Editor’s Pick
OCTOBER 12, 2011 2:23PM

My Father's House

Rate: 31 Flag

Grandma's house

As adults, we often assume that the celebrations with the prettiest décor, the fancier food, the higher priced liquor and the nicer people will be the celebrations that are remembered best, most frequently and most fondly. 

But kids have a calculus all their own, and what seems strained or miserable to a grown up can be remembered as great fun for a child who remains safely ignorant of the tension and unhappiness that crisscross the room like those infrared laser alarm systems, the ones that are invisible until you put on the infrared goggles and see the thousands of glowing virtual tripwires trapping you in a glowing spider web so that there is no way to move without triggering the alarm.

Growing up, Christmas Day was spent at home surrounded by my grandparents, aunts, uncles and cousins, all of my mother’s side.  Our house was small, with everyone mostly crowded into the dining room, living room and kitchen – surely no more than 200 square feet total.  The house bulged with noise and heat, and the movement of children frothing amongst the adults like river water around rocks.  

It should have been by far the best day of the year, and in many ways it was, what with dad’s raised voice directed at someone else, mom too busy to comment on the stringiness of my hair, the aunts’ generous compliments making me feel that pretty could be safe, and did not always have to cost what I couldn’t afford.

Christmas Eve was reserved for my dad’s side of the family.  We went to Grandma’s house, which crouched, small and dark, at the end of a Dickensian lane that featured some sort of power station, a small square brick building that made your fillings ache if you got too close to it.  

Even full of family, the house was always cold, the air that seeped off the screened in porch snaking its way into the boxy living room.  Winters were colder and snowier then, and frost would frequently accumulate in a thick scrim just inside the front door, where we would print our names and draw snowflakes. 

Though I know many things now that I did not know then, things slowly revealed after the death of each aunt and uncle and, finally, Grandma, my mind stubbornly presents me with the evidence of memory: we thought Christmas Eve was a blast.  We ate sloppy Joes, a sensationally messy sandwich that printed our faces and hands with orange grease. 

It was noisy, but in a different way than with my mom’s family, whose conversation resembled large colorful soap bubbles that drifted around the room banging into one another, sometimes denting, sometimes exploding with an iridescent pop. 

At Grandma’s house, the adults spoke in sharp pointy voices that flew across the room to hit their targets with a thud.  Comments muttered under the breath rolled randomly around the hillocky linoleumed kitchen.  The moldy, hoppy smell of beer hung wetly in the air.  When we sidled up behind mom or dad’s chair to ask if we could have a Christmas cookie they nodded and waved us off, their eyes never leaving Uncle LeRoys red face or grandma’s grim, thin lipped face. 

Can we have two? Three? We’d ask, pushing it, and they’d say our names once, warningly.  We’d grab the basket and run upstairs, delighted to be away from the adults. The cookies were always sugar, always frosted, and always included, mixed in with the snowmen and stockings, an Easter rabbit  or chicken.  Grandma’s forgetful, dad would say, to which my mom would snort.  I didn’t care – the snowman had red hot buttons, the rabbit had red hot eyes.  I thought Grandma was the cat’s pajamas.

We ate our cookies and played with the train set under the tree, and Grandma never told us not to touch anything.  We sat on the porch and rocked wildly back and forth on the ancient glider and Grandma never told us to keep it down in there.  We piled in the center of the big oval shaped green throw rug n the living room and then hauled it around, pretending it was a lifeboat being tossed about by ocean waves, the last person on the rug the sole survivor.  

We heard the adults voices raised downstairs but never thought to listen in – we were too busy playing with Grandma’s dominos game, or examining her collection of ceramic salt and pepper shakers that all came in pairs:  the little Blue Boy and his Blue Girl sister, the Mr. and Mrs. Snowmen, the toasters that somehow seemed like man and wife, the blue salt and yellow pepper umbrella, the spotted salt dog and the pepper hydrant.  “Don’t’ break them” was Grandma’s only comment, and we were reverent in our handling of the shakers. 

I loved the lights on Grandma’s tree – big fat ones in blurry primary colors, some of them with the paint chipped off so you could see the white light shining through. They seemed so much more generous than the lights on mom’s tree, thin and white and orderly and pointed. 

The tinsel was better too, long strands draped carelessly on the branches seemed much more festive than the carefully scalloped garland that wove its symmetrical way around my mom’s tree. 

Most of all we loved that grandma’s tree was real, even if it dropped needles, even when it dried out and crackled warningly.  Mom had a fake tree, a good value made even more realistic with its bendable branches and occasional fake brown needles. 

Everything about Grandma’s house was enclosed, the rooms small and low-ceilinged, the cellar-like kitchen, even, somehow, the tiny dank bathroom that had a curtain instead of a door.  The only books in the house were located behind the toilet. Grandma was illiterate, and didn’t like for anyone to read in her presence – if you did, she’d turn off the light. 

The bathroom had a bare bulb with a string, so you could read in there, for awhile anyway, as long as you  made bathroom noises to cover the sound of pages turning. 

The single bedroom door was always shut.  We were drawn to that door simply because it was closed; we were too young to be curious how a family of five was raised with just that single bedroom, a room we knew without being told belonged to grandma.  We never asked my father where he slept, and he never showed us, never wanting to help us picture his young self in this place. 

It’s just as well, I know now – there were no warm stories to tell about sleeping on the floor next to the furnace, nothing cozy about reading in a miasma of sewer smells.  He kept silent, and we ate cookies dotted with red hots and remained blissfully ignorant of what it was like to grow up in that house, with that mother.

A house where only the master bedroom was heated, where no books could be read, where lights could not be burned for schoolwork, where a dime was school lunch money, where a boy once went partially deaf from an ear infection due to neglect, where the children were tossed out at age sixteen to sink or swim, with the hope of sinking palpable in the grim mouth and stone eyes that watched to see what would happen as if it made no difference.

We knew nothing of the woman with hair the color of iron  and the cold dark house she ruled, the boy hidden in his basement. We knew only the freedom of wandering the rooms, eating as we pleased, playing unchecked, a respite from a strict father, a freedom to do as we wished that we thought was love, and wouldn’t know differently for many years to come.

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Comments

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Yet those who could unseal the secrets of the cold, dark house would return.
Dark, spooky, vivid, sad, spiked with aromatic detail, warm with food and family ... and chilling to the bone. Delightful and disturbing -- your trademark.
I've often pondered how differently we see our grandparents than the reality of how it really was. This was beautiful.
"At Grandma’s house, the adults spoke in sharp pointy voices that flew across the room to hit their targets with a thud"
Oh..How I love your writing, Sandra.
Steven, when I publish my huge international bestseller I want *you* to write the NYT book review. Then I'll return the favor.
What a great story you tell, through woven memories and convictions which evolved with age. I hope my grandkids don't think I have a "sharp pointy nose someday!" I do, however, find myself saying to them, often enough, "Please don't break that!" Love your writing, S!
So awesome to see you writing, my dear. You motivate and inspire me as always.

Making me think of my paternal Grandma, whose mother (we called her Baba) lived in an unfinished basement beneath the house. Concrete floors, concrete block walls. She spoke almost no English, and came upstairs only to eat in silence and then to sit at the back of the living room in a corner. The only thing I ever remember her saying was "Baba die. Baba die."

She really wanted to.

Yours is a sublime gift, you know.
That's a deal! Logrolling in the 21st century. But my agent can't sell the old book and I can't finish the new one. I'll just review all your books instead.
The dichotomy of the present versus the past just stuns when the reality sinks in. As always, you make the cover story glossy and bright and the interior scary and dark. A perfectly told story.

R
yummmmm, this is better than christmas dinner, no matter whose house it's served in. it really starts to swirl in the third paragraph, and my favorite sections follow: the soap bubble conversations, the **incredible** paragraph that follows, and the one after that, the misdecorated cookies. pure sandra, pure gold.
You remember detail so well.
The small building that made your fillings ache, that's when I knew we weren't going to have a nice time at grandmas. Something I've come to look for in your stories is the place the dark first creeps in. I like that you never told what was in the room with the closed door, so we could imagine our own awful arrangement.
You write with a crayola scalpel. (r)
I think about the moment when we really watch the subtle adult emotions and other indicators and realize the importance of the underlying truth and effects of history our folks carry. Prior to that we are in that sublime, unaware state, where adults are for the most part, sweet and accommodating. They are best at insuring our happiness sometimes...not always for everybody.

Your images of objects, events and temporal feelings are handled so well. It moves the mind into unfamiliar territory at some points, then I gain my balance and go on to the next treasure.

There is contentment with knowing the complexities of memory are discovered unceasingly, shared, and reiterated in forms that keep us on this enlightened trajectory.
You give us such chilling, vivid, evocative glimpses of what lurks beneath so many families, they not only linger but conjure up our own ghosts. Only truly brilliant writing can do that.
The point of view carries this. While reading it, I cannot help but wonder what any grandchild of mine will see and hear and think and come to believe. The idea that I could be in that house seems ... easy, even though I have no such history -- or any wish to do so. Somehow, your writing blends that barrier, and makes me believe I could slip a little, and be lost.
Absolutely brilliant writing.
Gary your students are so lucky to have someone like you, so gifted in ideas, creativity, and a consummate ability to express both.
Brilliantly told story, unfolded gradually and left us wanting more. Rated.
Strong, poetic writing with a visceral bite.
The piece is both warm and cold . . . not unlike the air that seeped off the screened in porch snaking its way into the boxy living room. . .
This is absolutely breathtaking. Your writing is fluid and natural, but pieces jump out and hit the reader right between the eyes. I especially liked this line, "the aunts’ generous compliments making me feel that pretty could be safe, and did not always have to cost what I couldn’t afford." Fantastic. Rated.
Powerfully conveyed. You made me see and feel it and remember how much I loved my grandmother but could tell my mother did not.
Interesting story, and your child's voice was spot on, I felt a child again reading it.
Your descriptions are marvelous Sandra.
beautiful and suggestive. More to come?