SEPTEMBER 16, 2011 12:32AM

The Place I Am From

Rate: 17 Flag

 

the place she is from

 

 

I am from the land of loud sounds:

shouts vibrating the air like a tuning fork,

heavy footfalls cracking the linoleum,

keys slamming on the dresser.

 

I am from the place of trying to not make a sound,

of collectively held breath,

where we hunkered like rabbits

until the thunder moved past.

 

I am from the dammed up place behind

my mother’s lips

where words piled on top of each other

and rotted in the dark moist cave of  her mouth.

 

I am from the place behind

my mother’s eyes, her dark pupils

like portholes you could peer through

to see the  prisoner languishing inside.

 

I am from the place that clanks

and grinds and screeches with machinery

I could feel through the floor

but have never seen

 

I am from the place where noise and silence uneasily mixed

like oil and water,

like wolves and sheep

like bacteria and blood.

 

I am from the place where mouths are watched warily as snakes;

I am from the place where eyes have learned to speak;

I am from the place where silence spoke volumes;

I am from the place where speaking out meant

a dozen kinds of death.

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Comments

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i haven't the faintest idea if this is based on your life or someone's imaginary one. in either case, there are far too many kids raised in places like you describe, and it's a crying shame.

you write poetry damn near as well as you write prose, sandra, and that's saying a lot.
Wow! Not only am I intrigued by the way this poem is written, I truly admire the bits and bites of it. There are so many tiny treasures scattered. i.e. "mouths are watched warily as snakes." I also like, "rotted in the dark moist cave of her mouth."
This is the shadow of a poem, rather than a poem. Beautiful, like a whisper. I am glad that out of pain came beauty... Haunting.
Once again you confirm our stories are pretty much the same, but you tell that story so much better than I ever could -- maybe because I'm still hiding.
Sandra, this is lovely, complex and opens the mind, others' minds, because you opened yours. Rated.
This was fear stitched together. I liked how you substituted things someone young might not understand with sound, smacking keys, the clanky place, and the snakes mouth was something I'd like to paint.
As a follow-up for your post "Silence," this is an effective chapter all its own. Stunning imagery which mostly shows . . . without telling everything. Damn.
I especially like the image of the mother's pupils being portholes. That with the correct lighting, the child could look into her mother's eyes and see herself reflected within the prison of the pupils.
Yikes. That's a rough place to come from. But I suspect you've washed up on a more temperate shore. I certainly hope so. Great vivid unblinking merciless writing, as usual.
Wow. So powerful,and if true, sad. But you do this so wonderfully!
These are very harsh and hard ideas. My favorite lines are 'cracked linoleum' and 'dark moist cave.'

The last line is so extreme, which extremeness I rather like. But I wonder if there is some other thing that speaking out meant, some other way of describing it, that is more specific and therefore more jarring than the line as writen.

But I really like this hard look at awfulness very much. That is what I mostly want to say.
"I am from the place of trying to not make a sound,

of collectively held breath,

where we hunkered like rabbits

until the thunder moved past."

I feel that line the most. And I liked most of the lines
What a beautiful and frightening poem.