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Wayne Gallant

Wayne Gallant
Location
Morriston, Florida,
Birthday
April 09
Title
Grand Vizier
Bio
I am six feet two inches of rippling muscle, wavy blond hair, sparkling wit and two-fisted defense of Family Values and the American way of life. (I did say that I write fantasy fiction, didn't I?) Addendum for the benefit of the humorless and/or brain-dead - The above was meant to be satirical. The parenthetical (that's the part between the curved vertical lines) should have alerted you to that intent.

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APRIL 2, 2009 6:05PM

Radio & Race Relations

Rate: 9 Flag


old radio
The second half of the 20th century saw great strides forward in race relations in the United States, and while "a perfect union" is still to be acheived, we've come a long way.

Advances in the '60s were possible, in part, because many white Americans had been prepared, like a garden is prepared for seeding, by a phenomenon whch took place in the '30 s, '40s, and '50s - the emergence of black artists into mainstream popular culture. This was the heyday of radio, and especially of popular music entering our living rooms via the medium of radio.

Of course, there had been black artists like Bessie Smith and Ma Rainey, who got lots of air time, but they were "negro artists", singing "negro music" - blues. What set the new groups, like the Ink Spots, the Mills Brothers, and Ella Fitzgerald apart, was that they performed popular ballads, which could be, and were recorded by household names like Bing Crosby amd Glenn Miller.

In those days Billboard magazine didn't have a seperate chart for "soul" or R&B hits, only one Top 100 chart, based on sheet music sales and radio plays, and both the Mills Brothers and the Ink Spots had several recordings which reached number one.

Ink Spots - If I Didn't Care


The Mills Brothers had been around before the Ink Spots, with hits like "You're Nobody's Sweetheart Now", "Ole Rockin' Chair", "Lazy River", and "Lulu's Back in Town". In 1934 they gave a command performance for British Royalty.

mills bros

 
The Ink Spots had a distinctive style, with the clear tenor voice of Bill Kenny singing lead, and the bass offering a signature spoken interlude, most notably imitated by Elvis Presley, in his cover of "Are You Lonesome Tonight." The Ink Spots had many reincarnations, including a time when Billy Bowen replace Kenny. (That's him in the video clip.)

ink spots

 

Ella Fitzgerald had a troubled childhood, even escaping from reform school at one point. She found a new life after performing at Harlem's legendary Apollo, and eventually signed with Chick Webb's Orchestra, recording several hit songs with them, but it was her 1938 version of the nursery rhyme, " A-Tisket, A-Tasket", a song she co-wrote, that brought her wide public acclaim.

ella

 

The influence of these three artists was immense, and was the first time that millions of Americans came to know and appreciate black performers as part of mainstream culture, and to welcome them into their living rooms, thus setting the stage for a wider acceptance during the civil rights struggle.

 

 

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Comments

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Very well done. No Amos and Andy.
Rated
When I saw the Ink Spots doing "If I Didn't Care", I'll swear, I started to salivate and couldn't hit play fast enough. Haven't heard it in a long time. Thanks.
Love the Mills Brother, too, but Ella Fitzgerald is the tops. She was an entertainer. She made you live a song.
Now, I think I'll go press "play" one more time.
Thanks Greg, I'm saving A&A for another time.
Glad you liked it Sharon. Good as Billy Bowen was, I still preferred Bil Kenny.

I tried very hard to find a clip of my Ink Spots favorite, We Three, but could only find MP3s.
Great piece. Unforgettable music and musicians. Maybe you or Greg will do a piece on Chess Records (from Howlin Wolf to Bo Diddley) -- I think they started after Billboard had already begun their R&B charts, but their influence in raising/diminishing the racial consciousness of at least the young pups of those days was very important, I believe.

WOOF
Dawg, thanks for coming by and your gracious comments. I'll leave the Chess records piece to someone else. (Didn't PBS do a documentary on Chess a year or two ago?)
Are you thinking of "The Blues" series that they did a few years ago? That was a great series -- I think Scorcese produced/directed it -- and of course it featured a lot of the musicians. I think there was one segment all about Chess -- you're right. Ah, the blues.

WOOF

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