Tolerantly tolerated from the Bayshore Tea Party Group via The Other McCain:

When race minstrelsy was America’s most popular form of mass entertainment, black actors would often have to pretend to be white men, who then in turn would put on the cork to play the role of the “black” coon, Sambo, or Jumping Jim Crow. Adding insult to injury, in a truly perverse and twisted example of the power of American white supremacy black vaudevillians would often pretend to be white in order to denigrate black people for the pleasures of the white gaze.

Herman Cain–an ironic name if ever, and one more suited to a tragic figure in a Harlem Renaissance era novella–is not “blackening twice” as some race minstrels chose to do.

[Unfortunately, the attendees at CPAC are not the butt of some type of joke where the white man wearing the cork is really a black man in secret.]