every single issue of a periodical, which means over time, the audience of a publication could start seeing the world through the selection prism of the editor -- especially if they do not regularly read other news sources with varying political views.
 

Bias filter #2: Framing the story for the public. For each non-wire story selected for coverage, the editor usually guides the assigned reporter by communicating the story’s angle.

 

Example 1: “Hey, Ann! A source called and said that Alderman Sixpack awarded a city contract to his brother-in-law's construction company. See if you can verify, and then let's turn up the heat.”

 

Example 2: “Bob, I want you to get an interview with candidate Smedley Freem and ask him how he feels about being a 15-point underdog in the mayoral race.”
 

Note that in both examples, the editor is creating a subjective frame of reference for readers. In the first example, the contracting story may be true, yet, depending on local laws, it may also be perfectly legal. But just writing a story about such a contract (or any investigation/allegation, for that matter) can permanently sway public opinion against a targeted public official.

 

In the second example, depending on how the newspaper feels about candidate Freem, the story can be written as a negative piece ("Freem’s hopelessly outclassed and underfunded"), or as a positive piece ("Despite the odds, Freem is fighting for what he believes in against an entrenched party boss").   
 

Bias filter #3: Selecting which facts in a story are “important.” When a reporter comes back with a story draft, the editor decides what facts to leave in or take out (this may be space related, but it may not).

 

For example, sometimes one will read a story about a shooting death, and the suspect will be described as an "ex-Marine." In a few cases, such a descriptor may be pertinent to a particular story, but most often it is not. And if it isn't pertinent, such usage could very well be an example of coloring the news. It taps into a common stereotype, and in doing so subtly editorializes about the suspect's guilt -- i.e., "Marines are violent people who use guns, ergo the ex-Marine suspect is probably guilty."     
 

Bias filter #4: Positioning the facts in a story. When editing a reporter’s story draft, the editor decides whether or not the “pertinent” facts are positioned “correctly” in the story. Editors know full well that most readers only read the first few paragraphs of any given news item, and that fewer still will follow a story if it jumps to another part of the newspaper. So if a key fact turns up in the back of a story for no good journalistic reason, political bias may have been the motivator. I've caught top-of-the-line newspapers like The Chicago Tribune and The New York Times using this tactic.

 

Bias filter #5: Selective terminology or phraseology. Descriptors used in news stories are sometimes a reflection of the politics of the periodical featuring the stories. For example, one publication may use the phrase “killing” or “destroying” trees, to describe logging operations, while another would describe the removal of trees as “harvesting.” Similarly, one publication may discuss abortion in terms of “killing a fetus,” while another may refer to it as “terminating a pregnancy."

 

Bias filter #6:  Positioning the story itself. When the story is complete, the editor makes the all-important decision about where it will go in the newspaper. Will it be on the front page, and, if so, will it be above the fold or below? Will it be on Page 3, Page 6, or will it be buried (fittingly enough) near the obituaries? Every editor knows that the deeper inside a newspaper one buries a story, the less importance it appears to have to the average reader.   
  
Bias filter #7: Writing the headlines. Headlines are critical because they are the only part of a newspaper that editors are fairly certain will be read by almost everyone. Ostensibly, a good headline is supposed to encourage the readers to drill deeper into a story. But, depending on the political leanings of the editor, a headline may also feature a subtle political message. This way, even if readers dispense entirely from reading a particular story, the headline can still mold public opinion.
 

For example, let’s say U.S. troops were ordered into a country called Perturbistan two months ago, and yesterday, there were sporadic press reports that a new assault was brewing near the capital. For a newspaper with one political slant, a headline might read, “U.S. troops tighten grip on Perturbistan.” However, for a newspaper with a different political slant, a headline may read something like, “War bogs down, enters third month.”

 

So it’s clear to me that with all of these bias filters in play, at every single step of the editorial process the editor makes decisions about what will and will not be news, how that “news” will be framed, and how it will be prioritized for the reader.

 

In this respect, news truly is whatever the editor says it is.

 

If a newspaper editor has a strong political viewpoint, and has no organizational checks and balances, it does not matter how professional the editor thinks he/she is. The newspaper will be biased.

 

In some cases, I see editors gamely go through the motions of addressing the tenets of Journalism 101 by supplying an “opposing point of view” to a politically-charged story. Unfortunately, it seems that such weak efforts are often buried at the end of a story, or colored in some way so the opposing viewpoint comes across as unreasonable to the average person.

 

The fact is, news bias is very real, and it occurs in every type of media outlet. And the degree to which news is manipulated depends entirely on the discipline, perceptiveness and professional integrity of the journalist/editor -- a big challenge in today's smaller, less politically diverse newsrooms.

 

(Revised March 16, 2011)

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