Unshining India: Destroying the Adivasis, a Native People

Adivasi Megaliths c. 500 -1000 BCE, near Hazaribagh, India
Adivasis (literally, in Sanskrit, "original dwellers") are thought to be the earliest inhabitants of the Indian subcontinent. Some 80 million in number today, they constitute a large, powerless minority. Over the centuries, living in the hills and forests of India out of the ambit of the Gangetic Plains civilization, the Adivasis have evolved an intricate communitarian, largely agrarian mode of living. Adivasis belong to their territories, which are the essence of their existence: the source of their religion and culture and the abode of the spirits and their dead . Though their lands, resources, languages and customs are theoretically protected under the Fifth Schedule of the Indian Constitution, the Adivasis are being systematically uprooted and dispersed.
India Shining was the slogan of the Bharatiya Janata Party (BJP), a right-wing, Hindu fundamentalist party.
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My parents c. 1952
My father had moved there to become the assistant medical superintendent of the mental asylum in nearby Kanke. These were not his normal environs. But this was pre-Independence India, and he (University of Edinburgh, FRCS, FRCOG) had been passed over for promotion at the Prince of Wales Medical College in the state capital in favor of some upstart Englishman. My dad resigned in protest, to Hazaribagh we came, only a few kilometres from the megaliths in the picture above, next to the dense jungles of Palamau, where indeed tigers could be heard.
In the evenings, my father had his "surgery" -- essentially a free clinic -- for patients from miles around. His Adivasi patients would often pay him with vegetables, fruit and chickens. We ate a lot of chicken.
The story has a happy ending. In a few years, my father moved back to the Prince of Wales, now renamed the Patna Medical College, as Head of Department of Obstetrics and Gynaecology. The Kanke mental asylum, thanks to the work of my dad and many other dedicated physicians, was upgraded and reconstituted as the Central Institute of Psychiatry, now a leading psychiatric teaching hospital.


But things have not turned out as well for the Adivasis of Jharkand.
The state of Jharkhand was formed (under the federal structure of India) in 2000, ostensibly to give Adivasis a bigger voice in their fate. Their traditional lands comprised 25,000 sq. miles (the size of West Virginia) of the 60,000 square miles of the new state. Their nominal population of 10 million would have been almost 50% of the entire state.
To the Adivasis' misfortune, Jharkhand mines 37% of India's coal, 23% of its iron ore, 34% of its copper, all of it from Adivasi lands. Not only are the native people not compensated for this, the troika of state capitalism, "market economy" and globalization has literally stripped them of their lands and forests; rivers have been dammed up for power production, displacing millions, desiccating the earth; unchecked industrial effluents are poisoning the air and the waterways. And a systematic process of internal colonization has brought in over 4,000,000 "outlanders" into the state (with cash, connections and corruption) while dispersing an equal number if not more Adivasis into the far-flung reaches of urban India to work as day-laborers, coolies, domestics, cut off from familial ties, living in shantytowns and slums. Rohinton Mistry's Bombay landscape in A Fine Balance is populated by these economic refugees.
The megaliths in the first panel will probably soon be gone. They fall under the aegis of something called the Barkagaon Mine Block of the Central Government's Ministry of Coal (coal mining in India is predominantly nationalized) which will destroy the entire area of over 20 sq. km. See International Council on Monuments and Sites report.
Tha harrowing condition of the Adivasi population in present day Jharkhand is movingly and eloquently depicted with unforgettable imagery in the documentary Running Out of Time . I can do no better than reproduce some of those images here. In my next piece, I shall fill out the history and extent of the present devastatation of these peaceable people.






Dedicated to my friends Abhijay Karlekar, Ahmed Hussein and Probir Ghosh, who have kept the faith.
Photography: Ranajit Ray


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Comments
The picture of the megaliths is so soothing... and the contrast with the last picture says it all. The story of your family, with the photograph of your father and mother, ties everything together so well.
WOOF
Of course, the mining has been going on from the days of the Raj, but those were underground mines. It is from the 70s that strip mining really took off, and in the last few years both the demand and activity has reached frenetic levels (India has little oil, and coal supplies over 70% of its energy needs). The government has made "development" its top priority, and the Adivasi lands are at the heart of this program.The result is ecocide of unimaginable scale, and the resulting "cleansing" of the native people from their own lands.
Well-written. It's so true, the Westernized view of indigenous people. I'm often guilty of it myself.
I have grown up in Jharkhand and I still call it my home as my family's still there. My father works at Tata Motors.
So I suppose we must be the "outlanders" you referred to.
I take no offence at that because the truth's on your side of the story.
Believe seen up close, the plight of these "original dwellers" is worse . They constitute the lowest rung of society in their own land. They were promised justice by politicians who suffer from post-election amnesia.
It sounds like you have a lovely, strong family. Thanks for sharing this, I wouldn't have ever known otherwise.
This is so moving ....wonderfully written...I enjoyed learning about you and your parents...lovely picture of them...glad it had a happy ending.
Thank you .
I'll come back later and read some more as I'm in a bit of a hurry now.
Margie
Btw, as I mentioned in the piece, the photographs (other than the one of my parents) are stills from the documentary Running Out of Time, made by an extraordinary group of friends dedicated to the Adivasi cause, with brilliant cinematography by Ranajit Ray.