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RonP01

RonP01
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New Haven, Connecticut, USA
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August 18
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AUGUST 26, 2009 8:18PM

Dave Brubeck, My Piano, and Me

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 brubeck4Dave Brubeck,  is an American jazz pianist.  His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities.  His long-time musical partner, alto saxophonist Paul Desmond, wrote the Dave Brubeck Quartet's best remembered piece, Take 5"Take Five", which is in 5/4 time and has endured as a jazz classic.  Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, and "Blue Rondo à la Turk" in 9/8. He is also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown

Brubeck3 In 1973 Brubeck formed another group with three of his sons, Darius on keyboards, Dan on drums, and Chris on electric bass or bass trombone. This group often included Perry Robinson, clarinet, and Jerry Bergonzi, saxophone. Brubeck would record and tour with this "Two Generations of Brubeck" group until 1978.

Darius Brubeck, is about a year younger than I.  He turned his father on to the sound of the electric piano.  In the summer of 1973 the Brubeck crew came to New Haven to perform a concert under the stars in the  

  Yale Law School Court Yard2Yale Law School Court Yard

courtyard of the Yale Law School.   A rather intimate setting of grass criss-crossed with slate and flagstone walk ways surrounded on all four sides with the exterior architecture of the Yale Law School.  

         pianopiano2

I was discharged from active duty with the Air Force  in February of 1973.  I became the Director of the Afro-Am Center at Yale in March. That was the beginning of my career in higher education.  My part time career as a performing artist was still in tact but spotty. I played in local jam sessions and was able to put a group together for the odd appearance here and there in the greater New Haven area. So as it happened when the Law School's Annual Jazz Concert Under The Stars came around I was employed at Yale and not performing the night of the show which featured Dave Brubeck and his sons. 

In a previous post I told you about how I got drafted to play a concert on the mall of the elipse in Washington, DC.  It was deja vu all over again. Only this time it wasn't me it was my piano that was desparately needed. It turns out that while Darius Brubeck travelled with an electric piano, Dave, his father, did not.  It was part of the contract rider that the venue organizer/promoter was to provide the grand piano AND the electric piano for the senior Brubeck.  The Yale Law School geniuses missed it in the contract and were desperately looking for someone, anyone, who had an electric piano for Dave Brubeck to use during his performance that night. 

In mid-June, after all of the comencement ceremonies have been completed, the Yale campus is somewhat deserted.  The Law School puts on the concert just before the 2nd and 3rd year students have fully broken camp and begun to spread out to the four corners of the map for summer internships and the the newly graduated class begins preparation for bar exams all over the country. 

When they finally got around to calling the Afro-Am center in search of a music student who might be in possession of an electric piano......Well you know the rest of the story.  Except for this:  Just as the intermission  was to begin, Dave Brubeck took a microphone and acknowledged my heroic deed and insisted that I had saved the program and with that he asked me on to the stage and told the audience that I would provide them with the music for the interlude....

I can't remember what I played or even how I got through the 20 minutes but I do remember that I was warmly received and applauded again as I left the stage thinking that they couldn't have compensated me for the use of my piano with enough money to replace what Mr. Brubeck had done for me that night.  They had given me backstage credentials and access to refreshments reserved for performers and roadies but what I got from Dave Brubeck was absolutely priceless.  

I graduated from The University of Connecticut School of Law in 1971. Bill Clinton, is one day younger than I am. Both Bill And Hillary graduated from Yale Law School in 1973.  I can't be certain, but I believe they were in the audience that night.

           
The Dave Brubeck Quartet - Take Five (1961)
Dave Brubeck, Paul Desmond, Joe Morello and Gene Wright
      
PIANO LOVE

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Ron, I hope you still have that piano! What a great experience to be not only recognized by Dave Brubeck, but asked to play during the break. I saw Dave Brubeck and his quartet perform in Danbury, CT about 9 years after the appearance at Yale that you wrote about here. It was a full house and great to see the group perform close to home, saving me a trip into the city.
@designanator, Sorry to say that i don't have the Wurlitzer anymore....With use and age it just couldn't hold it's sound Compared to the digitals of today it was a dinosaur...I now have two digital Yamahas...A stage model and a home model......They have 88 keys perfect pitch, and never need tuning......
Wow, great story! I've always heard nice things about Brubeck, supposed to be a wonderful guy to work with. He had a some good moments in Burns' documentary a few years back.

My favorite aspect of "Take Five" has always been Morello's beautifully understated soloing. Even on the studio version, while Desmond's cool tones set the mood, there's just something about the drummer's ride that is masterful.

Rated.
Take Five is another one of the '59 classics. It just doesn't get old. The odd signature on Take Five reminds me a bit of Trane's arrangement of "My Favorite Things". Brubeck and McCoy Tyner are so unique for that. I fear McCoy may not be with us much longer too...
Ron we have to get together for a cup of coffee sometime and chat.

We (CT residents) are fortunate to have Dave Brubeck as a generous resident - he, even in he older years, still makes himself available all over CT and the northeast.

Thanks again for sharing!
This is wonderful, Ron! Love jazz piano and will always remember Dave Brubeck as one of the jazz greats, without a doubt. My mom was a piano player, privately, but she played every day. The one piece she taught me at a very early age, was "B Flat Blues," which is the only thing on the piano I can still play today. Very roughly...but I will never forget it. Haven't googled it to see it's origin but have no doubt you and Greg probably know this piece.
Great post, great era in music!
This is a very very cool story Ron. I confess to not being as informed as you or my sister, Just Cathy. I'm impressed with the two of you!
Your karma is outrageous, my friend. Wow. Dave Brubeck...the vanguard of the vanguard...xox
@KL, Morello wasn't just a drummer, he was a percussionist who understood how the drums could support the composition not only rhythmically but melodically as well. The timpany that he demonstrates in the solo he does on the studio version of "Take Five" is not only rhytmically compelling, it is as masterfully melodic as one might hear in the New York or London symphony orchestras (Most people aren't aware of the fact that symphonic kettle drums are tuned to sound an octave apart on the note of C sharp-C#) It is quite simply one of the best jazz solos ever recorded.....

@Blue, As long as the Music of Miles Davis nad John Coltrane is played McCoy Tyner will be hear as the force that holds the compositional structure of the masterpieces such as "Kind of Blue" together.....

@JRG, I'm not really big on such things, but an OS New England Meet would be something to consider down the line...

@Cathy, "B Flat Blues" is a generic musical phrase that identifies and describes improvisationl compositions that have a blues structure in the key of B flat....Reed instrumants such as the saxophone and the clarinet are tuned on B flat one full tone down from middle C on the piano (the first black key down)...B flat is the equivalent of C for such instruments...In other words when I play in the key of B flat on the piano the saxophonist is playing in his/her primary key or the eqivalent of my key of C, which for most musicians is the easiest key in which to play.....I'd love to get next to you some time and show you on the piano exactly what I mean. ; )

@MTK, Thank you for gracing me with your presence...I'm also impressed with Sister Cathy... :-)

@Robin, The Village Vanguard is one of the places where many a live performance was recorded...Located in the Greenwhich Village section of Manhattan....My favorite place was the Village Gate on the corner of Bleeker and Thompson...It is now a Walgreen's or a Rite Aid or some such sacrilegious commercial establishment.....I am humbled and honored by the attention this post has received from such OS royalty.....Thanks!
David Warren, indeed! Nice post as always Ron...
I grew up with "Take Five", thanks to 3 of 4 older brothers who were of the skinny tie and short brim persuasion. Great post.
That must have been a real thrill. Where do you play now?