Just my take on

THE CONTINUING WEIRDNESS OF EVERYTHING
FEBRUARY 10, 2012 9:21PM

We Need More Poets

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I wish I could say I wrote this beautiful essay, but I'm thankful to the author, E.R. Bills, for allowing me to repost it from today's Dissident Voice (http://dissidentvoice.org).

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Writer Don DeLillo once wrote that reading poetry makes us conscious of breathing. I can’t imagine a better way to put it.

The first time I fell in love, really fell in love, it was not with a girl or a woman. It was with a smattering of words here and there on a page. A printed page.

It presaged what love would be like.

It said love is a jigsaw sunset and you are the peace that holds the sun.

It said the best gesture of my brain is less than the flutter of your eyelids which whisper we are made for each other.

It took my breath away and then gave it back, deeper and more meaningful. I wanted to take in as much of it as I could.

While other kids were dreaming about throwing or catching the winning touchdown pass or chasing after the boy who threw or caught the winning touchdown pass, I discovered trunkless legs of stone in a faraway desert, wandered the stately pleasure-dome of Kubla Khan and pondered fears of  what would happen if I ceased to be. My eyes widened and the narrows of obviousness rapidly became too confining.

I never idolized Luke Skywalker or Dr. J. I wanted to be Poe. I wanted to be Keats or Shelley or Yeats. I wanted to speak to people in a way that made them conscious of breathing.

Today air intake is just an involuntary reflex. Consciousness of it is something we attempt to force on our kids in school or college, but it doesn’t stick. And perhaps it was always so.

It’s been over two hundred years since Wordsworth noted that devoting our lives to getting and spending lays waste to our spirits. And we’re still mostly just getting and spending.

There’s not a business department in the land that will tell you that breathing is more important than getting and spending. Especially someone else’s breathing.

Society pays no praise or wages for the sullen art I loved because it taught me to love and breathe lovingly. And I know I have become a boring anachronism.

But I feel compelled to resist. I fear the reduction of our culture to raps and tweets and texts. The ironic truth about I-Touches, I-Pads and I-Phones is that more people are communicating, but less is being said. The gadgets truncate our thought processes and abridge cognition. They comprise a strain of expedience that might be useful in an immediate tense, but will likely be detrimental in the longer sense.

This is no time for intellectual slang. Look around.

The ceremony of innocence is being drowned. The best lack conviction and the worst are full of passionate intensity.

The mob may be incited or mollified by a text or tweet, but it will not be moved in a meaningful direction. That requires elucidation and crafted cogence.

Shelley may have overshot the mark when he said that poets are the unacknowledged legislators of the world, but even if it isn’t true, it should be.

The world is so much with us that we fail to grasp the importance of the moment we live in and exist oblivious to the repercussions.

We need to be more conscious of our breathing.

We must become more mindful of our interconnectedness with everything and everyone around us. There’s no hope for us as a single party, cause, country, religion, ethnicity or species. Our only hope lies in collective conscience and broad concert.

Instead of getting and spending we need to do more watching and listening and thinking.

Instead of ceding conviction to brainwashed miscreants and manipulative scoundrels, we need to speak out and rise up, inspired and informed, and therefore indomitable.

We don’t need more pundits or politicians or profiteers. We don’t need unlimited texts or more folks following us on Twitter.

We need more eloquence and profundity.

We need more poets.

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E.R. Bills is a writer from Ft Worth, Texas. His recent works appear in Fort Worth Weekly, South Texas Nation, Fort Worth Star-Telegram, Fort Worth Magazine, etc. He can be reached at erbillsthinks@gmail.com.

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The thing that hit me the most is less word is said. NO one will no how to socialize if this keeps up. I used to go out and talk to people. Now I email over telephoning.
We need to be more conscious of our breathing and speech for it is fading.
HUGGGGGGGGGGGG
Probably the best thing I have read in ages. Needed this...thank you.
Yes, yes, yes, we do! I couldn't agree more, thank you.
r
Linda--yes, little of consequence is said.
Michele, I felt the same way when I read it this morning.
Hilarad, and we need more people to listen to them, too!
Daisy Jane, I think my first really loved poem was "The Lamplighter." Or Robert Louis Stevenson's "The Swing." Not much to that but it sure enhanced my swinging experiences!
Of course we do; it is only human. R
I would think that Tweeting might increase the poetic impulse (though I don't Tweet). Like Haiku does. You've got so little space to make an impression. Doesn't that teach economy? Doesn't good poetry do that also - wrap up and capture an image, a concept, a moment in a phrase?
Yes we need more poets, and I glad you know it. Where is Sage Merlin?
he excells and then some. And yes we do need to be in control of our breathing.
.........(¯`v´¯) (¯`v´¯)
☼•*¨`*•.¸.(ˆ◡ˆ).¸.•*
............... *•.¸.•* ♥⋆★•❥ Peace and ♥ L☼√Ξ ☼ ♥
⋆───★•❥Have a Lovely Day ☼ .¸¸.•*`*•.♥ (ツ)
I write some poetry - or what I might consider poetry. A lot of crap there and a few things nicely said. It takes thought, skill with words, and as much perception as you can muster. A good deal of mere fun and games with the interplay of the mechanic of language, the mechanics of the universe and the mechanics of how a mind functions. It is about as financially rewarding as blowing bubbles but the bubbles are fascinating and beautiful. Anybody who tries to make a living at it is cuckoo.
Great Essay, GD. Thanks for re-posting this guy's terrific words
Sadly the poems that are published are not much good either and are a published due to the poem writers connections. I can't make much sense out of most what passes as published poetry, and most can't. We do appear to be spreading ourseleves so thin it's reached crisis proportions.

"The mob may be incited or mollified by a text or tweet, but it will not be moved in a meaningful direction. That requires elucidation and crafted cogence'

So true. The solution? I'm guessing we all need to swear this crap off en masse.
You write after my own heart. I always breath a little better when I read a wonderful poem. I always feel a little better when I write a poem.
rated with love
Kosh--nice to see you! You make a good point. I don't tweet either, but what tweets I've seen don't seem to have much value. They are more a response to something that's happened in pop culture or politics or one's daily activities, rather than an attempt to create something original and worthy to stand on its own. No "ah ha" moment that is in haiku. That being said, I'm wondering, as an exercise in economy and diction, in precise writing, if using the tweet format would be effective with my writing students. Asking them to hone in on portions of their writing that are not vivid and specific but too colorless and general might work. I'll give it a shot.

Good poetry does reveal ideas and experiences through images, but for me it does much more than that. I love good haiku--the focus on nature, the unexpected turn, all in seventeen syllables. But when I (and maybe most other people?) think of my favorite poems, the most meaningful and startling and beautifully crafted, it's not haiku that come up. It's bigger works, a build-up of imagery; it's showing what something is and what is isn't, in a concise way, true, but also in a very expansive manner. I'm not sure I can describe what I mean by that--maybe it's an expansion of an idea, a detailing of an experience? It's layering metaphoric images and extremely specific language. It's giving just enough to the reader. A couple of the poems in this essay are among my favorites: the Wordsworth poem and Yeats' "The Second Coming." They are not only beautiful, but also clear and profound--and prescient like nobody's business! Someone shut me up.

It's great seeing you around.
Thoth--nice to see you. You're so loyal!
Algis--peace and love back to you.
Jan--"a lot of crap there and a few things nicely said." Have you been reading my poems? :-) You are right about the process.
Fernsy--I agree there are some poems out there that just go over my head, and I'm pretty smart and have studied and read a lot of poetry. I even work hard at getting to something I can't grasp. It is incredibly frustrating when I come up empty. But there are OH so many fantastic poets that are clear and fresh and killer: Tony Hoagland, Bruce Weigl, Sharon Olds, Mary Oliver, Wendell Berry, Dave Smith, Carolyn Forche, oh shoot, I need to write a new post on this.
Poetess--I didn't write it, just sharing, but we are sympatico on the effects of reading and writing a poem.
Wonderful, GD. Thank you for sharing this. You might want to check out this book, "Writing from the Body" by John Lee. I thought of it as I was reading this.
" ... conscious of breathing."
How beautiful ... how clear ...
poetry that speaks to us ...
that helps us ... know ...
and feel ... and ...
find our love ...
our reason ... for being ...
here ...