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john blumenthal

john blumenthal
Location
California,
Birthday
January 05
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john_blumenthal (On Twitter)
Bio
Curmudgeon. Formidable braggart. Comedy writer. Eight books, 2 movies. Former associate editor at Playboy Magazine. Movies include "Short Time," (major flop), and "Blue Streak" (huge hit, no idea why.) Last two novels were "What's Wrong With Dorfman?" (St. Martin's Press) and "Millard Fillmore, Mon Amour," (St. Martin's Press). New novel: "Three and a Half Virgins."

Editor’s Pick
NOVEMBER 12, 2009 9:46AM

The 5 Dumbest Scripts I Ever Sold to Hollywood

Rate: 64 Flag

Crackers:  The premise: A timid, neurotic, Woody Allen-type psychiatrist is arrested for a minor offense. Because of a bureaucratic error, he ends up handcuffed to a guy named Vito, a mobster with OCD. When Vito escapes, the cuffs are still on so the shrink is forced to go with him.

  

I know, I know, it’s a rip-off of The Defiant Ones, but ours was a comedy (I think) involving two white guys, and had absolutely no redeeming social value.

  

It was mainly a road picture, but I’ve forgotten what the desitination was and why they were going there. Makes no difference anyway –- road pictures are basically all the same. Point A to Point B. Yawn.

 

Along the way, the shrink (predictably) analyzes the mob guy and helps to relieve his OCD, resulting in hilarity and hijinks. Optioned by a moron with family money, and about as much Hollywood clout as a radish.

  

Chumps: The premise: Two guys find out they’re married to the same woman. One is Arnold Schwarzenegger, the other is Dudley Moore. (Yes, I know that sounds like Twins, but that was the point. The studio was looking for another vehicle –- no matter how moronic -- to get a big guy and a little guy to do something idiotic together. Needless to say, they smelled money in it.)

  

Predictably, the two male protagonists decide to find out why the woman married both of them. Hilarity and hijinks ensue during their fun-filled quest to solve the mystery.

  

But the script didn’t work because we couldn’t come up with a convincing reason why the woman married both of them, which was kind of the main plot point. The script probably ended up as a Yule log.  Pitched and bought by Sony/Columbia. There’s no accounting for taste.

  

Kickov: This was a Cold War-era comedy, written circa 1977, although the word comedy might have been a stretch. The plot was about as dumb as they get –- the Russians suddenly have a football team (no explanation as to why or how) and challenge an American amateur team to a game. Hilarity and hijinks ensue.

  

The Americans get drunk on vodka, show up late for the match, break some bones, yadda, yadda, yadda, but guess who comes from behind and wins? Not worth the brads that held the script together. Optioned by a cheap wannabe producer.

  

Breakfast with Spaulding:  This was actually a rewrite of a script purchased by Warner Bros. The premise: A dysfunctional family becomes functional again via the wisdom of a canine (Spaulding) that speaks. (Actually, no one could really decide whether the dog spoke or if the audience just heard his thoughts. Either way, it was doggie poop.)

  

It had its moments though –- looking at life through the eyes of a dog was kind of interesting. My writing partner and I tried to imagine what it would be like to wander the streets on all fours, licking our genitals, eating sidewalk rubbish and sniffing asses. (Actually, it was Hollywood, so we were mainly kissing asses.)

  

But this dog didn’t hunt. The producer let his flunkies know he hated it -- but in a subtle way. We were told he urinated on it, but I have my doubts.

  

Iranoff and Kopalski Are Lost. Another Cold War-era comedy, this piece of drivel was about two comical Soviet cosmonauts who accidentally land in the Gulf of Mexico instead of their target point -- the Bering Sea -- and must pose as tourists in order to travel unnoticed across the U.S. to Alaska where they hope to be rescued by the KGB.

  

In the meantime, the FBI gets wind of them and gives chase. A big part of the “humor” came from their mangling of the English language. Hilarity and hijinks ensue as the two bumbling Ruskies try to comprehend American culture, if such an animal exists.

  

Interestingly, my agent wanted to cast Arnold Schwarzenegger (his client) and Dudley Moore (not his client) as the two cosmonauts, and he didn’t seem to care about Arnold’s thick Austrian accent or Dudley’s effete British one. “An accent is an accent,” he told me. “Who’s gonna know the difference?”

  

But this was 1979 and Arnold wasn’t famous yet, so the studios said nyet. Optioned by a producer who kept forgetting how to pronounce the title.

 PS: I’m leaving out the two scripts that actually got made because the money far outweighed the shame.   

 

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And people paid you for this crap, blu? YOU had the last laugh. Now, about this part: "My writing partner and I tried to imagine what it would be like to wander the streets on all fours, licking our genitals, eating sidewalk rubbish and sniffing asses."
Somehow, I don't believe the part about you and your partner "imagining" it. Didn't you just write about what it was really like? (Exits room looking for really bad titles)
"An accent is an accent" reminds me of Valerie Harper playing Rhoda Morgenstern. Irish, Italian, Jewish--who cares?
Why you're not a billionaire is crazy!! These are pearls my man, pearls!!
R~
No shit, my husband quoted Blue Streak last night. Wait, did I say that out loud?
Backers should tripping over themselves to finance your scripts! Maybe that's the next plot line you need to write about.
R
At least you sold them. I'd like to know what the five smartest ones were.
John, all due respect, those concepts are not half-bad compared to some of the crap that actually gets made. And none of them would require CGI beyond some basic level (CGI makes me crazy). I do like the idea of seeing the world through a dog's eyes.

I'd love to know what the ones that did get made were and whether I saw them.
These sound awesome--so much better than the worst five TV spots I've ever written. "Bubbles the Clown" for Bob's Big Boy comes to mind. "Sale Ends Saturday"--that was mine, too.
I loved that last one and as I read it, I remembered another really bad movie Arnold made (was there any good ones?) and I think it was called Red Heat. In that movie he was cast as a Russian policeman who travels to the US to hunt an international bad guy. Seems they didn't care about the accent even after he bacame famous.
Nice. Very nice. Are you sure none of these got made?
John, the titles alone are giving me a good laugh this morning! I want to see these made into movies!!!
I just love it when hijinks ensue!
These aren't that dumb! Where are the space monkeys?
Hey, a lot of these premises seem more believable than Home Alone series. We're supposed to believe that a family abandoned their kid 3 times for hilarity and hijinks to ensue?

Uh huh, sure...
John, Crackers seems pretty substantially like Analyze This. If yours came first, considering how much that movie made and what they pay writers, you're due for as much as $9.29. Lattes on them, dude!
You know, it's a little-known fact that in the first draft of "Casablanca" Sam the piano player was a dog. I would assume "Spaulding" was a (an?) homage to that.
What's scary is the least imaginative of those five is a damn sight more interesting than 90 percent of what's coming out now.
John, you have a gift for turning humiliation into OS gold.
Those have to be on the straight to DVD rack at blockbuster. They'd make great MST3K episodes.
rated for genital licking and rubbish eating
Now you're just bragging.
Plenty of hijinks, but I'm more a fan of folly...
;-)
Hilarious, John. Thanks for the laughs.
It's as illuminating to see what crap sells as well as what good works sell.
Tom - I don't know where you got your figures from, but they are really, really off. It costs around $20 to register your script with the WGA. Plus, there are minimums if you are a member of the WGA - those minimums are at least 3-4 times the figure you have there.
"Not worth the brads that held the script together." Great line, fun post. It's amazing how many skeevy low-lifes think they become a producer because they have $5000 to option a script ... they forget about the $50,000,000 they need to actually make the movie. Lucky for me! I made an OK living (and still make the occasional score) on the delusions of these meatheads. Fun, dinner table anecdotes, a little money -- but no screen credits. I salute you for surmounting that hurdle ...
Julie: Quoting Blue Streak? Well, I suppose you might call it Shakespearean. All the critcs did.
Hijinks and hilarity ensue? I sure wish Netflix would offer the videos.
At first I thought you were talking about Spaulding Grey and that wouldn't be a comedy with a happy ending,. I was so relieved to learn it was a dog, hopefully not harmed in the making of the motion picture. Oh, that's right. The fine print tells us these fine cinema experiences are only available in you head.
Very funny, John
I think I'll rate it.
Tomreedtoon: This friend of yours is no friend. His figures are absurd. The WGA takes about 3% in dues, for which you get free health insurance and a pension plan. Agents take 15%. Registration, as Julie points out, is $20. Producers put 6% of the fee they pay in your in your pension plan, not your money, theirs. So, on a $10,000 deal, you get $8180, plus free insurance and a pension plan.

If the film gets made by a Studio or production company, the amount you get depends on the deal. First off, every standard movie deal gives the writer 3 rewrites, for which he is paid handsomely. If you get a screen credit, you get all the back-end money -- which is usually in excess of $100,000. As for residuals -- I'm still getting them for both movies -- one of them was made in 1989, the other in 1999. The first year or 2 of residuals are about half your back-end money. It slowly decreases from there.

Now all you have to do is type in the words: FADE IN
Can you sell my script about a space hooker with a heart of gold?

This is an excellent confessional and deserving of an EP.
Oh! Fun! Is it too nosey to ask ballparks for what you got?
Well, I for one would pay to see Ah-nold and Dudley play Russian cosmonauts making their way from the Gulf Coast to Alaska.

My friends and I DO host Bad Movie Parties, after all.
Personally, I always wanted to see some lojinks. But maybe that was the bit with the dog.
Well at least you sold your scripts. 2 of mine got stolen and I had to do an "Alan Smithy" on another. I am a novelist and playwright now--I don't want to have anything to do with the film business.
They sound better than some actual movies that Hollywood makes!
There's something about Cold War-era comedy that seems really funny! That last one could have worked.
why do I feel as if I've seen these films? (should they be called films?)
Damn John. What's unfortunate is that these ideas could have kept Burt Reynolds employed as an "actor" for another decade and he wouldn't have denigrated himself by playing a strip club owner on "My Name is Earl" all for a few extra bucks. He would have been perfect in any of these--along with Dom deLouise in any of these "buddy flicks".
So it wasn't you who wrote the Schwarzenegger-Moore adaptation of "Endgame?" Hilarity and hijinks in an indifferent universe - couldn't miss!
It's amazing what Hollywood will pay for---and sometimes pay BIG for. I sell music, and sometimes I laugh all the way to the bank and to the airport for my vacation and all through my vacation and all the way back home! I wish it happened more often!!
You should pitch these again as nostalgia flicks or neuralgia flciks, I'm not sure which. There's so much crap out there right now, these should be picked up in heartbeat. r for effort.
I have paid to watch worse movies than those...I rented Ishtar once and witnessed the Billy Zane classic "Phantom" in the cinema.
Walter:

I know Burt Reynolds personally, see him almost every week, and while I agree that some of his movie choices were questionable, he really is a talented man. In fact, he will performing "Barrymore" (one man show) for three night only at his museum/theater in Jupiter, Florida early next month. He is also an excellent teacher and a damned decent human being.
Hey John -- how 'bout buying me dinner Saturday night? Friend of mine & I are going to be out on the town in Santa Monica!

you are pretty funny, I gotta admit.
I want to thank Donna Carbone for her comment. It is often impossible to know what the person living in the actor's skin is truly like. Actors lives seem surrounded by 'spin' and imaginings having nothing to do with the real person.
I’m leaving out the two scripts that actually got made because the money far outweighed the shame.

Oh come on, you can't tease us like that, spill!
Forget Defiant Ones, Crackers reminds me of Midnight Run, the riff on buddy pictures with DeNiro and Charles Grodin -- loved that flick.

Chumps sounds suspiciously like the plot of a small picture called We Married Margo -- are you sure you weren't robbed of a credit?

"My writing partner and I tried to imagine what it would be like to wander the streets on all fours, licking our genitals, eating sidewalk rubbish and sniffing asses. " Imagine, hell, I could have told you precisely -- that sounds just like my old days in a rock band.

Iranoff and Kopalski Are Lost could be topical these days if you included a very sexy governor of Alaska who could serve as a comic foil for the cosmonauts. In fact, I know someone who'd be perfect for the part -- and she's looking for work. All you'd have to do is remind her that we already elected one really bad actor President.
I would have paid actual money to see "Kickov." I have to believe you suggested Burt Reynolds as the star, along with either Mikhail Baryshnikov or one of those damned Brits who can do any accent with ease. Heck, you might have gone with Sean Connery, who used his distinctive Scottish brogue to play both a Russian submarine captain AND an American FBI agent back then.
Susanlivingkinky: Anytime.
Zuma: By space hooker do you mean an alien who weaves?
TheHideousTruth: Way too much. You'd kill me if I told you.
OESheepdog: I'm over the hill as far as Hollywood is concerned.
Tom: I like your Palin idea. I also did a Liar,Liar script for Universal, which was shelved a year or two before Liar,Liar came out. Suing the studio would have been biting the hand that feeds you.
Skeletnwmn: Damn! Out of town Saturday. Another time?
Poet of Logan Square: I quit the biz too. Novels now. Nobody rewrites them except the author.
Floyd: Ours came first.
O'Really: That's a movie in itself -- 2 writers impersonating dogs for research. Just type FADE IN. The rest is easy.
Everybody else: Thanks for the lovely comments.
Yep, pretty dumb but then you don't think I'm dumb enough to believe you? Are you assuming I'm blonde?
Are you? Blonde? Not that it matters. Dumb? No. Is this in reference to something I'm missing? I can be a real boob sometimes.
"Optioned by a moron with family money, and about as much Hollywood clout as a radish."
I suppose you would claim you didnt know that until *after* you sold it. but dude, badmouthing your own customers? look this is funny, but geez. whose gonna ever want to buy a script from you again? but it does provide a pretty strong glimpse into hollywood culture. where maybe the main objective isnt necessarily to make a great movie.
"Either way, it was doggie poop."
so can you explain why you would write doggie poop? for $$$?? well nice to know you have your artistic integrity goin on. I think all the idealistic writer youngsters in the crowd are crying and saying, "what?? you mean theres no santa claus??"
John, are you sure you weren't behind 'Transformers II?'
Show business! You need to have a great sense of humor, timing and a bit of luck to navigate the insanity of your industry. But it provides a constant source of material ("hilarity and hijinks ensue!").

Great post. Rated!
You of all people should know the politics behind that. If it makes a difference, I think all of them are much better than a lot of the crap we see everyday. Who gives a shit; you're cool anyway.

Rated.
I have a dog named Spaulding. You'll be hearing from my attorney. (By the way, I'm urinating on your post right now.)(And speaking of urine, have you noticed that O'Really? is getting real pissy?)
Lovin' these synopses but you throw the word dumb around like it's a bad thing.

On principle I won't let people say a bad word about complete piece of shit films such as the ones you describe here. Without such films I may have actually been forced to do something productive with my time and God knows where that would have lead to. Sure it's all well and good to say I could've been like, a brain surgeon or something, but what about the deep profound learning I got from these going absolutely nowhere pieces of fluff? It's the natural follow on from the formulaic low budget cartoons of my childhood, where I gained the irreplaceable piece of knowledge that Scooby Doo Mystery Van was never, ever, ever going to go anywhere in the end that didn't end up with a man being implausibly unmasked, culminating in the immortal comment "and I would have gotten away with it, if it wasn't for you pesky kids."
It's just a shame these gems where never made.
While your script ideas sound very good, you left out the aliens. How can you ever expect to make in Hollywood without aliens. Look what it did for Traci Lords career.
Very funny bit of fiction.
Rated
Steve: O'Really is always pissy. It's one of her finest qualities (actually, I can't think of any others.) If you want to be brothers in combat, feel free. I need an ally. It;s 2 to 1 here and I can't keep up.
Trudge: Unfortunately, none of this is fiction.
I saw a home movie made by a Russian who worked for Sprint Russia (or whatever its name was at the time, Global One?.

It was one-step above entry level 20 something college graduate goes on a dime-a-dozen corporate training, stays in a chain hotel in the suburbs of DC, visits a few museums, goes to the grocery store and a big box store or two.

The movie was fascinating, both what the camera lingered on as well as the author's commentary for his audience, none of whom (except me and my husband) had ever been to America or knew anyone who'd been except us and him.
Oh, and come on, I can come up with a reason why the woman married both -- she was stepping out on a crosswalk, got pushed into traffic by a purse-snatcher (so she has no id) got hit by a car, wakes up in the hospital with amnesia and the last few years of her life missing. When her memory comes back, she's a bigamist. She's too ashamed to confess, so she stays married to both and tried to make it work.

When she gave her maiden name and address at the hospital, she had been attending the funeral of her last living parent, from whom she'd been estranged so none of the people at the funeral know about hubby #1. She inherits the house and moves back to her old bedroom.

There remain some plot holes, but you could zip by those with fast pacing.
Is hilarity always followed by hijinks in a Hollywood script? What are hijinks exactly?
It's all about the hook, isn't it? Find a conflict to resolve involving a mismatched pair and hilarity and hijinks ensue! I love this insight, John, and kudos for making it in what is surely a very cutthroat business.
These premises actually sound a lot better than those of the other "comedies" cluttering valuable shelf space at my corner video rental. I particularly liked the one with the Soviet cosmonauts who splashed down in the wrong body of water (but didn't real cosmonauts always land in a Kazakh desert?!).
Rated.
"But this was 1979 and Arnold wasn’t famous yet, so the studios said nyet." - You see, the studios were in the hands of Moscow!
John, You is one funny SOB. Though you say these are your worst, I've seen many a movie that got made that was far worse than any of these. It don't have to make sense to be entertaining. After all, we are talking American audiences here.
You are my hero. Why I don't try and sell them some of the crap I've got brewing in my head.
John you blow me away. Good work... keep it up!
vzn: I'm done with Hollywood (and they're done with me) so I got nothing to lose by biting hands. And no, you rarely know the source of option money. And yes, I was a whore who wrote for gelt. And proud of it.
Malusinka: I like it. What's amnesia again?
littlewillie: Hijinks is a Hollywood term. It has no meaning.
Ah, this takes me back to the days when I worked at the Writers Guild. Thanks John for reminding me why Hollywood cancels things like Arrested Development.
Re: Chumps: Dude, the answer is easy: Dudley Moore is the rich guy from "Arthur" (although not an alcoholic). The woman wanted Dudley Moore's money, and Ahnold's body.

That'll be $10,000, please.
What the hell? Kickov could have been great! It's like the mighty ducks meets Red Dawn. Ugh, how could this not have been produced? Where is the justice in the world?

Oh and Rated.
John, yeah, according to Bank of America, based on how often they "hold" them, all the friggin' time.
And these scripts did not make it huh? surprising!!
Love that Dudley Moore. I usually prefer tomfoolery to hijinks, but I enjoyed these descriptions. A lot.
I'm no expert, but it seems to me that simply adding some hilarity and hijinks might have made these scripts succeed.

Thanks for the laugh!
"My writing partner and I tried to imagine what it would be like to wander the streets on all fours, licking our genitals, eating sidewalk rubbish and sniffing asses."

You just made my day. I came to work feeling grumpy and then I read that sentence. The mental image that bloomed will keep me amused for the rest of the day.

Rated!